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From Home Embedded Audio Engineer Jobs in Texas (NOW HIRING)

Mix and oversee all audio aspect for the weekend services. * Help with troubleshooting and ... Prompt response and resolution to constructive feedback from the Production Director * Good problem ...

Ensure that all equipment is used safely, in accordance with proper industry standards, from the ... High school diploma or equivalent required Experience * 10+ years experience as audio engineer for ...

Embedded Software Engineer Description - The Embedded Software Development Engineer will be key in ... Create innovative new collaboration features for HP's video endpoints. - Design & develop audio and ...

Embedded Software Enginner

Austin, TX · On-site

$130K - $171K/yr

The Mackenzie Search Group knows how to position US & International companies for success, from ... for the audio subsystem in cutting edge consumer electronic products. You will be part of a ...

Learn directly from professional audio engineers and media producers * Build skills in mic setup, live mixing, recording workflows, and post-production * Contribute to real Austin PBS productions and ...

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From Home Embedded Audio Engineer information

What is a from home embedded audio engineer?

A From Home Embedded Audio Engineer is a professional who specializes in designing, developing, and testing embedded audio systems or software, while working remotely from their home. Their responsibilities often include integrating audio codecs, optimizing sound quality, and ensuring seamless audio performance in devices like smartphones, smart speakers, or automotive systems. They use programming languages such as C or C++ and collaborate with hardware and software teams virtually. Working from home requires strong communication skills, effective time management, and the ability to troubleshoot issues independently.

What are some common challenges faced by remote embedded audio engineers, and how can they be addressed?

Remote embedded audio engineers often encounter challenges such as limited access to specialized audio hardware for testing, coordinating effectively with cross-functional teams, and ensuring secure handling of proprietary audio data. To address these, many companies provide remote access to lab equipment, set up regular virtual meetings for collaboration, and implement secure VPNs or remote desktop solutions. Staying proactive with documentation and clear communication also helps bridge gaps and maintain project momentum while working from home.

What is the difference between From Home Embedded Audio Engineer vs From Home Audio Software Developer?

AspectFrom Home Embedded Audio EngineerFrom Home Audio Software Developer
CredentialsBachelor's in Electrical Engineering, Audio Engineering certificationsBachelor's in Computer Science, Software Development certifications
Work EnvironmentHome office, audio hardware labs, client sitesHome office, software development environments
Industry UsageAudio hardware, consumer electronics, automotiveMusic apps, digital audio workstations, media players
Search & ComparisonOften compared for embedded audio roles in hardwareCompared for software audio development roles

The main difference is that From Home Embedded Audio Engineers focus on designing and testing audio hardware and embedded systems, requiring hardware and audio engineering skills. In contrast, From Home Audio Software Developers primarily develop software applications related to audio, emphasizing programming and software engineering. Both roles may work remotely and require related technical credentials, but their focus areas and industry applications differ significantly.

What are the key skills and qualifications needed to thrive as a from home embedded audio engineer?

To thrive as a From Home Embedded Audio Engineer, you need a solid background in embedded systems, digital signal processing (DSP), and audio engineering, typically supported by a degree in electrical engineering or a related field. Proficiency with programming languages such as C/C++, real-time operating systems (RTOS), and audio development tools like MATLAB or LabVIEW is essential, and certifications in embedded systems design can be advantageous. Strong problem-solving skills, effective communication, and self-motivation are vital soft skills, especially when collaborating remotely. These competencies ensure high-quality audio product development, efficient troubleshooting, and successful teamwork in a remote work environment.
What are the most commonly searched types of Embedded Audio Engineer jobs in Texas? The most popular types of Embedded Audio Engineer jobs in Texas are:

Full-time

Re-posted 19 days ago


Job description

JOB SUMMARY


The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.


This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that

support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.


This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.


ESSENTIAL FUNCTIONS


Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.


  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events

  • Mix high-level FOH, monitor, overflow, and broadcast audio environments

  • Deliver polished, balanced, and emotionally engaging mixes for:

  •  In-room worship experiences

  • Online streaming audiences

  • Satellite campuses

  • Broadcast environments

  • Recording and archive playback

  • Overflow environments

  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:

  • Main Worship Center

  • Overflow venues

  • Monitor World

  • Broadcast environments

  • Build and maintain console show files, scenes, routing structures, macros, and workflows

  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes

  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence

  • Maintain sonic consistency across multiple venues and campus environments

  • Mix and optimize audio specifically for online and broadcast environments

  • Understand the operational and creative differences between FOH and broadcast mixing

  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms

  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues

  • Understand audio-for-video workflows including:

  • Embedded SDI audio

  • Dante network audio systems

  • Multitrack recording

  • Playback systems

  • Lip sync management

  • Streaming signal paths

  • Help create immersive worship experiences for In room/online audiences

  • Operate, maintain, and troubleshoot advanced live audio systems including:

  • Yamaha Rivage console ecosystems

  • Yamaha DM7 console ecosystems

  • d&b Audiotechnik PA systems

  • d&b Soundscape immersive audio environments

  • Shure wireless microphone systems

  • Dante audio networking

  • RF coordination systems

  • Playback and recording systems

  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues

  • Coordinate wireless frequencies and RF environments for large-scale productions

  • Assist with PA optimization, gain structure management, and system tuning workflows

  • Troubleshoot complex signal flow and technical issues under live-event pressure

  • Maintain organized documentation including:

  • Patch sheets

  • Signal flow diagrams

  • System configurations

  • Equipment status reports

  • Ensure systems remain operationally reliable and service-ready

  • Record, edit, mix, and master audio for:

  • Video productions

  • Promotional content

  • Broadcast packages

  • Podcasts

  • Worship recordings

  • Support multitrack recording workflows and playback systems

  • Maintain organized session archives and audio assets

  • Assist in developing scalable playback and recording workflows for future production growth

  • Support guest artists, conferences, and special production environments with advanced preparation and execution

  • Serve as technical lead for smaller ministry events and gatherings

  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles

  • Cross-train in lighting, broadcast, and video systems to support overall production excellence

  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards

  • Maintain calm, organized, and solutions-focused environments during high-pressure productions


COMPETENCIES


  • Strong attention to detail with exceptional listening skills

  • Calm and composed under live-event pressure

  • Highly organized and solutions-oriented

  • Team-focused with strong interpersonal communication skills

  • Self-motivated learner with a growth mindset

  • Reliable, punctual, and highly accountable

  • Passionate about excellence in both ministry and production environments

  • Adaptable and flexible within rapidly changing live-event environments


POSITION TYPE/EXPECTED HOURS OF WORK


Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.


PHYSICAL REQUIREMENTS


While performing the duties of this job, the employee may be regularly required to do the following:


  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events. 

  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs

  • Navigating stages, platforms, and technical areas


EDUCATION AND EXPERIENCE


  • High School Diploma or equivalent required

  • 3+ years of live audio production experience preferred

  • Experience in church, touring, concert, or broadcast production environments strongly preferred

  • Relevant certifications or advanced live audio training considered a plus


REQUIRED SKILLS


  • Strong experience with professional digital audio consoles in live production environments

  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred

  • Advanced understanding of:

  • FOH mixing

  • Broadcast mixing

  • Monitor engineering

  • EQ and dynamics processing

  • Gain structure

  • Signal flow

  • System optimization

  • Experience with Shure wireless systems and RF coordination

  • Understanding of Dante audio networking and digital audio infrastructure

  • Strong troubleshooting skills in high-pressure live production environments

  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics


PREFERRED QUALIFICATIONS


  • Experience with d&b audiotechnik systems

  • Experience with d&b Soundscape immersive audio environments

  • Experience in large church, touring, concert, or broadcast production environments

  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows

  • Understanding of synchronization, latency management, and broadcast integration

  • Experience mentoring volunteers or technical team members

  • Familiarity with lighting and broadcast production systems


WORK ENVIRONMENT


Live production environments with high sound pressure levels


OTHER DUTIES


  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility

  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders

  • Lead by preparation, professionalism, positivity, and adaptability

  • Support continuous improvement of CBC systems, workflows, and team development

  • Uphold the belief that production should support worship experiences without becoming distracting

  • CBC Member, genuine desire to serve God and the Church

  • Must live a life beyond reproach 1 Timothy 3

  • Maintain daily disciplines of Bible study and prayer

Employment Type: FULL_TIME