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Flexible Audio Engineer Jobs (NOW HIRING)

Audio Engineer

Pittsburgh, PA ยท On-site

$21.64 - $24/hr

The Audio Engineer is a member of our Production Team. The role requires extensive knowledge of ... Must be willing to work flexible hours, including nights, weekends, holidays, and overtime as ...

Head Audio Engineer

MA ยท On-site

$23.58 - $26/hr

The DDT is a modular wood box with flexible retractable seating, extensive catwalks, and robust ... Head Audio Engineers are a member of the TST, DDT, or HJL production team and report to that ...

Audio Engineer

Pittsburgh, PA ยท On-site

$21.64 - $24/hr

The Audio Engineer is a member of our Production Team. The role requires extensive knowledge of ... Must be willing to work flexible hours, including nights, weekends, holidays, and overtime as ...

The Audio Engineer is responsible for the daily hotel audiovisual operations within the Audio ... Flexible with the work schedule * Strong customer service and overall communication skills * You ...

New

The Audio Engineer is responsible for the daily hotel audiovisual operations within the Audio ... Flexible with the work schedule * Strong customer service and overall communication skills * You ...

New

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Flexible Audio Engineer information

See salary details

$29.5K

$84.5K

$171.5K

How much do flexible audio engineer jobs pay per year?

As of Aug 21, 2026, the average yearly pay for flexible audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is a flexible audio engineer?

Flexible Audio Engineers are audio professionals who adapt their skills to various settings, such as live events, studio recordings, and post-production environments. They work with sound equipment, manage audio quality, and often handle multiple roles depending on the project's requirements. Their flexibility allows them to work on different types of projects, from music and film to podcasts and corporate events, making them highly valuable in the audio industry. They must be proficient with a range of audio technologies and able to quickly adjust to changing technical or creative needs.

How does working as a flexible audio engineer differ from traditional audio engineering roles in terms of daily workflow and collaboration?

As a Flexible Audio Engineer, you can expect a varied daily workflow, often moving between studio, live, and remote environments depending on project needs. This role frequently involves collaborating with different teams, such as producers, musicians, and technical staff, and adapting to rapidly changing schedules and requirements. You'll benefit from strong communication skills and the ability to quickly learn new technologies or setups. Flexibility allows for broader experience and networking, potentially opening doors to diverse audio industry opportunities.

What are the key skills and qualifications needed to thrive as a flexible audio engineer, and why are they important?

To thrive as a Flexible Audio Engineer, you need a solid understanding of audio signal flow, acoustics, and audio editing, usually supported by a degree in audio engineering or related experience. Familiarity with digital audio workstations (DAWs) like Pro Tools or Ableton Live, as well as certification in audio software or equipment, is often required. Creative problem-solving, adaptability, and strong communication skills make someone stand out in this role. These skills ensure high-quality audio production, effective collaboration, and the ability to meet diverse project requirements across changing environments.

What is the difference between Flexible Audio Engineer vs Audio Technician?

AspectFlexible Audio EngineerAudio Technician
CredentialsAudio engineering degree or certificationTechnical diploma or certification in audio technology
Work EnvironmentRecording studios, live events, broadcastConcerts, theaters, broadcast facilities
Job FocusMixing, editing, sound design, flexible rolesSetup, maintenance, operation of audio equipment

Flexible Audio Engineers typically have broader roles involving mixing, editing, and sound design across various environments, while Audio Technicians focus more on equipment setup and maintenance. Both roles require technical certifications and are essential in audio production, but the Flexible Audio Engineer often takes on more creative and varied tasks.

Can a flexible audio engineer work remotely?

Flexible audio engineers can often work remotely, especially for tasks such as editing, mixing, and mastering audio files, which can be done using digital audio workstations and cloud-based collaboration tools. However, some roles that require on-site equipment setup, live sound engineering, or studio work may necessitate physical presence. The ability to work remotely depends on the specific job requirements and employer policies.

Is there a demand for flexible audio engineers?

The demand for flexible audio engineers remains strong due to the growth of live events, media production, and remote audio work. Skills in digital audio workstations, mixing, and adaptability to various environments increase employability in this field.

What type of flexible audio engineer makes the most money?

Experienced freelance audio engineers who specialize in high-demand areas such as live concert mixing, film post-production, or studio recording tend to earn the highest incomes. Those with advanced skills, industry certifications, and a strong portfolio often command higher rates, especially when working on large projects or with high-profile clients.

What cities are hiring for Flexible Audio Engineer jobs?

Cities with the most Flexible Audio Engineer job openings:

What are the most commonly searched types of Audio Engineer jobs?

The most popular types of Audio Engineer jobs are:

What states have the most Flexible Audio Engineer jobs?

States with the most job openings for Flexible Audio Engineer jobs include:

Infographic showing various Flexible Audio Engineer job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 67% Full Time, 29% Part Time, and 3% Contract. Highlights an 86% Physical, 1% Hybrid, and 13% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Full-time

Posted 7 days ago


Job description

  1. Summary

Title: Audio Engineer

Reports to: Director of Production

Employment Status: Full-Time Salaried, Exempt

Overview: As the primary executor of both live and recorded audio for the Nashville Symphony and at the Schermerhorn Symphony Center (SSC), the Audio Engineer helps the Director of Production manage and supervise part-time audio staff and audio production equipment/infrastructure at SSC. This role also works in conjunction with external venues and engineers to ensure the sonic quality of the Nashville Symphony is preserved regardless of the performance context.

  1. Primary Duties and Responsibilities
  1. Collaborate with Director of Production, Artistic Operations staff, orchestra musicians, and conductors to establish and execute audio standards and best-practices consistent with the Nashville Symphony and SSCโ€™s reputation of excellence.
    1. Operate and/or supervise the operation of SSC audio equipment.
    2. Maintain audio equipment, communicating effectively about any repair or replacement needs to the Director of Production in a timely fashion.
    3. Provide audio support for non-orchestral events and concerts at SSC.
  2. Coordinate with other venues, arts organizations, engineers, and artists to cultivate and maintain a high standard of auditory excellence for the Nashville Symphony outside of SSC.
  3. Operate and/or supervise the operation, maintenance, and purchase & installation of SSC audio equipment for the Nashville Symphony, visiting artists/tours, and venue rental clients.
  4. Interpret technical riders and advance audio production for visiting artists and tours congruent with symphony CBA regulations and SSC best practices.
  5. Coordinate with Director of Production and Orchestra Production Manager to complete administrative work related to audio production including coding invoices, scheduling audio labor, and coordinating audio equipment rentals as needed.
  6. Ensure safety of Production Department equipment.
  7. Supervise and direct stagehands for โ€œfloor flipsโ€ in Laura Turner Concert Hall, as well as other production and maintenance tasks as assigned.

The duties listed above are not all inclusive.ย  The person in this position is expected to perform other work-related duties as assigned even though they may not be considered primary duties.

  1. Supervisory Responsibilities

Supervision of audio staff, contracted free-lancers, and venders. Carry out supervisory responsibilities in accordance with the organization's policies and applicable laws.

  1. Work Requirements
  1. Education / Experience:
    1. Bachelorโ€™s degree or higher in Audio Engineering or related; or
    2. High School diploma or GED equivalent; and
    3. 5 years of experience mixing and recording in professional settings
  2. Required Soft Skills:
    1. Ability to lead, contribute, and thrive in a team environment.
    2. Strong analytical, organizational, and project management skills and a helpful attitude in developing creative responses and solutions to needs and issues.
    3. Ability to read, analyze, and interpret complex technical manuals and specifications and translate technical terminology to lay terms.
    4. Strong interpersonal skills for balancing the needs of various stakeholders.
    5. Ability to work independently and use independent judgment while keeping supervisor informed of work activity and issues.
    6. Ability to coordinate multiple projects and effectively prioritize tasks while maintaining a calm and professional demeanor.
    7. Ability to work flexible hours, including nights and weekends.
  3. Required Technical Skills:
    1. Familiarity with a variety of analog and digital audio equipment including: consoles, microphones, speakers, amplifiers, wireless systems, AoIP protocols, etc.
    2. Familiarity with Digital Audio Workstations.
    3. Excellent computer and Audio over IP networking skills.
    4. Advanced audio mixing and recording proficiency.
    5. Proficiency with soldering iron and heat gun.

The Nashville Symphony Association reserves the right to revise this job description at any time.ย  This job description is not a contract for employment. All employees are expected to adhere to all terms and conditions of the Associationโ€™s Personnel Policies and Employment Manuals and other Association policies and procedures which may be promulgated and published from time to time.