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Film Sound Editor Jobs (NOW HIRING)

Someone who can cut a 30-second spot, a six-second social ad, an internal film, or a piece of ... Notice pacing, rhythm, and sound design before anyone else. Love collaborating with talented people ...

... sound videos on deadline. The ideal candidate is comfortable operating within defined formats ... Bachelor's degree in Film, Media Production, Communications, or related field preferred; equivalent ...

Shoot and edit daily news packages, VOs (Voice Overs), SOTs (Sound on Tape), and lifestyle segments ... High school diploma required; college coursework or degree in Film, Broadcast Journalism ...

Creative Video Producer

San Francisco, CA · On-site

$120K - $220K/yr

Fluent in the editing and motion stack (Premiere, After Effects, Figma) * Relentless on iterating ... Own launch videos end to end - concept, film, sound, edit, ship - often inside a launch week

QUALIFICATIONS & REQUIREMENTS Education and Experience • BA/BS/BFA degree in film studies ... of sound design and editing. • Clear communication with the team regarding project status and ...

QUALIFICATIONS & REQUIREMENTS Education and Experience · BA/BS/BFA degree in film studies ... of sound design and editing. · Clear communication with the team regarding project status and ...

QUALIFICATIONS & REQUIREMENTS Education and Experience · BA/BS/BFA degree in film studies ... of sound design and editing. · Clear communication with the team regarding project status and ...

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Film Sound Editor information

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$11

$31

$57

How much do film sound editor jobs pay per hour?

As of Aug 15, 2026, the average hourly pay for film sound editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What does a film sound editor do?

A Film Sound Editor is responsible for selecting, editing, and assembling all the audio elements in a film, including dialogue, sound effects, and background noise. They work closely with the director and other post-production staff to ensure that the film's audio complements the visuals and enhances the storytelling. Their job often involves cleaning up recorded sound, creating or sourcing additional effects, and synchronizing audio with the picture. Ultimately, a Film Sound Editor helps create the immersive soundscape that brings a movie to life for audiences.

What is the difference between Film Sound Editor vs Film Sound Mixer?

AspectFilm Sound EditorFilm Sound Mixer
Primary RoleEdits and assembles sound elements, including dialogue, sound effects, and music, to create the final sound track.Balances and blends all sound elements during the final mix to achieve the desired audio quality and effect.
Work EnvironmentPost-production sound editing suite, working closely with editors and directors.Mixing stage, often in a dedicated sound studio with sound engineers and directors present.
CredentialsTypically requires a background in audio editing, sound design, or related certifications.Requires expertise in audio mixing, often with certifications in sound engineering or related fields.

While both roles are essential in film post-production, the Film Sound Editor focuses on assembling and editing sound elements, whereas the Film Sound Mixer is responsible for balancing and finalizing the audio during the mixing stage. Understanding these differences helps clarify career paths and job expectations in film sound production.

What are some common challenges faced by film sound editors during post-production, and how can they be addressed?

Film sound editors often encounter challenges such as synchronizing audio with visuals, removing unwanted background noise, and balancing different sound elements to create a cohesive audio experience. Working under tight deadlines and collaborating with directors or other team members with varying creative visions can also be demanding. Addressing these challenges requires strong technical proficiency with editing software, effective communication skills, and flexibility to adapt to feedback while maintaining the film's audio integrity.

What are the key skills and qualifications needed to thrive as a film sound editor, and why are they important?

To excel as a Film Sound Editor, you need a deep understanding of audio editing, sound design, and film post-production processes, often supported by a relevant degree or coursework in audio engineering or film. Proficiency with digital audio workstations (DAWs) like Avid Pro Tools, sound libraries, and synchronization tools is typically required. Strong attention to detail, creativity, and collaboration skills help a sound editor shape the film’s auditory experience and work effectively with directors and other post-production staff. These abilities ensure that the final film delivers an immersive and cohesive soundscape, enhancing the storytelling and audience engagement.
More about Film Sound Editor jobs

What cities are hiring for Film Sound Editor jobs?

Cities with the most Film Sound Editor job openings:

What states have the most Film Sound Editor jobs?

States with the most job openings for Film Sound Editor jobs include:

Infographic showing various Film Sound Editor job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 87% Full Time, 10% Part Time, 1% Temporary, and 1% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

Full-time

Posted 13 days ago


Job description

Agency:
Omnicom Advertising
Job Function:
Production
Job Subfunction:
Post Production
Job Description:
Editor - EP+Co
At EP+Co, we're looking for an Editor who knows how to make people stop scrolling.
We're not looking for someone who only edits video. We're looking for someone who understands modern content.
Someone who understands pacing. Story. Timing. Emotion. Someone who can cut a 30-second spot, a six-second social ad, an internal film, or a piece of branded content-and make every frame earn its place.
This isn't an assembly-line editing job. You'll work alongside creatives, producers, strategists, designers, copywriters, and account teams to create work for national and regional brands. Every project is different. That's the fun part.
If you love solving creative problems, embrace new technology (including AI), and care as much about organization as you do about storytelling, keep reading.
What you'll doEdit compelling video content across social, broadcast, internal communications, and agency marketing.
Create motion graphics and animation using Adobe After Effects.
Color correct, mix audio, finish projects, and sweat the details that separate good work from great work.
Collaborate with producers, creatives, designers, copywriters, and account teams from kickoff through delivery.
Manage multiple projects without letting quality slip.
Organize footage, project files, and assets so your teammates don't have to become detectives.
Use AI-powered creative tools and emerging workflows to work smarter-not just faster.
Adapt your editing style to fit different brands, audiences, and platforms.
What we're looking for
You have professional experience editing in Adobe Premiere Pro and are confident working in After Effects.
You understand motion graphics, animation, audio, color, finishing, and everything that turns a rough cut into a polished piece of work.
You're organized enough to juggle multiple deadlines, collaborative enough to welcome feedback, and confident enough to bring ideas of your own.
A portfolio that demonstrates strong storytelling across social, digital, and broadcast work is essential.
Agency experience is a plus.
We love makers.
Some people wait to be assigned creative work. Others are constantly making things because they can't help themselves.
Maybe you're editing passion projects after hours. Maybe you're shooting documentaries, creating YouTube videos, animating title sequences, experimenting with AI filmmaking, photographing concerts, or helping friends launch brands.
Whatever your outlet, we love people who are naturally curious and always creating. The medium matters less than the mindset.
This part matters.
We're looking for someone who embraces AI as another creative tool-not someone who's looking for AI to do the creative thinking for them.
We also believe great editors don't just execute-they elevate. They find the better cut. The stronger performance. The moment everyone else missed. They care about the details because they know that's where the magic lives.
The best editors today know how to combine craft, curiosity, and technology to make better work. If you're already experimenting with AI-powered production tools and finding ways to improve your workflow, we want to talk.
You'll probably love this role if you...Care about storytelling more than flashy transitions.
Notice pacing, rhythm, and sound design before anyone else.
Love collaborating with talented people who challenge your ideas.
Can switch from a broadcast spot to a TikTok edit without missing a beat.
Take ownership of your work from first cut through final export.
Stay curious and are always learning new tools and techniques.
Believe every project deserves your best work, regardless of budget or runtime.
A few things to know
This is a Greenville, SC-based hybrid position. We work remotely on Mondays and Fridays, and collaborate together in our Greenville office on Tuesdays, Wednesdays, and Thursdays.
We're looking for someone who wants to be part of that in-person creative energy. This is not a remote position.
This is also a collaborative, deadline-driven role. While most work happens during normal business hours, occasional evenings or weekends may be needed around production schedules and client deadlines.
If that sounds exciting instead of exhausting, you're probably our kind of person.
If not-all good. This one's probably not for you.
Omnicom's policy requires employees to work in the office for a minimum of three days a week, unless additional in-office days are directed by their agency or manager. Our objective is to increase this requirement over time, and many of our agencies as well as Omnicom's corporate group already require five days of in-office attendance.
Omnicom is committed to hiring and developing exceptional talent. We agree that talent is uniquely distributed, and we're focused on developing inclusive teams that can bring the best solutions to everything we do. We strongly believe that celebrating what makes us different makes us better together. Join us-we look forward to getting to know you. We will process your personal data in accordance with our Recruitment Privacy Notice.
Link to Recruitment Privacy Notice: https://www.omc.com/privacy-notice
For US Job Seekers:
It is the policy of Omnicom and any of its affiliates to provide equal employment opportunities to all employees and applicants for employment without regard to race, religion, color, ethnic origin, gender, gender identity, age, marital status, veteran status, sexual orientation, disability, or any other basis prohibited by applicable federal, state, or local law. EOE/AA/M/D/V/F.