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Film Sound Editor Jobs (NOW HIRING)

Acquisitions Editor

Manhattan, NY · On-site

$55K - $65K/yr

... US politics, film, media, popular culture, among other subject areas, as well general interest ... The Acquisitions Editor would acquire across a range of product categories in Music & Sound Studies ...

... sound videos on deadline. The ideal candidate is comfortable operating within defined formats ... Bachelor's degree in Film, Media Production, Communications, or related field preferred; equivalent ...

Acquisitions Editor

Manhattan, NY · On-site

$60K - $65K/yr

... US politics, film, media, popular culture, among other subject areas, as well general interest ... The Acquisitions Editor would acquire across a range of product categories in Music & Sound Studies ...

Shoot and edit daily news packages, VOs (Voice Overs), SOTs (Sound on Tape), and lifestyle segments ... High school diploma required; college coursework or degree in Film, Broadcast Journalism ...

QUALIFICATIONS & REQUIREMENTS Education and Experience · BA/BS/BFA degree in film studies ... of sound design and editing. · Clear communication with the team regarding project status and ...

QUALIFICATIONS & REQUIREMENTS Education and Experience · BA/BS/BFA degree in film studies ... of sound design and editing. · Clear communication with the team regarding project status and ...

QUALIFICATIONS & REQUIREMENTS Education and Experience • BA/BS/BFA degree in film studies ... of sound design and editing. • Clear communication with the team regarding project status and ...

Add music, sound effects, and other elements to enhance the video * Collaborate with the producer ... Bachelor's degree in film, video production, or related field is preferred but not required This is ...

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Film Sound Editor information

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How much do film sound editor jobs pay per hour?

As of Jun 15, 2026, the average hourly pay for film sound editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What does a Film Sound Editor do?

A Film Sound Editor is responsible for selecting, editing, and assembling all the audio elements in a film, including dialogue, sound effects, and background noise. They work closely with the director and other post-production staff to ensure that the film's audio complements the visuals and enhances the storytelling. Their job often involves cleaning up recorded sound, creating or sourcing additional effects, and synchronizing audio with the picture. Ultimately, a Film Sound Editor helps create the immersive soundscape that brings a movie to life for audiences.

What is the difference between Film Sound Editor vs Film Sound Mixer?

AspectFilm Sound EditorFilm Sound Mixer
Primary RoleEdits and assembles sound elements, including dialogue, sound effects, and music, to create the final sound track.Balances and blends all sound elements during the final mix to achieve the desired audio quality and effect.
Work EnvironmentPost-production sound editing suite, working closely with editors and directors.Mixing stage, often in a dedicated sound studio with sound engineers and directors present.
CredentialsTypically requires a background in audio editing, sound design, or related certifications.Requires expertise in audio mixing, often with certifications in sound engineering or related fields.

While both roles are essential in film post-production, the Film Sound Editor focuses on assembling and editing sound elements, whereas the Film Sound Mixer is responsible for balancing and finalizing the audio during the mixing stage. Understanding these differences helps clarify career paths and job expectations in film sound production.

What are some common challenges faced by film sound editors during post-production, and how can they be addressed?

Film sound editors often encounter challenges such as synchronizing audio with visuals, removing unwanted background noise, and balancing different sound elements to create a cohesive audio experience. Working under tight deadlines and collaborating with directors or other team members with varying creative visions can also be demanding. Addressing these challenges requires strong technical proficiency with editing software, effective communication skills, and flexibility to adapt to feedback while maintaining the film's audio integrity.

What are the key skills and qualifications needed to thrive as a Film Sound Editor, and why are they important?

To excel as a Film Sound Editor, you need a deep understanding of audio editing, sound design, and film post-production processes, often supported by a relevant degree or coursework in audio engineering or film. Proficiency with digital audio workstations (DAWs) like Avid Pro Tools, sound libraries, and synchronization tools is typically required. Strong attention to detail, creativity, and collaboration skills help a sound editor shape the film’s auditory experience and work effectively with directors and other post-production staff. These abilities ensure that the final film delivers an immersive and cohesive soundscape, enhancing the storytelling and audience engagement.
More about Film Sound Editor jobs
What cities are hiring for Film Sound Editor jobs? Cities with the most Film Sound Editor job openings:
What states have the most Film Sound Editor jobs? States with the most job openings for Film Sound Editor jobs include:
Infographic showing various Film Sound Editor job openings in the United States as of June 2026, with employment types broken down into 3% Internship, 3% As Needed, 86% Full Time, and 8% Part Time. Highlights an 72% Physical, 4% Hybrid, and 24% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

$55K - $65K/yr

Other

Medical, Dental, Vision, Retirement

Posted 28 days ago


Job description

Description

This is an exciting opportunity for an Acquisitions Editor to join Bloomsbury Academic's US-based team. Bloomsbury Academic is the publisher of scholarly and general interest books in the humanities and social sciences. This role is positioned within a broader team that publishes innovative and insightful scholarly interventions in music, literature, US politics, film, media, popular culture, among other subject areas, as well general interest series such as 33 1/3, Object Lessons, and Marvel Age of Comics.


The Acquisitions Editor would acquire across a range of product categories in Music & Sound Studies, from research monographs and reference books to general interest and trade titles. 


Main Purpose of the Role

  • Provides the strategic direction and is commercially responsible for their list within Bloomsbury's music and sound studies publishing program in conjunction with direct line manager
  • Plays a key role in managing the music digital resource product working in collaboration with project teams, including acquiring and coordinating of ongoing editorial content
  • Researches new product lines and markets for print and digital products 
  • May identify, manage, and secure new book and digital resource publishing partnerships 
  • Ensures that their list meets key business goals: global growth plans, revenue, budgets, no. of projects, product mix, profit
  • Acts as a spokesperson for the list and the Bloomsbury Academic Division, representing its key values, objectives, and policies
Commissioning & List Management
  • Identifies and pursues lucrative new opportunities (markets, product types, partnerships) within subject areas
  • Develops knowledge of music and sound studies and builds a network of talented authors within this field
  • Develops market awareness by reading relevant academic/industry publications, visiting end-users; researching and analyzing competitive environment and activity, market trends, developments and channels
  • Utilizes market awareness and understanding to inform future publishing strategy for products/lists/portfolios
  • Commissions to pre-agreed annual turnover and product line targets
  • Commissions and assesses proposals for new projects according to an agreed no. of titles and product mix (reference works, monographs, edited collections, textbooks, supplementary/trade titles, backlist revisions)
  • Coordinates peer review and market research to progress proposals to approval
  • Negotiates contracts with authors and partners
  • Manages timetabling of projects under contract
  • Liaises with the Production Department to ensure that books are published to budget and schedule
  • Liaises with Marketing and Sales Departments for the effective promotion of the list and monitors sales performance
  • Attends academic conferences and represents the company at events as appropriate
  • Ensures all metadata relating to frontlist and backlist is accurately managed within the team to a high standard and according to Key Dates
Staff Management
  • May undertake direct line-management of  Assistant Editor/Editorial Assistant/Intern and help them to meet key business objectives: Production schedule/publication targets (pipeline of product)
  • Ensures direct report/s adheres to editorial guidelines, procedures and best practice 
  • Provides clear direction and SMART (Specific Measurable Achievable Realistic and Time bound) targets for direct reports in order to enable them to meet publishing schedule, key dates and MS handover targets
  • May contribute to wider divisional initiatives (i.e. strategic working groups)
Coordination & Administration
  • Oversees the annual frontlist and keeps titles to schedule, budgeted revenue and profit targets
  • Assesses and oversees reviewing process of all new proposals
  • Performs annual list budgeting and reforecasting duties to a high standard, keeping slippage well below the 10% tolerance threshold for no. of titles that have slipped out of the fiscal year
  • Demonstrates good time management skills, including, prioritization, assessing and managing own workload, meeting deadlines
  • Manages email and inbox effectively
  • Has sound knowledge of internal systems including Biblio, Focal Point, Cognos, and office management systems, Office, Excel, PowerPoint, etc.
  • Maintains databases and systems to ensure a high level of accuracy of information 
  • Works to set procedures as required
  • Processes information quickly and effectively, and prioritizes subsequent actions promptly
  • Prioritizes more critical activities and assignments and adjusts priorities when appropriate to meet deadlines
  • Uses time effectively and prevents irrelevant issues or distractions from interfering with work completion
  • Develops avenues of questioning to ascertain correct information and ensure understanding
  • Generates innovative solutions in work situations; tries different and novel ways to deal with work problems and opportunities
  • Manages information systems for collection, retrieval, and use of data for decision-making

This is not meant to be an exhaustive list of duties. The need for flexibility is required and the job holder is expected to carry out any other related duties that are within the employee's skills and abilities whenever reasonably instructed.

Requirements

  • Relevant academic editorial experience
  • Commissioning experience (successfully working to agreed commissioning targets)
  • Excellent written and verbal communication skills
  • Strong problem-solving abilities
  • High attention to detail
  • Collaborative and team-oriented mindset
  • Experience of working on a range of academic book types desirable (including textbooks, monographs and reference works)


All Applications Must Include a Cover Letter

Cover letters are required. Pay close attention to this description and submission requirements in your application. In your cover letter, please let us know why you are interested in Academic Publishing specifically. 

Location: 

We are seeking candidates located within the DC, MD, VA region or the NY tri-state area who can work on a hybrid schedule from our Greenbelt MD or NYC office.  


Benefits

  • Hybrid work schedule
  • Medical
  • Dental
  • Vision
  • 401(k)