2

Entry Level Production Editor Jobs (NOW HIRING)

Be Seen First

... entry-level role for someone interested in media, politics, YouTube, and digital content, and who can support social media video editing, content editing, research, publishing, and general production ...

Description As an entry-level editor at the National Center for Education and Research (NCCER), you ... You will directly influence the quality and clarity of multiple products, including print textbooks ...

Joint Doctrine Editor

Suffolk, VA · On-site

$44 - $89/hr

As an entry-level technical writer, you understand that quality content depends on structured ... You will help maintain consistency across Joint Doctrine publications, terminology products, and ...

As an entrylevel technical writer, you understand that quality content depends on structured ... You will help maintain consistency across Joint Doctrine publications, terminology products, and ...

This is not an entry-level editing role. We're looking for someone who can own the outcome , not ... You care about the final product like it represents your personal brand What Success Looks Like in ...

next page

Showing results 1-20

Entry Level Production Editor information

See salary details

$5

$25

$42

How much do entry level production editor jobs pay per hour?

As of Sep 3, 2026, the average hourly pay for entry level production editor in the United States is $25.33, according to ZipRecruiter salary data. Most workers in this role earn between $18.75 and $32.45 per hour, depending on experience, location, and employer.

What does an entry level production editor do?

An Entry Level Production Editor is responsible for assisting in the preparation and publication of materials, such as books, journals, or digital content. Their tasks typically include proofreading, formatting text, checking for consistency, and ensuring that all materials meet the publisher’s standards. They may also coordinate with authors, designers, and printers to ensure smooth workflow and timely delivery. This role is a great starting point for individuals interested in publishing or editorial careers, as it offers hands-on experience with the production process.

What are the key skills and qualifications needed to thrive as an entry level production editor?

To thrive as an Entry Level Production Editor, you need strong attention to detail, proficiency in grammar and style, and a relevant bachelor's degree, often in English, journalism, or communications. Familiarity with editing software like Adobe InDesign, Microsoft Word, and content management systems is typically required. Organizational skills, time management, and effective communication help you stand out in this role. These abilities ensure accurate, high-quality content production and smooth coordination throughout the editorial workflow.

What are some typical challenges faced by entry level production editors when managing multiple projects simultaneously?

Entry level production editors often juggle several projects at once, which can make time management and prioritization challenging. Balancing tight publishing deadlines with quality control requires strong organizational skills and attention to detail. New editors may also need to quickly learn workflow software and adapt to different editorial styles, all while coordinating with authors, designers, and senior editors. Proactively communicating and seeking feedback from team members can help manage these challenges and ensure smooth project delivery.

What is the difference between Entry Level Production Editor vs Associate Producer?

AspectEntry Level Production EditorAssociate Producer
CredentialsRelevant degree in media, communications, or related field; basic editing skillsSimilar degree; may require additional project coordination skills
Work EnvironmentEditing suites, post-production facilities, media companiesProduction offices, field locations, media companies
Industry UsageCommonly used in film, TV, digital mediaUsed across film, TV, and digital content production
Primary ResponsibilitiesEditing footage, assembling scenes, basic post-production tasksAssisting in production planning, coordinating tasks, supporting production team

The main difference is that Entry Level Production Editors focus on editing and post-production tasks, while Associate Producers handle more coordination and production support activities. Both roles require related skills and work in similar environments, but their responsibilities differ in scope and focus.

What are the most commonly searched types of Production Editor jobs?

The most popular types of Production Editor jobs are:

What states have the most Entry Level Production Editor jobs?

States with the most job openings for Entry Level Production Editor jobs include:

Production & Content Assistant

The Creative Agency

Fort Collins, CO • On-site

$16 - $19/hr

Other

Posted 4 days ago


Job description

The Creative Agency | Fort Collins, Colorado

Part-Time, Flexible | Monday, Tuesday + Thursday + On-Location Productions as Needed

Starting $16–$19 per hour, DOE


The Creative Agency is hiring a hands-on Production & Content Assistant to support our growing commercial photo, video and content production department. This role works closely with our Senior Visual Producer across branded photography, commercial video, social media content, advertising campaigns, interviews, events and client productions.


We are looking for someone who loves making content for brands. You pay attention to what companies are producing on Instagram, TikTok, YouTube, websites and advertising campaigns. You notice camera movement, lighting, transitions, compositions, hooks and edits. You genuinely enjoy being on set and want to be actively involved in making a production happen.


And importantly: you already know your way around a camera.

This is not an entry-level marketing role for someone who thinks photography sounds interesting, nor is it designed for someone primarily pursuing fine-art, editorial, documentary or journalistic photography and videography.


Our work is commercial.

We create photo and video assets designed to market businesses, build brands, sell products, communicate ideas and perform across digital channels.

Candidates should be excited by exactly that.


About The Role:

The Production & Content Assistant is a highly supportive, hands-on member of our production department. Your job is to help our Senior Visual Producer produce more, move faster, stay organized and create exceptional client work.


Production requires equipment to be packed, transported, unloaded, assembled, moved, adjusted, broken down, re-packed and returned to the studio.


You may spend part of a production operating a camera and another part carrying equipment, setting lights, moving stands, staging products, preparing the next setup or loading gear back into a vehicle.


What You'll Do

  • Work directly with the Senior Visual Producer across client productions
  • Assist with commercial photography and video shoots
  • Set up and break down cameras, lighting, stands, modifiers, audio equipment, tripods, stabilization equipment and other production gear
  • Load and unload production equipment
  • Transport gear between the office, vehicles and production locations
  • Move equipment and setups throughout productions
  • Stage products, props, backgrounds and production environments
  • Help prepare locations before clients or talent arrive
  • Monitor batteries, memory cards and equipment throughout shoots
  • Prepare upcoming setups while the current setup is being captured
  • Assist with shot-list execution
  • Operate a secondary camera when appropriate
  • Capture supplemental footage and photography
  • Capture behind-the-scenes content
  • Shoot social-first vertical content
  • Maintain an organized, efficient and professional production environment
  • Anticipate what the Senior Visual Producer needs before being asked


A great production assistant isn't waiting around for someone to tell them what to do next.

They're paying attention to what is happening and already preparing for what comes next.


This is a marketing agency, so understanding why we are producing something matters almost as much as knowing how to capture it.


You may help with:

  • Capture content for Instagram Reels, TikTok, YouTube Shorts and other digital platforms
  • Identify additional content opportunities while we're already on location
  • Capture hooks, transitions, details, establishing shots and supporting footage
  • Produce behind-the-scenes content
  • Repurpose larger commercial productions into social-first assets
  • Organize footage for short-form editing
  • Identify strong clips and selects
  • Research creative references and production inspiration
  • Stay aware of evolving social content formats and production styles
  • Collaborate with our marketing and social media teams to make sure productions generate the assets they need


If we have a beautiful lighting setup, the product is styled and the client is already on location, you should naturally be thinking:


What else can we capture while we're here?

That's the mindset we want.


We respect every form of photography and cinematography, but this particular role is best suited to someone whose interests are firmly rooted in commercial content creation and marketing.


Camera Experience Is A Non-Negotiable:

You do not need to be a senior photographer or cinematographer.

You do need practical camera experience before joining our team.

Candidates should already understand:

  • DSLR and/or mirrorless camera systems
  • Aperture
  • Shutter speed
  • ISO
  • Manual exposure
  • Focal length and lens selection
  • Basic composition
  • White balance
  • Frame rates
  • Basic lighting principles
  • Memory card and battery management
  • Proper camera and equipment handling


This is a physically active production role.

Candidates must be comfortable:

  • Regularly lifting and carrying production equipment
  • Carrying cases, stands, tripods, lighting equipment and other gear
  • Loading and unloading vehicles
  • Setting up and breaking down production equipment
  • Moving equipment throughout a production
  • Standing and moving for extended periods during shoots
  • Bending, reaching and working in the physical environments required by a production
  • Working both indoors and outdoors depending on the project


Equipment/Studio Management


Between productions, you will help keep the department ready to work.

Responsibilities include:

  • Keeping production equipment organized, clean and ready for use
  • Charging and rotating batteries
  • Cleaning and maintaining the cyclorama studio and production spaces
  • Preparing memory cards and storage media
  • Maintaining equipment organization and inventory
  • Identifying missing, damaged or malfunctioning equipment
  • Preparing gear before productions
  • Resetting and properly storing equipment after productions
  • Assisting with equipment rentals and production purchases
  • Helping ensure we arrive on location fully prepared


Post Production Support:

Depending on your experience, you may also:

  • Offload and organize photo and video files
  • Maintain agency folder structures and naming conventions
  • Assist with backups and file transfers
  • Organize footage and selects
  • Prepare projects for editing
  • Pull social clips
  • Assist with basic editing
  • Prepare exports and uploads
  • Help maintain production asset libraries


Experience with Adobe Premiere Pro, Lightroom, Photoshop and/or After Effects is strongly preferred.


To Apply:

Please submit your resume along with examples of your photography, video or content production experience. That may include a portfolio, website, Instagram, TikTok, Vimeo, YouTube channel or other work demonstrating your production experience.