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Director Sports Producer Jobs (NOW HIRING)

Supporting Producer Director Requisition Number: R-000003068 Department Name: Senior Assoc ... Sports Media, ora related field. Experience Requirement 0-2 years of experience ...

Under the guidance of the Senior Program/Branch Director, the Sports Director provides leadership ... Producing effective and efficient staff schedules within set payroll budget parameters. Strong ...

Midco Sports Event Associate

Grand Forks, ND · On-site

$18 - $20.75/hr

Midco Sports produces a wide array of live sporting events and syndicated sports programming ... Director * Carries out the Producers vision for the game and manages camera shots, replays, and ...

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Director Sports Producer information

See salary details

$11.5K

$71.4K

$215K

How much do director sports producer jobs pay per year?

As of Aug 18, 2026, the average yearly pay for director sports producer in the United States is $71,427.00, according to ZipRecruiter salary data. Most workers in this role earn between $42,000.00 and $75,000.00 per year, depending on experience, location, and employer.

What does a director sports producer do?

A Director Sports Producer oversees the planning, production, and execution of sports broadcasts or programming. They work closely with production teams, directors, and on-air talent to ensure high-quality coverage, coordinate live events, and manage the creative and logistical aspects of sports content. Their responsibilities include creating show rundowns, supervising camera angles, timing segments, and making quick decisions during live broadcasts. They also collaborate with technical staff to ensure smooth operations and often play a key role in post-production editing. Overall, they are essential for delivering engaging and professional sports content to viewers.

What are the key skills and qualifications needed to thrive as a director sports producer?

To thrive as a Director Sports Producer, you need deep expertise in live sports production, storytelling, and broadcast operations, typically gained from a relevant degree and years of industry experience. Familiarity with broadcast production software, live editing systems, and camera switching tools is essential, along with knowledge of industry-standard equipment. Strong leadership, quick decision-making, and effective communication are crucial soft skills for managing crews and responding to fast-paced, high-pressure situations. These competencies ensure seamless live broadcasts, engaging viewer experiences, and successful team coordination during critical sports events.

What are some typical challenges faced by a director sports producer when managing live broadcasts, and how can they be addressed?

Director Sports Producers often encounter challenges such as coordinating multiple camera feeds, adapting to unexpected changes like weather delays or technical issues, and ensuring clear communication between the production crew and on-air talent. These challenges can be addressed by thorough pre-event planning, establishing detailed contingency protocols, and fostering a collaborative environment where quick, effective decision-making is encouraged. Staying calm under pressure and leveraging the expertise of each team member are crucial for delivering a smooth live broadcast.

What is the difference between Director Sports Producer vs Sports Broadcast Producer?

AspectDirector Sports ProducerSports Broadcast Producer
Primary FocusOversees overall sports production, including creative direction and team managementHandles specific segments or elements of sports broadcasts, focusing on content execution
ResponsibilitiesManaging production teams, coordinating with directors, and ensuring broadcast qualityProducing segments, managing on-air content, and coordinating with technical staff
Work EnvironmentStudio or field production, often in leadership rolesStudio or remote broadcast settings, focused on content delivery
CredentialsExperience in sports production, strong leadership, and technical knowledgeExperience in broadcast production, content creation, and technical skills

The main difference is that the Director Sports Producer oversees the entire sports production process, providing creative and managerial leadership, while the Sports Broadcast Producer focuses on producing specific segments or content within the broadcast. Both roles require experience in sports media, but the Director Sports Producer has broader responsibilities and leadership duties.

What cities are hiring for Director Sports Producer jobs?

Cities with the most Director Sports Producer job openings:

What are the most commonly searched types of Sports Producer jobs?

The most popular types of Sports Producer jobs are:

What states have the most Director Sports Producer jobs?

States with the most job openings for Director Sports Producer jobs include:

Full-time

Posted 25 days ago


University Of Kentucky rating

7.5

Company rating: 7.5 out of 10

Based on 132 frontline employees who took The Breakroom Quiz

312th of 618 rated colleges and universities


Job description

Beyond Blue
Job Posting Title:
Supporting Producer Director
Requisition Number:
R-000003068
Department Name:
Senior Assoc Athletics Director, Brand and Content
Work Location:
Joe Craft Center
Grade Level:
0
Type of Position:
Regular
Position Time Status:
Full time
Equivalency Link
https://hr.uky.edu/employment/working-uk/equivalencies
Shift:
Flex (United States of America)
Job Description:
Supporting Producer Director
Job Summary
Responsible for supporting the planning, coordination, production, and direction of live athletic broadcasts across digital and linear platforms. Oversees student staff development and training, assists with game-day broadcast operations, manages media archives, and collaborates with external partners to ensure successful broadcast execution and operational excellence.
Essential Functions
• Serves as a secondary producer or director for digital broadcasts and assists with linear broadcasts.
• Collaborates with camera operators to ensure optimal camera framing and coverage for various athletic events.
• Coordinates with replay and graphics personnel during broadcast preparation and live event execution.
• Serves as an additional point of contact for ESPN personnel during designated productions.
• Collaborates with production leads to developing training schedules and educational opportunities for student staff.
• Organizes and conducts training sessions focused on production techniques, replay operations, graphics execution, and broadcast best practices.
• Assists students in evaluating broadcast performance and developing short- and long-term professional goals.
• Coordinates game-day operational needs, including staff scheduling, meal planning, event preparation, and broadcast logistics.
• Collaborates with production leads to determine camera placement, equipment needs, and crew assignments.
• Assists with the setup and teardown of broadcast operations for athletic events.
• Maintains, organizes, and archives broadcast recordings, media assets, and video content for future use and training purposes.
• Utilizes ESPN Melt procedures and SEC Network MediaBank systems to manage archived content.
• Assists with production scheduling and staffing assignments for athletic broadcasts.
• Performs other duties as assigned.
Education Requirement
Bachelor's degree in Broadcast Journalism, Communications, Media Arts, Telecommunications, Sports Media, or a related field.
Experience Requirement
0-2 years of experience in sports broadcasting, live event production, video production, media operations, or a related field.
Experience with DreamCatcher replay systems, Ross Xpression graphics systems, broadcast scheduling, and supporting ESPN or comparable live sports production environments, preferred.
An equivalent combination of education and experience may be considered.
All experience must be paid and in the same related field.
Part-time and PRN experience will be prorated based on hours worked per week.
Volunteer work and internships for academic credit are not counted.
Certifications & Licensures
Valid Driver's License required.
Working Conditions
A. Lifting, pushing, and/or pulling objects up to 50 lbs: 3. Intermittent (10% - 50% of the time)
B. Lifting, pushing, and/or pulling objects over 50 lbs: 2. Occasional (<10% of the time)
C. Standing or walking with objects up to 10 lbs: 4. Regular (>50% of the time)
D. Standing or walking with objects up to 25 lbs: 3. Intermittent (10% - 50% of the time)
E. Sitting at computer workstation for extended periods: 4. Regular (>50% of the time)
F. Risk of back injury from moving, lifting, or positioning equipment or materials: 2. Occasional (<10% of the time)
G. Repetitive motion: 4. Regular (>50% of the time)
H. Working at heights above 4 feet: 2. Occasional (<10% of the time)
I. Working in confined spaces: 2. Occasional (<10% of the time)
J. Risk of injuries from use of equipment on the job: 3. Intermittent (10% - 50% of the time)
K. Job-related travel: 2. Occasional (<10% of the time)
L. Loud noises: 3. Intermittent (10% - 50% of the time)
M. Temperature extremes: 2. Occasional (<10% of the time)
N. Hazardous chemicals and fumes including waste: 1. Never
O. Radiation: 1. Never
P. Burns: 1. Never
Q. Cuts/Punctures: 2. Occasional (<10% of the time)
R. Bloodborne/airborne pathogens: 1. Never
S. Recombinant DNA or viral vectors: 1. Never
T. Combative/violent people: 1. Never
U. Animal handling (including carcasses): 1. Never
V. Please specify other(s) and amount of exposure (i.e. Occasional, Intermittent or Regular): Exposure to outdoor athletic event environments and varying weather conditions: 2. Occasional (<10% of the time)
Physical Demands
This position requires regular standing and walking during live event operations; intermittent lifting, pushing, and pulling of production equipment and materials weighing up to 50 pounds; frequent use of computers and broadcast production systems; and repetitive hand movements associated with operating production, replay, and graphics equipment. The position also requires occasional setup and teardown of technical equipment, intermittent exposure to loud event environments, and occasional travel between event locations. Employees must be able to work effectively in fast-paced live production settings while meeting deadlines and maintaining attention to detail.
Our University Community
We value the well-being of each of our employees and are dedicated to creating a healthy place for everyone to work, learn and live. In the interest of maintaining a safe and healthy environment for our students, employees, patients and visitors, the University of Kentucky is a Tobacco & Drug Free campus.
The University follows both the federal and state Constitutions as well as all applicable federal and state laws on nondiscrimination. The University provides equal opportunities for qualified persons in all aspects of institutional operations and does not discriminate on the basis of race, color, national origin, ethnic origin, religion, creed, age, physical or mental disability, veteran status, uniformed service, political belief, sex, sexual orientation, gender identity, gender expression, pregnancy, marital status, genetic information or social or economic status.
Any candidate offered a position may be required to pass pre-employment screenings as mandated by University of Kentucky Human Resources. These screenings may include a national background check and/or drug screen.

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About University of Kentucky

Sourced by ZipRecruiter

The University of Kentucky (UK), the state's flagship university, was founded in 1865 and its beautiful, sprawling campus, nestled in downtown Lexington, now covers over 900 acres and is home to more than 30,000 students and approximately 13,500 employees. The trees and beautifully manicured greenspaces are a source of pride for the university and combine to create an impressive oasis amidst the busy cityscape that surrounds it.

Industry

Colleges, universities, and professional schools

Company size

10,000+ Employees

Headquarters location

Lexington, KY, US

Year founded

1865