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Contract Sports Broadcasting Camera Operator Jobs

DanceBUG Inc.

Sports Videographer

Boston, MA · On-site

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

DanceBUG Inc.

Sports Videographer

Orlando, FL · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

DanceBUG Inc.

Sports Videographer

Fort Lauderdale, FL · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

DanceBUG Inc.

Sports Videographer

Boston, MA · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Attain Sports

Wireless Camera Operator

Aberdeen, MD

Setup and maintain operating use of multiple camera during games / events * Complete any sponsorship needs / obligations during pre-game, in-game and post-game, as needed * Ability to keep pace in an ...

DanceBUG Inc.

Sports Videographer

Orlando, FL · On-site

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Orlando Magic

Part Time Utility/Grip

Orlando, FL · On-site

Work with the Video Shader, Camera Operator and the Broadcast Technology Services (BTS) department ... Live sports video production experience required. * Proficiency in professional broadcast camera ...

Orlando Magic

Part Time Utility/Grip

Orlando, FL

Work with the Video Shader, Camera Operator and the Broadcast Technology Services (BTS) department ... Live sports video production experience required. * Proficiency in professional broadcast camera ...

WOWK-TV

Production Camera/Audio

San Angelo, TX

The Audio/Camera Operator is responsible for sound checks, equipment placement, volume and quality ... broadcast experience preferred, but not required 3. Training will be provided * Special Skills ...

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All JobsContract Sports Broadcasting Camera Operator Jobs

Contract Sports Broadcasting Camera Operator information

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$13

$28

$62

How much do contract sports broadcasting camera operator jobs pay per hour?

As of Jul 7, 2026, the average hourly pay for contract sports broadcasting camera operator in the United States is $28.16, according to ZipRecruiter salary data. Most workers in this role earn between $17.31 and $30.53 per hour, depending on experience, location, and employer.

How to become a live sports camera operator?

To become a live sports camera operator, you typically need a high school diploma or equivalent, along with training or experience in operating broadcast cameras. Developing skills in camera operation, understanding sports production, and gaining familiarity with equipment like video switchers and tripods are essential; internships or entry-level positions can provide practical experience. Certification in broadcast technology or related courses can also improve job prospects.

How much do NBA camera operators get paid?

NBA camera operators typically earn between $30,000 and $70,000 annually, depending on experience, location, and the level of the event. They often work long hours during games and may need specialized equipment knowledge and certifications to qualify for higher-paying positions.

What is the difference between Contract Sports Broadcasting Camera Operator vs Freelance Sports Broadcasting Camera Operator?

AspectContract Sports Broadcasting Camera OperatorFreelance Sports Broadcasting Camera Operator
CredentialsRelevant certifications, camera operation trainingSimilar certifications, portfolio experience
Work EnvironmentEmployed by a network or production company for specific contractsSelf-employed, multiple clients, varied locations
Employer/Industry UsageUsed by broadcasters for scheduled eventsUsed by independent clients or event organizers
Search/Comparison IntentYesYes

Both roles require similar skills and certifications, but Contract Sports Broadcasting Camera Operators are typically employed by a broadcaster for specific events, while Freelance Operators work independently across various clients. The choice depends on employment preference and project scope.

What are the key skills and qualifications needed to thrive as a Contract Sports Broadcasting Camera Operator, and why are they important?

To excel as a Contract Sports Broadcasting Camera Operator, you need expertise in camera operation, a solid understanding of broadcast production, and typically some formal training or certification in video production or a related field. Familiarity with broadcast cameras, tripods, dollies, and live streaming systems like Tricaster or EVS is essential. Strong attention to detail, quick reflexes, and effective communication skills help operators capture dynamic action and collaborate with production teams. These skills are crucial for delivering high-quality, real-time sports coverage that meets professional broadcast standards.

What are the typical work schedules and environments like for contract sports broadcasting camera operators?

Contract sports broadcasting camera operators often work irregular hours, including evenings, weekends, and holidays, to cover live sporting events. The environment can be fast-paced and physically demanding, requiring operators to set up, transport, and operate equipment in various venues, sometimes outdoors in challenging weather conditions. Collaboration with directors, producers, and other crew members is essential to ensure smooth live broadcasts. Flexibility and adaptability are key, as assignments may change based on event schedules and production needs.

How much do MLB camera operators get paid?

MLB camera operators typically earn between $30,000 and $70,000 annually, depending on experience, location, and the employer. They often work during game seasons, requiring knowledge of broadcasting equipment and live production environments.

What are contract sports broadcasting camera operators?

Contract sports broadcasting camera operators are professionals hired on a temporary or project basis to operate cameras during live sporting events. They are responsible for capturing high-quality video footage, following the action on the field, and ensuring that shots meet the broadcast director's requirements. These operators often work with a crew and must have a strong understanding of camera equipment, live event protocols, and sports coverage. Their work is crucial in delivering engaging and dynamic broadcasts for viewers at home.

How much do sports camera operators get paid?

Sports broadcasting camera operators typically earn between $30,000 and $70,000 annually, depending on experience, location, and the level of sporting events covered. Entry-level positions may start lower, while experienced operators working major events can earn higher wages, often supplemented by overtime and freelance opportunities.
What cities are hiring for Contract Sports Broadcasting Camera Operator jobs? Cities with the most Contract Sports Broadcasting Camera Operator job openings:
What are the most commonly searched types of Sports Broadcasting Camera Operator jobs? The most popular types of Sports Broadcasting Camera Operator jobs are:
What states have the most Contract Sports Broadcasting Camera Operator jobs? States with the most job openings for Contract Sports Broadcasting Camera Operator jobs include:
Contract Sports Broadcasting Camera Operator jobs near you
Infographic showing various Contract Sports Broadcasting Camera Operator job openings in the United States as of July 2026, with employment types broken down into 1% Internship, 9% As Needed, 71% Full Time, 17% Part Time, 1% Temporary, and 1% Contract. Highlights an 97% Physical, 1% Hybrid, and 2% Remote job distribution, with an average salary of $58,583 per year, or $28.2 per hour.

Sports Videographer

DanceBUG Inc.

Boston, MA • On-site

Contractor

Posted 29 days ago

Job description

Sports (Dance) Videographer / Camera Operator
Duration: February – June 2026
Location: Nationwide travel across the U.S.
Compensation: $150-$400/Day + Travel Pay + All Expenses
About DanceBUG
DanceBUG is the industry leader in Dance Media and Software, with nearly 25 years of innovation serving the dance community. From groundbreaking products like Video Judge to our full suite of Registration, Scheduling, Tabulation, and Streaming tools, we’re trusted nationwide as the gold standard for dance videography and photography.
🌐 Learn more about us here: What We Do at DanceBUG
The Role
We’re looking for passionate and skilled Videographers/Camera Operators to join our seasonal team. In this role, you’ll travel nationwide to capture and stream dance competitions, recitals, and workshops—helping us deliver high-quality media to studios and dancers across the country.
Key Responsibilities
  • Set up and operate video, audio, and streaming equipment on-site
  • Conduct daily video/audio checks to ensure broadcast quality
  • Film and log performances, manage live streams, and upload daily footage
  • Handle data transfers (FTP/shipping) after events
  • Travel nationwide by car or plane to assigned venues

Requirements
  • Experience filming live events, sports, or action performances
  • Strong technical skills with camera operation (exposure, white balance, audio
  • Able to lift 50 lbs, work 12–16-hour days, and travel Thurs–Mon as needed
  • Must live within 1 hour of an airport and hold a valid U.S. driver’s license
  • Comfortable with loud music, flashing lights, and extended stationary periods
  • Must pass a Criminal Background and Vulnerable Sector check
Perks
  • Paid training in Jan/Feb 2026
  • All travel and hotel accommodations covered (single-occupancy rooms)
  • Travel time is paid
  • All equipment provided
Key Dates
Virtual Training:  1 day each week in January (4 days total)
Infield Training:  2 Training at actual events in January and February
Key Dates:  
  • Feb 27–Mar 1, Mar 6–8, Mar 13–15, Mar 20–22, Mar 27–29
  • Apr 10–12, Apr 17–19, Apr 24–26
  • May 1–3, May 8–10, May 15–17, May 29-31
  • June 5-7
Additional Opportunities:  There are events that run until the end of July.
Apply Now:
Become part of DanceBUG Inc. and help us set the standard in dance media!
 

 

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