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Contract Sports Broadcasting Camera Operator Jobs

Hearst

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work with the news production team and have a working knowledge of broadcast production operations to ...

Hearst Newspapers

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work with the news production team and have a working knowledge of broadcast production operations to ...

Hearst

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work with the news production team and have a working knowledge of broadcast production operations to ...

Hearst

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work with the news production team and have a working knowledge of broadcast production operations to ...

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All JobsContract Sports Broadcasting Camera Operator Jobs

Contract Sports Broadcasting Camera Operator information

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$13

$28

$62

How much do contract sports broadcasting camera operator jobs pay per hour?

As of Aug 16, 2026, the average hourly pay for contract sports broadcasting camera operator in the United States is $28.16, according to ZipRecruiter salary data. Most workers in this role earn between $17.31 and $30.53 per hour, depending on experience, location, and employer.

What is the difference between Contract Sports Broadcasting Camera Operator vs Freelance Sports Broadcasting Camera Operator?

AspectContract Sports Broadcasting Camera OperatorFreelance Sports Broadcasting Camera Operator
CredentialsRelevant certifications, camera operation trainingSimilar certifications, portfolio experience
Work EnvironmentEmployed by a network or production company for specific contractsSelf-employed, multiple clients, varied locations
Employer/Industry UsageUsed by broadcasters for scheduled eventsUsed by independent clients or event organizers
Search/Comparison IntentYesYes

Both roles require similar skills and certifications, but Contract Sports Broadcasting Camera Operators are typically employed by a broadcaster for specific events, while Freelance Operators work independently across various clients. The choice depends on employment preference and project scope.

What are the key skills and qualifications needed to thrive as a contract sports broadcasting camera operator?

To excel as a Contract Sports Broadcasting Camera Operator, you need expertise in camera operation, a solid understanding of broadcast production, and typically some formal training or certification in video production or a related field. Familiarity with broadcast cameras, tripods, dollies, and live streaming systems like Tricaster or EVS is essential. Strong attention to detail, quick reflexes, and effective communication skills help operators capture dynamic action and collaborate with production teams. These skills are crucial for delivering high-quality, real-time sports coverage that meets professional broadcast standards.

What are the typical work schedules and environments like for contract sports broadcasting camera operators?

Contract sports broadcasting camera operators often work irregular hours, including evenings, weekends, and holidays, to cover live sporting events. The environment can be fast-paced and physically demanding, requiring operators to set up, transport, and operate equipment in various venues, sometimes outdoors in challenging weather conditions. Collaboration with directors, producers, and other crew members is essential to ensure smooth live broadcasts. Flexibility and adaptability are key, as assignments may change based on event schedules and production needs.

What is a contract sports broadcasting camera operator?

Contract sports broadcasting camera operators are professionals hired on a temporary or project basis to operate cameras during live sporting events. They are responsible for capturing high-quality video footage, following the action on the field, and ensuring that shots meet the broadcast director's requirements. These operators often work with a crew and must have a strong understanding of camera equipment, live event protocols, and sports coverage. Their work is crucial in delivering engaging and dynamic broadcasts for viewers at home.

How do you become a contract sports broadcasting camera operator?

To become a contract sports broadcasting camera operator, you typically need a high school diploma or equivalent, followed by training or experience in operating broadcast cameras. Developing skills in camera operation, understanding sports production, and gaining familiarity with broadcasting equipment are essential, often through technical schools, internships, or on-the-job training. Building a portfolio and networking within the industry can help secure contract work in sports broadcasting.

How much do contract sports broadcasting camera operators make?

Contract sports broadcasting camera operators typically earn between $15 and $50 per hour, depending on experience, event size, and location. Many work on a freelance basis, with pay rates varying based on the complexity of the coverage and the level of expertise required.

What cities are hiring for Contract Sports Broadcasting Camera Operator jobs?

Cities with the most Contract Sports Broadcasting Camera Operator job openings:

What are the most commonly searched types of Sports Broadcasting Camera Operator jobs?

The most popular types of Sports Broadcasting Camera Operator jobs are:

What states have the most Contract Sports Broadcasting Camera Operator jobs?

States with the most job openings for Contract Sports Broadcasting Camera Operator jobs include:

Contract Sports Broadcasting Camera Operator jobs near you
Infographic showing various Contract Sports Broadcasting Camera Operator job openings in the United States as of August 2026, with employment types broken down into 40% Full Time, 58% Part Time, 1% Contract, and 1% Nights. Highlights an 99% Physical, and 1% Remote job distribution, with an average salary of $58,583 per year, or $28.2 per hour.

Traveling Camera Operator (Seasonal)

DanceBUG Inc.

Cleveland, OH • On-site, Remote

$25/hr

Temporary

Posted 3 days ago

New

Job description

Travel the U.S. | Capture Dance Competitions | Professional Equipment Provided
Season: February - June
Why DanceBUG?
For nearly 25 years, DanceBUG has been North America's leader in dance media and event technology.
  • Travel across the United States capturing dance competitions using professional camera and livestream production equipment
  • We provide everything you need to succeed - including equipment, paid training, flights, hotels, rental cars, and travel expenses
  • Work with next-generation AI-assisted camera technology as we continue to shape the future of live event production
No Dance Experience Required
If you've filmed sports, live events, weddings, concerts, theatre, or other fast-paced productions, we'll teach you everything you need to know.
Compensation and Benefits
  • Starting at $25/hour
  • Paid travel days
  • Flights, hotels, rental cars and travel expenses covered
  • Professional camera and livestream production equipment provided
  • Guaranteed minimum daily pay
  • Overtime after 40 hours/week
  • Private hotel room
  • No video editing or post-production
  • Paid training
What You'll Do
  • Travel to dance competitions throughout the United States
  • Operate professional camera and livestream production equipment
  • Capture high-quality performances
  • Set up and monitor camera and livestream systems
  • Upload and manage event media
Paid Training
Every new Camera Operator receives:
  • Virtual training during January
  • A minimum of two live training events with an experienced Senior Camera Operator
  • Hands-on instruction before working independently

You'll never be sent to your first event without real-world training and support.
Requirements
  • Legally authorized to work in the United States (DanceBUG does not sponsor work visas)
  • Live within approximately one hour of a major airport
  • Valid U.S. driver's license
  • Available to travel Thursday through Monday during the season
  • Comfortable driving 5-6 hours when required
  • Comfortable with long production days and travel
  • Able to lift approximately 50 lbs
  • Able to pass a criminal background check
Experience in Any of the Following is Considered an Asset
  • Sports camera operation
  • Live event production
  • Wedding and event videography
  • Broadcasting
  • Concerts and theatre
  • Film production
  • Livestreaming (OBS)
  • Multi-camera switching
  • Jib operation
Ready to Hit the Road?
Join DanceBUG this season and travel the country, capturing unforgettable performances and working with innovative production technology.
Apply today - we'd love to hear from you.

Apply