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Concert Tour Logistics Jobs (NOW HIRING)

Production Manager

La Jolla, CA · On-site

$80K - $90K/yr

... logistical arrangements before, during, and after each production. Finally, this position works ... each concert with tour managers, musicians, agents, and rental clients. Develop and distribute ...

... logistics and services for all scheduled Atlanta Symphony Hall LIVE concerts and events. • ... tour managers - Serve as venue liaison with artists and tour managers day of show to ensure a ...

... n' roll concert staging to setting the global standard for extraordinary live events and ... Greet everyone who comes to HQ as a VIP and provide intuitive guidance (clients, vendors, tour ...

... n' roll concert staging to setting the global standard for extraordinary live events and ... Greet everyone who comes to HQ as a VIP and provide intuitive guidance (clients, vendors, tour ...

Responsible for overall planning and execution of concert, sporting, and premium events at ... Responsible for preparing to-scale maps for ticket office based on tour specifications andactas ...

Support role for producing live concert events. Assisting the production manager with the process ... Responsible for assisting the Production Manager with administrative and logistical show and event ...

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Concert Tour Logistics information

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How much do concert tour logistics jobs pay per hour?

As of Jul 14, 2026, the average hourly pay for concert tour logistics in the United States is $23.88, according to ZipRecruiter salary data. Most workers in this role earn between $18.27 and $28.85 per hour, depending on experience, location, and employer.

What are some common challenges faced in a concert tour logistics role, and how can they be managed?

Professionals in concert tour logistics often face challenges such as coordinating complex transportation schedules, adapting to last-minute venue changes, and ensuring timely delivery of equipment across multiple locations. Managing these challenges requires strong communication skills, attention to detail, and the ability to quickly troubleshoot unexpected issues. Proactive planning, building strong relationships with vendors and local crews, and using specialized tour management software can help streamline operations and minimize disruptions during the tour.

What is the difference between Concert Tour Logistics vs Tour Manager?

AspectConcert Tour LogisticsTour Manager
Primary RolePlanning and coordinating transportation, equipment, and accommodations for toursOverseeing overall tour operations, artist management, and schedule
CredentialsLogistics or event planning experience, certifications in project managementExperience in artist management, leadership skills, sometimes certifications in tour management
Work EnvironmentLogistics offices, travel coordination, on-site setupOn tour, managing artists, crew, and schedules
Industry UsageUsed by event companies, production teams, and logistics firmsCommonly used by artists, production companies, and agencies

While both roles are essential in concert touring, Concert Tour Logistics focuses on the detailed planning and coordination of travel and equipment, whereas the Tour Manager oversees the entire tour operation, including artist management and schedule execution.

What are concert tour logistics?

Concert tour logistics involve the planning and coordination of all the behind-the-scenes elements required to ensure a successful music tour. This includes organizing transportation, accommodation, equipment shipping, scheduling, venue arrangements, and crew management for the artists and support staff. Logistics professionals work closely with tour managers, promoters, and vendors to make sure every stop on the tour runs smoothly and efficiently. Their role is critical in minimizing delays, controlling costs, and addressing any unexpected challenges during the tour.

What are the key skills and qualifications needed to thrive in Concert Tour Logistics, and why are they important?

To excel in Concert Tour Logistics, you need strong organizational skills, project management experience, and a solid understanding of event planning, often supported by a degree in business, logistics, or a related field. Familiarity with logistics software, routing tools, and inventory management systems is typically required. Exceptional communication, adaptability, and problem-solving abilities help professionals coordinate teams and respond to unexpected changes on the road. These skills ensure smooth operations, cost efficiency, and the successful execution of complex touring schedules.
What cities are hiring for Concert Tour Logistics jobs? Cities with the most Concert Tour Logistics job openings:
What states have the most Concert Tour Logistics jobs? States with the most job openings for Concert Tour Logistics jobs include:
What job categories do people searching Concert Tour Logistics jobs look for? The top searched job categories for Concert Tour Logistics jobs are:

$80K - $90K/yr

Full-time

Posted 5 days ago


Job description

LA JOLLA MUSIC SOCIETY

Job Title:Production Manager

Department:Artistic

Reports to:Director of Production & Operations

Status:Full-time, exempt

Start Date: August 24th, 2026

Salary:$80-90,000 / year

Job Type: In Person

WHO WE ARE

La Jolla Music Society is one of the most prestigious and highly respected performing arts presenters in the United States. Our winter season presentations showcase a rich variety of classical, jazz, global roots, spoken word, family, and dance programming, at its state-of-the-art venue, The Conrad, as well as off-site venues throughout San Diego. In addition to our winter season and award-winning Learning & Engagement Programs, La Jolla Music Society also produces SummerFest, a renowned four-week chamber music festival featuring world-class artists and ensembles performing an array of concerts and programs curated by SummerFest Music Director, Inon Barnatan.

SUMMARY

Reporting to the Director of Production & Operations, the Production Manager leads the production team in performance-related operations, including overseeing the scheduling of IATSE crews and event and concert operations. This position oversees and directly participates in the planning and advancing of all concert production activities at The Conrad, including equipment rentals, labor scheduling, staging requirements, and other logistical arrangements before, during, and after each production. Finally, this position works closely with the artistic programming team to estimate, create, and monitor production budgets.

JOB DESCRIPTION

Direct reports: Assistant Production Manager (APM), Production Coordinator/Stage Manager

CONCERTS: LJMS, RENTALS, & VISITING PRESENTERS (35%)

Advance production schedules and staging/personnel requirements for each concert with tour managers, musicians, agents, and rental clients.

Develop and distribute detailed production schedules for all concerts, rental events, and rehearsals with venue and LJMS staff, as needed.

For all events, notify facilities of any incidents requiring documentation.

In coordination with the APM, conduct a concert check-in prior to the start of each performance and at intermission.

Be on-site for all performances unless APM is assigned.

Act as fill-in Stage Manager when the Production Coordinator / Stage Manager is unavailable.

Oversee rental tech calls and meetings, as needed.

Act as backup production contact for rental events as needed.

STAFFING & SCHEDULING (25%)

Train, supervise, and evaluate production staff, including coaching, performance management, and annual evaluations.

Hire and train seasonal staff, including SummerFest stage managers. As needed, supervise recording engineers, on-site filmmaker—in-residence, and other production-related seasonal staff, as required.

Lead the coordination and scheduling of IATSE crew to satisfy stage requirements for load-ins, rehearsals, and concerts.

Work closely with the Tech Director to schedule internal tech positions for concerts and events and additional IATSE needs.

Contract and schedule vendors for rental, delivery, transfer, and pickup of any required backline instruments and equipment, as assigned.

Maintain and update monthly production staffing schedules with the Artistic Planning Director.

BUDGETING & ADMINISTRATION (25%)

Oversee the creation of production budgets for SummerFest and Winter Seasons, with the artistic programming team.

In collaboration with the artistic programming team, develop and monitor budgets for all production activities, ensuring that artists’ needs are met within budget.

Maintain proper records including performance reports, year-to-date (YTD) budget actuals, settlements, invoices, and executed contracts.

Submit all invoices to the Production Coordinator for processing.

Manage the ArtsVision database calendar, schedule concert allotments, and add relevant production information, equipment, and timelines.

Lead weekly MAPLE meetings and other joint meetings with artistic, production, tech, and facilities.

In conjunction with the Director of Production & Operations, work with artistic programming staff on future-season and long-range planning for LJMS. Prepare budget projections as needed.

Work with the Artistic Director and Director of Artistic Planning to review prospective artist and performance riders for budget and production feasibility.

Work closely with the Artistic Director to lead planning of media partnerships, on-site interviews, filming, etc.

CONTRACT PROCESS (15%)

Coordinate with artistic programming staff to ensure that artists’ requirements are understood and met during the contract process.

Oversee all outside venue contracts and advance concert production requirements with the venue, as assigned.

Oversee the APM's development of production estimates for visiting presenters.

Review rental contracts and standard operating procedures with the APM and Artistic Rentals & Partnerships Director.

QUALIFICATIONSPREVIOUS EXPERIENCE

Five to seven years of professional experience in live event production or performing arts environments is required.

One to two years of supervisory experience is required.

Previous work in stage management is required.

Experience leading or supervising IATSE or other union crews.

Previous education or training in theatre production, audio, lighting, media production, or stage management is preferred.

Ability to demonstrate working knowledge of concert production and advancing, vendor negotiation, labor scheduling, and artist communication.

SKILLS

Familiarity with audio, video, and lighting systems is required.

Practical understanding of theatrical systems sufficient to support, troubleshoot, and coordinate live productions.

Strong organization, communication, and collaboration skills.

Clear written and verbal communication skills, particularly for production documentation and show notes.

Ability to work calmly and effectively in time critical, show‑day conditions.

EQUAL OPPORTUNITY EMPLOYER STATEMENT

By exemplifying broad representation throughout the institution, it is our goal to dissipate traditional lines of separation, enabling audiences, artists, staff, donors, and students to connect with those who are different from themselves. We believe that through that connection—both on stage and off—we can enrich all our lives, broaden our experience, open our minds, and achieve La Jolla Music Society’s mission. We seek to create a working environment where everyone knows they are welcome and valued regardless of who they are or how they identify; where difference is encouraged; and where those differences help us learn from one another.