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Concert Audio Jobs in Indiana (NOW HIRING)

Audio boards * Video switchers and routers * Ability to: * Read waveform monitors and vectorscopes ... Concert productions * Other department-sponsored media events * Approximately 6-7 special events ...

With perks ranging from free concert tickets to dog-friendly offices, to progressive benefits like ... Cabling; assist audio & lighting crew as directed * Band Set changes * Ensure that members of the ...

... and Summer Concert Series. For consideration with this position you must upload a cover letter ... Experience in contracting, budgeting, marketing, audio visual equipment, Social Tables software ...

Concert Audio information

See Indiana salary details

$28.1K

$80.4K

$163.2K

How much do concert audio jobs pay per year?

As of Aug 30, 2026, the average yearly pay for concert audio in Indiana is $80,365.00, according to ZipRecruiter salary data. Most workers in this role earn between $47,600.00 and $107,500.00 per year, depending on experience, location, and employer.

What is a concert audio engineer?

Concert audio engineers are professionals responsible for managing and controlling the sound at live music events. They set up, operate, and maintain sound equipment, such as microphones, speakers, and mixing consoles, to ensure the best possible audio quality for both the performers and the audience. Their job includes balancing levels, preventing feedback, and adapting to the acoustics of different venues. Concert audio engineers often work closely with artists, stage managers, and other technical staff to create an optimal live sound experience.

What are the key skills and qualifications needed to thrive as a concert audio engineer, and why are they important?

To thrive as a Concert Audio Engineer, you need strong knowledge of live sound principles, acoustics, and audio signal flow, often supported by relevant technical training or an audio engineering degree. Familiarity with mixing consoles, digital audio workstations, microphones, and sound reinforcement systems, as well as certifications like AVIXA CTS, are commonly required. Excellent problem-solving, teamwork, and communication skills help you adapt quickly during live events and collaborate with artists and crew. These skills ensure high-quality sound experiences and smooth event execution in dynamic, high-pressure concert environments.

What are some common challenges faced by professionals working in concert audio, and how can they be managed effectively?

Professionals in concert audio often encounter challenges such as handling unexpected technical issues, adapting to varying venue acoustics, and coordinating with performers under tight time constraints. Effective management involves thorough pre-show sound checks, clear communication with musicians and production teams, and the ability to troubleshoot quickly during live events. Building strong relationships with colleagues and staying adaptable are key to ensuring high-quality sound and a successful concert experience.

What is the difference between Concert Audio vs Sound Technician?

AspectConcert AudioSound Technician
CertificationsAudio engineering, live sound certificationsAudio engineering, live sound certifications
Work EnvironmentLarge venues, concerts, festivalsVaried settings including events, studios, theaters
Industry UsagePrimarily in live music and eventsBroadly in live events, recording, broadcasting
Job FocusDesigning, setting up, and operating sound systems for concertsSetting up, troubleshooting, and maintaining sound equipment

Concert Audio specialists focus on designing and operating sound systems specifically for live concerts and large events, ensuring optimal sound quality for audiences. Sound Technicians have a broader role, working across various live and recording environments, handling equipment setup, troubleshooting, and maintenance. While both roles require similar certifications and skills, Concert Audio professionals specialize in large-scale live sound environments, whereas Sound Technicians work in diverse settings.

What are popular job titles related to Concert Audio jobs in Indiana?

For Concert Audio jobs in Indiana, the most frequently searched job titles are:

What job categories do people searching Concert Audio jobs in Indiana look for?

The top searched job categories for Concert Audio jobs in Indiana are:

What cities in Indiana are hiring for Concert Audio jobs?

Cities in Indiana with the most Concert Audio job openings:

Infographic showing various Concert Audio job openings in Indiana as of August 2026, with employment types broken down into 24% Full Time, 71% Part Time, and 5% Contract. Highlights an 94% In-person, and 6% Remote job distribution, with an average salary of $80,365 per year, or $38.6 per hour.

Assistant Media Engineer

Upland, IN • On-site


Taylor University
Colleges, Universities, and Professional Schools • 501 - 1,000 employees

7.0

Company rating: 7.0 out of 10

Based on 6 frontline employees who took The Breakroom Quiz

443rd of 627 rated colleges and universities

Great coworkers

People enjoy working here

Good employer


Part-time

Re-posted 20 days ago


Job description

Location : Upland
Job Type: Part Time Staff
Job Number: 202300029
Area: School of Arts and Humanities
Opening Date: 06/11/2026
Summary
Mission and Commitment
Taylor's mission is to develop servant-leaders marked with a passion to minister Christ's redemptive love, grace, and truth to a world in need.
As a community, Taylor faculty, staff, and students commit to living out Christ's love and truth in the here and now. We worship together, serve one another, and grow in faith as we learn in the classroom, on the field, at chapel, and anywhere else we're doing Life Together.
Position Summary
The Assistant Media Engineer supports the activities, both curricular and co-curricular, of the Film & Media Arts program. As directed by the Chief Media Engineer, the Assistant Media Engineer will work with faculty, students and technology to further the goals of the film & media arts major, dealing primarily with technology such as cameras, Steadicam, jibs, dollies, lighting equipment, networked video, networked editing equipment, live television control room, remote television control trailer, computers/software (especially those related to film/video/audio production) and classroom technology. The person in this position needs to have people skills as well as a very broad and deep understanding of the technology involved in modern film and media production and be able to conform to the processes that have been implemented by the Chief Media Engineer.
Duties and Responsibilities
This position is primarily responsible to:
  • Testify to personal experience of salvation in Jesus Christ, affirm belief in the University's Statement of Faith, abide by and practice our Life Together Covenant, and both personally agree with and support the Foundational Documents of Taylor University.
  • Assist the Chief Media Engineer with research, development, maintenance, repair, and troubleshooting of media production equipment and systems.
  • Diagnose and repair issues with:
    • Cameras and camera support systems
    • Steadicam Shadow and Pilot systems
    • Tripods, dollies, and jibs
    • Professional lighting, dimming, and control systems
    • Live television production systems
    • Editing and post-production software
    • Networked storage, archiving, and asset management systems
  • Troubleshoot equipment and systems to the component level.
  • Document findings and report issues and recommendations to the Chief Media Engineer.
  • Initiate corrective actions, including:
    • Contacting vendors and manufacturers
    • Obtaining technical information and replacement parts
    • Preparing equipment for shipment and repair
  • Plan and execute maintenance projects independently or in collaboration with the Chief Media Engineer.
  • Provide regular verbal progress updates and recommendations regarding equipment maintenance, repair, and operational processes.
  • Interact professionally with students, faculty, staff, vendors, and manufacturers.
  • Support departmental productions, events, and technology operations while maintaining sound judgment and stewardship of valuable equipment.
  • Other duties as assigned.

Typical Qualifications
Education and Experience
  • High school diploma or GED; at least 6 months of experience directly related to the duties and responsibilities specified.
  • Bachelor's degree in a media-related field, preferred.
  • 1 - 2 years professional experience, preferred.
  • Steadicam training, preferred.
Skills and Competencies
Required
  • Experience with:
    • Large-format digital, broadcast, and DSLR cameras
    • Steadicam Shadow and Steadicam Pilot systems
    • Jibs and dollies
    • Professional lighting equipment
    • Pro Tools
    • Apple and PC computer systems
    • Live television production systems
    • Lighting boards and dimmers
    • Audio boards
    • Video switchers and routers
  • Ability to:
    • Read waveform monitors and vectorscopes
    • Solder and crimp connectors
    • Troubleshoot media equipment to the component level
  • Strong communication, organizational, and problem-solving skills.
  • Ability to work independently and collaboratively.
Preferred
  • Steadicam training.
  • Understanding of live music production, electronics, mixing, and mastering.
  • Knowledge of post-production audio workflows.
  • Experience with audio mixing and mastering.
  • Experience using iZotope RX Advanced for audio cleanup and noise removal.
  • Demonstrated ability to meet deadlines while working independently.

Supplemental Information
  • Supervisory Responsibility
    • Reports directly to the Chief Media Engineer.
  • Travel Requirements
    • Periodic in-state travel for recruiting visits, conferences, and departmental activities.
  • Work Schedule
    • Occasional evening and weekend work required.
    • Support may be needed for events such as:
      • Envision Film Festival
      • Red Eye Film Frenzy
      • Concert productions
      • Other department-sponsored media events
    • Approximately 6-7 special events per year.
  • Physical Requirements
    • Ability to stand, walk, crawl, and climb ladders.
    • Ability to lift and carry equipment weighing up to 90 pounds.
    • Perform tasks involving cable installation, lighting maintenance, and equipment setup.
  • Work Environment
    • Primarily indoor work with occasional outdoor event support.
    • Use of cleaning chemicals for maintaining equipment.
    • Required use of hearing protection when appropriate.
    • Commitment to safe work practices when using ladders, lighting systems, and production equipment.
  • Additional Information
    • All essential functions are subject to reasonable accommodation.
    • Additional job-related duties may be assigned by the supervisor.
    • Significant changes to job responsibilities may result in a position review and reclassification.

01
Please use this link to navigate to the Taylor University website to review the following documents, which are part of our Foundational Documents: - Mission Statement- Statement of Faith- Sanctity of Life Statement- Statement on Human Sexuality- Multicultural Philosophy Statementhttps://taylor.edu/about/mission-distinctions-beliefs
  • Yes, I have read this page in its entirety and understand its contents
  • No, I have not read this page in its entirety or I do not understand its contents.

02
In reference to the Foundational Documents: Do you personally support these statements to be your own example of belief, and if hired by Taylor University, would you agree to abide by the Life Together Covenant, Sanctity of Life Statement, the Statement of Human Sexuality, the Statement on Multicultural Philosophy, Taylor University Mission Statement, and Statement of Faith?
  • Yes
  • No

Required Question


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