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Broadcast Technical Producer Jobs (NOW HIRING)

Installs and tests new systems and technical infrastructure for the station * Minimizes service ... NXST) is a leading diversified media company that produces and distributes engaging local and ...

IT Producer

Sunnyvale, CA · On-site

$36.68 - $55.17/hr

... broadcast, software, and business groups who put on our events. You'll help gather requirements, maintain schedules, coordinate logistics for rehearsals and technical dry runs, track action items so ...

Broadcast Engineer

Seattle, WA · On-site

$31.53 - $33.53/hr

KOMO in Seattle, WA is currently seeking a Broadcast Engineer to provide technical support to KOMO ... Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts.

Key Responsibilities Technical Operations * Set up, operate, and monitor broadcast equipment ... Work closely with producers, audio techs, and other members of the production team to understand ...

Key Responsibilities Technical Operations * Set up, operate, and monitor broadcast equipment ... Work closely with producers, audio techs, and other members of the production team to understand ...

KEY RESPONSIBILITIES Technical Operations * Set up, operate, and monitor broadcast equipment ... Work closely with producers, audio techs, and other members of the production team to understand ...

KEY RESPONSIBILITIES Technical Operations * Set up, operate, and monitor broadcast equipment ... Work closely with producers, audio techs, and other members of the production team to understand ...

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Broadcast Technical Producer information

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How much do broadcast technical producer jobs pay per hour?

As of Sep 12, 2026, the average hourly pay for broadcast technical producer in the United States is $38.33, according to ZipRecruiter salary data. Most workers in this role earn between $28.85 and $44.71 per hour, depending on experience, location, and employer.

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Infographic showing various Broadcast Technical Producer job openings in the United States as of July 2026, with employment types broken down into 84% Full Time, 14% Part Time, 1% Temporary, and 1% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $79,722 per year, or $38.3 per hour.

Broadcast Production Engineer

Washington, DC • On-site

Broadcast Management Group, Inc.
Broadcasting • 51 - 200 employees

Full-time

Re-posted 2 days ago


Job description

Job Overview
Broadcast Management Group (BMG) delivers Managed Services, Live Production, and REMI Remote Production - engineered and monitored 24/7 across our national footprint (Washington DC, New York, Chicago, Las Vegas, and Los Angeles). We're looking for a Broadcast Production Engineer to support our REMI facilities, mobile units, and client sites nationwide.
This role travels extensively to support live news, sports, and entertainment broadcasts as Engineer in Charge (EIC), keeping mission-critical equipment running and issues resolved fast. Between shows, you'll work alongside our integration team - installing and testing new gear and helping build engineering signal flow synoptic diagrams and rack elevations. We're looking for someone who wants to be part of a team engineering broadcast-grade infrastructure from the ground up.
Essential Functions
• Provide technical production support across BMG facilities and mobile units, keeping equipment running correctly.
• Serve as Engineer in Charge (EIC) on location and at BMG's Broadcast Operations Center.
• Handle integration and upgrade projects of varying scale.
• Read and interpret broadcast engineering AutoCAD drawings.
• Work independently or as part of a team on integration projects - equipment commissioning, training, and planned system upgrades.
• Perform equipment maintenance as needed, including outside normal business hours.
• Terminate, label, and test video, audio, control, and network wiring against wire lists and drawings.
• Apply approved broadcast installation standards and wire equipment to BMG's quality and neatness standards.
• Contribute ideas for improving systems and workflows.
• Interact daily with clients on-site, delivering the BMG experience.
• Work closely with producers and help manage crew on show days.
• Pack and unpack the production truck with your Crew.
• Build shows from the ground up - router configuration, signal flow troubleshooting, and translating show requirements into working solutions with the technical team.
• Coordinate and set up transmission for assigned shows.
• Maintain a positive, collaborative working relationship with co-workers, supervisors, clients, and vendors.
• Mentor and train crew and less experienced team members.
• Take end-to-end ownership of large-scale events, overseeing the production crew.
Skills & Experience
  • 5 years of experience in broadcast engineering, live production, or mobile/remote broadcast operations.
  • Proficiency in Adobe Premiere, Final Cut Pro, Avid Media Composer or similar editing platforms.
  • Extensive experience operating recording studio equipment and live sound engineering setups.
  • Strong knowledge of audio systems, sound reinforcement systems operation, and event audio equipment operation.
  • Skilled in digital audio workstation (DAW) software for music mixing, post-production editing, and sound design.
  • Ability to troubleshoot technical issues efficiently across a range of broadcast equipment and AV systems.
  • Expertise in videography, filming techniques, content creation, and video production workflows.
  • Familiarity with signal processing techniques and audio engineering principles for high-quality sound output.

transport).
• Comfortable terminating, labeling, and testing video, audio, control, and network cabling to industry standards.
• Strong problem-solving skills and the ability to make sound decisions under live-event pressure.
• Effective communicator who works well with producers, crew, clients, and vendors.
• Willingness to travel extensively and work irregular hours, including nights, weekends, and holidays as production schedules require.
• Valid driver's license, with the ability to safely operate and help maintain a production truck.
Preferred (not required)
• Prior experience serving as Engineer in Charge (EIC) on live remote or REMI productions.
• Experience mentoring or training junior engineers (E2s).
• Familiarity with IP-based broadcast standards (SMPTE 2110, NDI, SRT).
Embark on a career where your technical prowess fuels captivating broadcasts! We're dedicated to fostering a creative environment that values innovation, precision, and teamwork-empowering you to excel in every project you undertake.
Work Location: In person

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About Broadcast Management Group

Sourced by ZipRecruiter

We are a video production company dedicated to solving technical and creative challenges of any scale or complexity At Broadcast Management Group, we believe there is no one-size-fits-all solution to production. Every project requires a unique approach. And every client has different desires and objectives. Our job is to understand those goals, desires, and dreams and craft a custom production solution that delivers results. This philosophy applies to all facets of our organization, from live production, consulting, and integration to events, staffing, and creative. We’ve spent nearly two decades helping clients across the globe achieve their production goals. From large-scale, multi-camera productions, engineering technical facilities, and launching OTT networks from the ground up. Our work tells the story of what we’ve done, where we’ve been, and the clients we’ve been fortunate to collaborate with.

Industry

Broadcasting

Company size

51 - 200 Employees

Headquarters location

Washington, DC, US

Year founded

2005

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