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Broadcast Production Jobs (NOW HIRING)

Production/Broadcast Engineer Location: Stamford, CT 06902 Duration: 6+ Months Job Type: Contract Work Type: Onsite Shift: (Wed-Sat or Sun-Wed) (8-6 or 9-7) Responsibilities: * The Production ...

Broadcast Management Group (BMG) a leading global broadcast production company focused on providing managed services to major broadcast networks, corporations, and studios. It is also a top producer ...

Our technology solutions and unique Global Production Ecosystem empower content creators and rights ... Support infrastructure for on-air broadcast production systems * Studio Operations including ...

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Broadcast Production information

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$11K

$37.5K

How much do broadcast production jobs pay per year?

As of Jun 8, 2026, the average yearly pay for broadcast production in the United States is $36,000.00, according to ZipRecruiter salary data. Most workers in this role earn between $35,500.00 and $36,500.00 per year, depending on experience, location, and employer.

What is broadcast production?

Broadcast production refers to the process of creating and delivering audio and video content for radio, television, or online platforms. This involves planning, scripting, recording, editing, and transmitting live or pre-recorded programs. Professionals in broadcast production work as producers, directors, camera operators, sound engineers, and editors to ensure high-quality content reaches the audience. They coordinate technical and creative elements, manage schedules, and troubleshoot issues during broadcasts.

What are the key skills and qualifications needed to thrive in Broadcast Production, and why are they important?

To thrive in Broadcast Production, you need a solid understanding of media production processes, video/audio editing, and a relevant degree or equivalent experience in broadcasting or communications. Familiarity with industry-standard tools such as Adobe Creative Suite, Avid Media Composer, and broadcast automation systems is typically required. Strong organizational skills, attention to detail, and the ability to work under tight deadlines are crucial soft skills for this fast-paced environment. These competencies ensure high-quality content delivery, smooth technical operations, and effective teamwork in live or recorded broadcasts.

What are some common challenges faced in a broadcast production role and how can they be effectively managed?

Professionals in broadcast production often encounter challenges such as tight deadlines, last-minute changes to scripts or schedules, and the need to quickly resolve technical issues during live broadcasts. Successfully managing these obstacles requires strong communication skills, adaptability, and the ability to stay calm under pressure. Collaborating closely with technical crews, directors, and on-air talent is essential to ensure smooth operations and timely delivery of content.

What is the difference between Broadcast Production vs Video Editor?

AspectBroadcast ProductionVideo Editor
CredentialsOften requires a degree in broadcasting, media, or related fieldsTypically needs a degree or certification in film, media, or editing software proficiency
Work EnvironmentStudio, control rooms, live broadcast settingsEditing suites, post-production studios, remote editing setups
Industry UsageUsed in TV stations, radio, live eventsUsed across film, TV, online content, advertising

Broadcast production involves creating content for live or recorded broadcast, including planning, directing, and managing the production process. Video editors focus on post-production editing, assembling footage, and refining content. While both roles require media knowledge and technical skills, broadcast production emphasizes live or real-time content creation, whereas video editing centers on post-production refinement.

More about Broadcast Production jobs
What cities are hiring for Broadcast Production jobs? Cities with the most Broadcast Production job openings:
What are the most commonly searched types of Broadcast Production jobs? The most popular types of Broadcast Production jobs are:
What states have the most Broadcast Production jobs? States with the most job openings for Broadcast Production jobs include:
What job categories do people searching Broadcast Production jobs look for? The top searched job categories for Broadcast Production jobs are:
Infographic showing various Broadcast Production job openings in the United States as of May 2026, with employment types broken down into 98% Full Time, and 2% Contract. Highlights an 93% Physical, 2% Hybrid, and 5% Remote job distribution, with an average salary of $36,000 per year, or $17.3 per hour.
Broadcast Production Management

Broadcast Production Management

University of Montevallo

Montevallo, AL • On-site

$11/hr

Part-time

Posted 12 days ago


Job description

Posting Details
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Position Information
Posting Number
Job Title
Broadcast Production Management
Department
Communication (Mass Comm)
Rate of Pay
$11.00 hourly
FLSA
Non-Exempt
Estimated Number of Hours Per Week
Employment Status
Part Time Temporary
Student Appointment Type
Jobship
General Description
Producer:
Acts as student supervisor for FloSports volleyball and basketball broadcasts, ensuring the story of the game is delivered with professional quality; Ensures all FloSports broadcast requirements including graphics, commercial playback, and broadcast quality are met; Operates Production Truck computer and switches shots for FloSports baseball, softball, and lacrosse broadcasts.
Director:
Acts as supervisor to technical crew for FloSports volleyball and basketball broadcasts, ensuring the visual story of the game is delivered with professional quality, and ensures all technical aspects are in working order.
Remote Producer:
Acts as remote field supervisor for FloSports volleyball and basketball broadcasts in Trustmark Arena. Operate game camera as needed; The Remote Producer ensures that communication and TV signals between Strong Hall and Central State Bank arena are working, and acts as the on-site crew manager for the broadcasts.
Essential Job Duties
Producer:
Act as supervisor for student crew: work with Ops Staff and MC faculty to ensure all crew confirmed; Create broadcast rundown in Ross Inception; Manage commercials for local and network playback; Oversee gameday crew meeting and any crew training necessary; Ensure FloSports network test completed no later than 1 hour before show start; Coordinate show content plan and execution with talent and director; Oversee rehearsals and recording of show content including intros and any interviews required;
Director:
Conduct gameday technical crew meeting and rehearsals; provide any crew training required; ensure all Strong Hall audio, video and intercom systems are configured for game broadcast; Confirm network transmission with FloSports; Manage in-game broadcast content including game action, commercial breaks, replays, and interviews; Coordinate with FloSports Broadcast Producer for execution of production content.
Remote Producer:
Setup cameras for game operation in Trustmark Arena; Confirm Intercom connection to Strong Hall; Setup Press Row audio and video; Setup video display in remote room; Connect SAC scoreboard camera to Strong Hall; Confirm Official Video Review system receiving game cameras; Operate in-game camera as needed; Act as on-site crew manager in Trustmark Arena during game broadcasts; Operate handheld camera for volleyball, basketball, and Acrobatics & Tumbling.
Education and Experience
High School Diploma or GED equivalent
Preference given to students who have earned a "B" or better in MC 411.
Skills, Knowledge, and Abilities
Producer:
Working knowledge of Ross Inception; Ability to manage a crew of up to 15 peer students; MS office suite; knowledge of the rules and flow of volleyball and basketball games; familiarity with each of the crew positions in Strong Hall; Ability to operate in a team environment on a deadline basis;
Director:
Working knowledge of the technical crew positions required for the FloSports broadcast; ability to manage a crew of up to 14 peer students; Ability to operate in a team environment on a deadline basis; Understanding of the rules and flow of volleyball and basketball games is preferred.
Remote Producer:
Ability to operate in a team environment on a deadline basis; Ability to lift 10lb. cameras and connect media cables as directed; Knowledge of video composition
Preferred Major
Licenses, Certification or Registrations
N/A
Number of Vacancies
Desired Start Date
Open Date
07/02/2025
Close Date
Open Until Filled
Yes
Additional Statement
The University of Montevallo does not discriminate against job applicants based on their national origin or citizenship or immigration status. Because of the costs associated with visa sponsorship/transfer, the University typically will not sponsor applicants for a work visa or transfer of an existing visa. No commitment for visa assistance and/or sponsorship can be made until a thorough search is conducted, including a proper and methodical review of all applicants.
EEO Statement
UM is an Equal Employment Opportunity Institution