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Av Editor Jobs (NOW HIRING)

The AV/VTC Production Engineer designs, integrates, operates, maintains, and supports enterprise ... Support video editing and post-production, including Adobe Premiere, Final Cut Pro, or comparable ...

Provide AV/VTC support to include, but not limited to, onsite support, ad-hoc services, video ... Support video editing and post-production, video switching, camera operations, graphic design ...

The Assistant Editor, Video - Creative Production is responsible for creating compelling video ... Maintains the Universal AV Asset Library from the camera to DAM process. * Ensures captured assets ...

New

Purpose: The AV/VTC Production Engineer provides advanced engineering, production, and technical ... Perform video editing and post-production using tools such as Adobe Premiere, Final Cut Pro, and ...

... editors, sound engineers, and internal post teams to ensure creative intent is preserved across all ... AV LOCALIZATION PROJECT MANAGEMENT * Coordinate timelines, priorities, and expectations to ensure ...

... editors, sound engineers, and internal post teams to ensure creative intent is preserved across all ... AV LOCALIZATION PROJECT MANAGEMENT Coordinate timelines, priorities, and expectations to ensure ...

... editors, sound engineers, and internal post teams to ensure creative intent is preserved across all ... AV LOCALIZATION PROJECT MANAGEMENT * Coordinate timelines, priorities, and expectations to ensure ...

... editors, sound engineers, and internal post teams to ensure creative intent is preserved across all ... AV LOCALIZATION PROJECT MANAGEMENT * Coordinate timelines, priorities, and expectations to ensure ...

... editors, sound engineers, and internal post teams to ensure creative intent is preserved across all ... AV LOCALIZATION PROJECT MANAGEMENT * Coordinate timelines, priorities, and expectations to ensure ...

AV Producer - UCAN

Los Angeles, CA · On-site

$135K - $220K/yr

It reports to the Sr. Manager of AV Production (UCAN) and is an integral part of campaign ... with colorists, editors, sound engineers, and internal post teams to ensure creative intent is ...

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Av Editor information

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How much do av editor jobs pay per hour?

As of Sep 12, 2026, the average hourly pay for av editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What is an AV editor?

AV Editors, or Audio-Visual Editors, are professionals who specialize in editing and assembling audio and video footage to create finished multimedia content. They work on projects such as films, television shows, commercials, music videos, and online content. Their responsibilities include cutting and arranging raw footage, adding sound effects and music, color correction, and ensuring the final product meets the desired vision and technical standards. AV Editors use specialized software like Adobe Premiere Pro, Final Cut Pro, or Avid Media Composer to perform their tasks. Strong attention to detail and creativity are essential skills for success in this role.

What are the key skills and qualifications needed to thrive as an AV editor?

To thrive as an AV Editor, you need a solid understanding of video and audio editing principles, storytelling, and a relevant degree or experience in media production. Proficiency with editing software like Adobe Premiere Pro, Final Cut Pro, and audio tools such as Audition or Pro Tools is typically required. Creativity, attention to detail, and strong communication skills help an AV Editor collaborate effectively and produce engaging content. These skills and qualities are crucial for delivering high-quality multimedia projects that meet client or audience expectations.

What are some common challenges an AV editor might face when working on tight production deadlines?

AV Editors frequently work on projects with strict deadlines, which can pose challenges such as managing last-minute changes, handling large volumes of raw footage, and ensuring high-quality output under time pressure. Effective organization, clear communication with producers and directors, and proficiency with editing software are essential to meet these demands. Collaborating closely with other post-production staff and being adaptable to shifting priorities can help AV Editors deliver projects on time without sacrificing quality.
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Infographic showing various Av Editor job openings in the United States as of September 2026, with employment types broken down into 81% Full Time, 8% Part Time, 1% Temporary, and 10% Contract. Highlights an 89% Physical, 3% Hybrid, and 8% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

AV/VTC Production Engineer

Washington, DC • On-site

Other

Posted 8 days ago


Job description

Join Our Team

Devis is a leading provider of innovative software development, management, and consulting services, specializing in cutting-edge technologies such as DevSecOps, AI, and Machine Learning. With over 30 years of experience, we have established ourselves as a trusted partner for government agencies, delivering tailored, mission-critical solutions that drive digital transformation and operational excellence. Our client-centric approach, coupled with our deep domain expertise and technical prowess, enables us to forge enduring relationships and consistently deliver high-impact, adaptive solutions that resonate with the unique needs of the public sector.

The Role

This is the engineering and production craft seat on the AV team supporting a federal agency. Where the senior specialist carries technical authority and the event coordinator plans and directs event production, the production engineer designs the systems and does the production work: switching, mixing, editing, motion graphics, and the signal design underneath all of it.


The agency runs Microsoft Teams, Zoom, Webex, Google Meet, and Slack for video conferencing and collaboration, with Cisco and Poly platforms in its conference and AV rooms. Headquarters is in Washington, DC, with 53 field offices nationwide; about 2,100 people rely on these systems.

What You’ll Do
  • Design and integrate AV and VTC solutions: signal flow diagrams, equipment layouts, AV-over-IP network configuration, and integration across communications platforms
  • Configure and maintain video switchers, audio mixers, DSPs, control processors, cameras, microphones, projection systems, and LED displays
  • Run production during live events: town halls, executive meetings, training events, webcasts, and conferences, handling live switching, audio mixing, recording, and streaming
  • Handle editing and post-production, storyboarding, motion graphics, and graphic design in support of agency communications
  • Set up and manage Teams, Zoom, Webex, and Poly RealPresence sessions, coordinate multi-location connections, and resolve interoperability issues
  • Diagnose problems across audio quality, video transmission, network connectivity, codec performance, and hardware
  • Perform preventive maintenance and firmware updates, identify equipment requiring repair or replacement, and provide technical input to AV/VTC lifecycle and upgrade planning
  • Monitor AV/VTC system performance, identify reliability or performance issues, and provide technical recommendations to support upgrade and replacement decisions
  • Train end users on conference room technology and collaboration tools
What You’ll Need
  • Ten years in AV engineering and production for an enterprise, broadcast, or comparable multi-site environment (the agency runs about 2,100 users across headquarters and 53 field offices)
  • Production credits on live executive or public-facing events
  • Editing and post-production fluency in Adobe Premiere, Final Cut Pro, Wondershare, or comparable tools
  • Hands‑on video switching experience, ideally with Blackmagic hardware
  • Signal flow design and AV-over‑IP configuration you can show, not just describe
  • Experience supporting users and systems spread across many offices, not just one building
Nice to Have
  • AVIXA CTS-D or CTS-I certification
  • Dante or comparable audio networking experience
  • Crestron or Extron control system programming
  • Prior support to a federal agency with a dispersed field structure
  • Experience supporting congressional or other high‑visibility public proceedings
  • Section 508 accessibility experience, particularly captioning and assistive listening
  • Digital signage design and administration
Location, Schedule, and Logistics
  • Standard schedule is an eight‑hour day scheduled between 7:00 a.m. and 7:00 p.m. Eastern, Monday through Friday, excluding federal holidays. Occasional weekend work may come up with advance government approval.
  • Live events sometimes land at the edges of the 7:00 a.m. to 7:00 p.m. window, so expect early starts or late wraps around major events.
  • On‑site at agency headquarters in Washington, DC (NoMa area, Metro‑accessible). Telework is by exception only and requires government approval.
  • You will work on a government-furnished laptop. Personal devices cannot connect to the agency network.
  • At least 40 hours per year of paid professional training in your core skill areas, at no cost to you.
  • Occasional travel to agency field offices, event sites, and official events held away from headquarters, reimbursed at federal travel rates.

Devis is an AA/EOE/M/F/Disabled/VET Employer committed to providing equal employment opportunity without regard to an individual’s race, color, religion, age, gender, sexual orientation, veteran status, national origin or disability.

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