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Audio Editor Jobs in Houston, TX (NOW HIRING)

J Holdings

Content Producer

Houston, TX

$108K/yr

Experience with video editing software * Knowledge of podcast production and audio editing * Ability to meet deadlines and manage multiple projects * Strong creative and storytelling skills

Houston Toyota Center

Producer/Editor

Houston, TX · On-site

Producer/Editor General Description: The Houston Rockets are seeking a passionate and talented ... Understand color correction, audio mastering, and use of different codecs. * Help build/log ...

AEG

Producer/Editor

Houston, TX · On-site

Editing: Edit and enhance video footage using industry-standard editing software, adding graphics ... Understand color correction, audio mastering, and use of different codecs. * Help build/log ...

Hearst Newspapers

Audience Editor, Chron

Houston, TX · On-site

Audience Editor Chron | Houston, TX Full-time | Digital • Audience • Social • Video Chron is chasing Texas-sized audience growth. We need an editor who knows how to make sharp journalism travel ...

Hearst

Audience Editor, Chron

Houston, TX · On-site

Audience Editor Chron | Houston, TX Full-time | Digital • Audience • Social • Video Chron is chasing Texas-sized audience growth. We need an editor who knows how to make sharp journalism travel ...

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All JobsAudio Editor JobsAudio Editor Jobs in Houston, TX

Audio Editor information

See Houston, TX salary details

$17.2K

$68.8K

$107.4K

How much do audio editor jobs pay per year?

As of Sep 1, 2026, the average yearly pay for audio editor in Houston, TX is $68,812.00, according to ZipRecruiter salary data. Most workers in this role earn between $47,300.00 and $89,800.00 per year, depending on experience, location, and employer.

What does an audio editor do?

As an audio editor, your primary responsibilities include listening, reviewing, and preparing sound for post-production. This position is commonly found in broadcasting for sports and other TV and radio news. Your duties are to watch and listen to feeds to coordinate synchronization, edit audio, add in sound bites, and record audio for specific clips. You work with the producer and graphic designer to develop appropriate sound options for the overall vision. With live sports games, you also work around replays and ensure that the correct cuts occur, so the sound matches the image.

What does an audio editor do?

An audio editor is responsible for editing, mixing, and enhancing audio recordings for use in various media, such as music, podcasts, films, and commercials. They use specialized software to cut, arrange, and clean up audio tracks, removing unwanted noise and ensuring high sound quality. Audio editors may also add sound effects, adjust levels, and synchronize audio with video. Their work is essential for creating clear, professional-sounding audio productions.

What are the key skills and qualifications needed to thrive as an audio editor, and why are they important?

To thrive as an Audio Editor, you need a strong grasp of audio editing principles, an ear for detail, and typically a background in audio production or a related field. Familiarity with digital audio workstations (DAWs) such as Pro Tools, Adobe Audition, or Logic Pro, as well as knowledge of audio formats and plugins, is essential. Strong communication, creativity, and time management skills help audio editors collaborate effectively and meet tight deadlines. These skills ensure the delivery of high-quality, polished audio content that meets project requirements and industry standards.

What are some common challenges audio editors face when working with remote teams?

Audio Editors collaborating with remote teams often encounter challenges like inconsistent audio quality from different contributors, managing large file transfers, and coordinating feedback across time zones. Clear communication and efficient use of collaborative tools are essential to ensure project consistency and timely delivery. Many Audio Editors use cloud-based platforms to streamline workflow and maintain organized version control, which helps mitigate these challenges and keeps projects on track.

What is the difference between Audio Editor vs Sound Designer?

AspectAudio EditorSound Designer
Primary RoleEditing and assembling audio recordings for clarity and qualityCreating and designing original sound effects and audio elements
Skills & ToolsProficiency in audio editing software (e.g., Pro Tools, Audacity)Sound design software, creativity, and sound synthesis skills
Work EnvironmentPost-production studios, media companies, broadcastingFilm, video game, advertising, and multimedia production
CredentialsAudio editing experience, sometimes certifications in audio productionSound design experience, often with a background in audio engineering or music

While both Audio Editors and Sound Designers work with audio, Audio Editors focus on refining and assembling existing recordings, whereas Sound Designers create new sound effects and audio elements to enhance media projects. The roles often overlap but serve different stages of the audio production process.

How do you become an audio editor?

To become an audio editor, you typically need a high school diploma or equivalent, along with proficiency in audio editing software such as Pro Tools, Adobe Audition, or Audacity. Gaining experience through internships, freelance projects, or a related degree in audio production or sound engineering can also help build skills and improve job prospects.

Is sound editing in high demand?

Sound editing is in high demand across industries such as film, television, and gaming, especially as content creation increases. Skilled audio editors with proficiency in digital audio workstations like Pro Tools or Adobe Audition are sought after, and the field offers opportunities for freelance and full-time work in various media environments.
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For Audio Editor jobs in Houston, TX, the most frequently searched job titles are:

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Audio Editor jobs near you
Infographic showing various Audio Editor job openings in Houston, TX as of August 2026, with employment types broken down into 72% Full Time, 25% Part Time, 1% Temporary, and 2% Contract. Highlights an 81% Physical, 2% Hybrid, and 17% Remote job distribution, with an average salary of $68,812 per year, or $33.1 per hour.

Director of Production and Audio Ministry

Hope Media Group

New Caney, TX • On-site

Full-time

Medical, Dental, Vision, Life, Retirement, PTO

Posted 4 days ago

Job description

Job Type
Full-time
Description
Join a company that truly impacts others!
Hope Media Group is a multi-brand ministry. Every story we share, every event we host, and every song we play is done to engage people to love Jesus, serve others, and spread Hope. Hope Media Group the home of KSBJ, WayFM, Worship 24/7, Vida Unida, NGEN radio. Way Loud, Way New, Way Back, Gospel 24/7, God Listens Prayer App and Hope Events. We invite you to apply and become a part of our growing ministry to Love Jesus, Serve Others, and Spread Hope. Our team describes our environment as fun, encouraging, collaborative, engaging, caring, family-oriented, and friendly. We would love for you to join us and be part of what God is doing in our ministry!
Job Summary
The Director of Production and Audio Ministry is a senior creative leader responsible for shaping Hope Media Group's ministry, underwriting, and donor storytelling come to life through sound. This role ensures that ministry audio is communicated with excellence, integrity, and emotional clarity across all brands and platforms. Working in close partnership with the Director of Imaging and Brand Sound, Program Directors, and cross-functional teams, this role champions production excellence and ministry storytelling while sharing responsibility for the overall creative audio vision. Together, these two director roles are designed to elevate the sound and storytelling of Hope Media Group-establishing a new standard for creativity, innovation, and impact within faith-based media.
Essential Functions
Production Leadership & Audio Ministry
  • Champion Engagement 365 audio storytelling, crafting ministry and donor messaging that connects generosity to real-life impact through authentic, compelling story
  • Lead underwriting production and ministry audio needs across all brands, serving listeners, donors, and business partners with excellence
  • Interface primarily with underwriting partners and internal stakeholders to ensure clarity, alignment, and strong execution
  • Collaborate with Programming, Marketing, and Donor Relations to translate ministry initiatives into audio that connects emotionally and compels action
  • Help establish year-round messaging that naturally weaves listener support and life change into daily content

Shared Creative Leadership & Audio Excellence
  • Share responsibility for the sonic identity of all Hope Media Group brands, contributing to imaging, promos, ministry features, and donor messaging
  • Ensure underwriting and ministry audio meets FCC non-commercial underwriting guidelines while maintaining creative excellence
  • Maintain high standards of sound design, copywriting, and production flow to ensure clarity, consistency, and connection
  • Participate in decisions around production systems, scheduling, delivery flow, and creative standards
  • Innovate audio across on-air, streaming, podcasting, video audio design, and social platforms

Podcasting, Digital Audio & Programming Support
  • Support the Programming department through audio editing, production, and creative consultation for podcasts, digital-first content, and on-demand audio
  • Edit and enhance podcast content, ensuring strong sound quality, pacing, and listener engagement
  • Collaborate with Programming and Digital teams to adapt on-air content for digital platforms, including podcasts, short-form audio, and emerging formats
  • Help develop audio standards and best practices for digital content that reflect brand sound, ministry purpose, and audience expectations
  • Provide creative and technical support for new programming initiatives beyond traditional broadcast

Team Development & Operations
  • Provide leadership, mentoring, and creative guidance to producers, creatives, and partners as the department evolves
  • Collaborate on the use of contractors and external partners to scale output while maintaining quality and agility
  • Contribute to systems that balance creative freedom with efficiency and clarity
  • Cultivate a culture that values excellence, collaboration, innovation, and ministry impact

Demonstrated Faith:
  • Committed to a personal relationship with Jesus Christ
  • Grounded spiritually and biblically literate
  • Comfortable praying for co-workers in team meetings, leading spoken prayer, and participating in ministry prayer meetings and Bible studies
  • Live Christian principles defined by the ministry's Statement of Faith & Biblical Beliefs
  • Participate in on-air fundraisers and prays for donors as needed
  • Passion for leveraging the HMG's media platforms for evangelism and discipleship
  • Exhibit a strong moral character
  • Active member of a Bible believing local church

Non-Essential Functions
  • Any other duties assigned.
  • Attend and participate in regular staff meetings and training

Requirements
Education:
  • Bachelors in audio engineering, broadcast engineering, media, or equivalent work experience is preferred.

Experience:
  • 5+ years leading a fast-moving production or creative audio team - preferably in radio, agency or multiplatform media.

Knowledge, Skills and Abilities:
  • Expert in digital audio workstations (Adobe Audition or Pro Tools preferred).
  • Strong understanding of FCC rules for non-commercial underwriting.
  • Strategic thinker who can assess team structure, identify gaps, and build for scale.
  • Exceptional writing and storytelling ability; can translate emotion into sound.
  • Collaborative leader comfortable navigating both creative and operational priorities.
  • Heart for Christian ministry
  • Strong moral character
  • Has a personal relationship with Jesus Christ. Spiritually grounded and working knowledge of scripture
  • Must be an active member of a Bible believing local church

Supervisory Responsibilities
  • None.

Working Conditions and Environment
Travel:
  • 0%-10%

Nights/Weekends/Holidays:
  • 0%-10%

Physical Requirements:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions. Physical Activity may include Talking. Expressing or exchanging ideas by means of the spoken word. Those activities in which they must convey detailed or important spoken instructions to other workers accurately, loudly, or quickly. Hearing. Perceiving the nature of sounds at normal speaking levels with or without correction. Ability to receive detailed information through oral communication, and to make the discriminations in sound. Repetitive motion. Substantial movements (motions) of the wrists, hands, and/or fingers including pinching, typing or otherwise working, primarily with fingers rather than the whole hand as in handling. Light work. Exerting up to 20 pounds of force occasionally, and/or up to 10 pounds of force frequently, and/or a negligible amount of force constantly to move objects. If the use of arm and/or leg controls requires exertion of forces greater than that for sedentary work and the worker sits most of the time, the job is rated for light work. The worker is required to have close visual acuity to perform an activity such as: preparing and analyzing data and figures; transcribing; viewing a computer terminal; extensive reading.
Full-Time Benefits Offerings:
  • Medical
  • Dental
  • Vision
  • Health Savings Account w/employer contribution
  • Flexible Savings Accounts
  • Company Paid Short Term Disability/Long Term Disability
  • EAP (Employee Assistance Program)
  • Generous Paid Time Off (PTO)
  • Three (3) Paid Mission Days
  • Twelve (12) Company-Paid Holidays
  • 403B Retirement with Company Match
  • Group Life Insurance
  • Legal Shield/Identity Theft Protection
  • Access to Marketplace Ministry Chaplains

Third-Party Recruiter Policy:
We are grateful for the interest of those who wish to support our hiring efforts. However, Hope Media Group does not accept unsolicited resumes or candidate referrals from external staffing agencies or search firms. Submissions from third parties will not be considered and may be retained without obligation or payment or fees.

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