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Assistant Film Set Painter Jobs (NOW HIRING)

$80 - $100/hr

Seeking an experienced First Assistant AD to support the creation and development of LSS Universal ... As such, the 1st AD must have enough knowledge about each department on a film set in order to ...

Paint Film Technician

Jacksonville, FL · On-site

$16.75 - $22.25/hr

... to assist with application. * The Tech will continuously use a squeegee type device, hands and ... Ability to read, understand and consistently apply TMS and SET installation procedures and quality ...

Brush and Roll Painter

Pascagoula, MS

$18.25 - $25/hr

... film thickness, and fair in transitions between layers of coating, such as feathering. * Always ... Support paint pump operator with equipment set-up and assist sprayers with pulling and tending ...

Painter

Freeman, SD

$22.75 - $24.55/hr

... Film Thickness (WFT) and Dry Film Thickness (DFT) gauges (magnetic/eddy current), apply visual ... systems; set up and tune spray guns (nozzle/needle, fan, flow, atomization), and troubleshoot ...

Film Producer

Manhattan, NY · On-site

$60 - $80/hr

... on Set Volunteer for student films or independent projects. Take on production assistant roles to ... Film school can provide a structured learning environment and networking opportunities. If ...

Industrial Painter

Shamong, NJ · On-site

$20 - $28/hr

Perform wet and dry film thickness testing to ensure specification compliance * Troubleshoot ... Coordinate with production scheduling and quality assurance * Assist and train paint shop staff in ...

Industrial Painter

Shamong, NJ · On-site

$20 - $28/hr

Perform wet and dry film thickness testing to ensure specification compliance * Troubleshoot ... Coordinate with production scheduling and quality assurance * Assist and train paint shop staff in ...

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Assistant Film Set Painter information

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How much do assistant film set painter jobs pay per hour?

As of Sep 8, 2026, the average hourly pay for assistant film set painter in the United States is $16.85, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $18.27 per hour, depending on experience, location, and employer.

What is the difference between Assistant Film Set Painter vs Set Painter?

AspectAssistant Film Set PainterSet Painter
CredentialsHigh school diploma, on-the-job trainingHigh school diploma, specialized training or apprenticeship
Work EnvironmentFilm and TV sets, construction sitesFilm sets, stage environments, construction sites
Job RoleSupports set painters, prepares surfaces, mixes paintsCreates and applies paint finishes, designs set aesthetics

The Assistant Film Set Painter primarily supports the Set Painter by preparing surfaces and assisting with painting tasks, while the Set Painter is responsible for the actual painting and finishing of set surfaces. Both roles work closely in the film industry, often in similar environments, but differ in responsibility level and scope of work.

How much does an assistant film set painter make?

An assistant film set painter typically earns between $15 and $25 per hour, depending on experience, location, and the production budget. Entry-level positions may pay closer to minimum wage, while experienced assistants working on larger productions can earn higher wages or salaries. The role often requires knowledge of painting techniques, set construction, and safety protocols.

What cities are hiring for Assistant Film Set Painter jobs?

Cities with the most Assistant Film Set Painter job openings:

What are the most commonly searched types of Film Set Painter jobs?

The most popular types of Film Set Painter jobs are:

What states have the most Assistant Film Set Painter jobs?

States with the most job openings for Assistant Film Set Painter jobs include:

$80 - $100/hr

Other

Posted 9 days ago


Job description

Seeking an experienced First Assistant AD to support the creation and development of LSS Universal originals for television and streaming platforms. Business Line: Television Production Production Type: Films | Show Series Position: Freelance Project Hire: Production Specific

The First (1st) Assistant Director (AD) role ensures that the cast and crew are working on a schedule. They plan for that daily schedule, as well as the overall production timeline. As such, the 1st AD must have enough knowledge about each department on a film set in order to ensure effective communications.

RESPONSIBILITIES

The AD must be able to:

Storyboards. The 1st AD first breaks the script down into storyboards that reflect how each scene will be shot.

Shooting schedule. Once the director signs off on the storyboards, the first AD creates an overall shooting schedule. The 1st AD clears the shooting schedule with the production manager, line producer, and crew department heads. The AD must ensure that all scenes are appropriately scheduled for when the applicable location, props, and cast are available.

Call sheets. Before each day of shooting, a call sheet is drawn up by the second AD in conjunction with the first AD. During production, it's the first AD's job to make sure that everyone is making their call times and the filming is progressing on schedule.

Calling the roll. During filming, one of the first assistant director's primary responsibilities is what's known as "calling the roll". Calling the roll is when the 1st AD cues the various department heads (including camera operator , key grip , and sound mixer ) to prepare for filming to start.

Liaise with the crew. The 1st AD serves as the go-between for the director and the rest of the crew. If something needs to be communicated in either direction, it generally goes through the first AD.

On-set diplomat. The first AD is also responsible for controlling discipline on the set. If someone is not doing their job effectively or there are conflicts on set, it is the first AD's job to resolve the situation. This may require taking disciplinary action or changing personnel when appropriate.

Safety. Safety is a priority on any film set and the first AD must also ensure that all health and safety standards are met. Each department has different precautions to ensure that cast and crew members aren't in danger. The first AD oversees each department and is ultimately responsible for ensuring that each department head is maintaining a safe workspace.

DESIRED QUALIFICATIONS

Previous experience as production assistants or runners

5+ years working in the video production/film industry as a cinematographer.

Ability to multi-task and delegate

Good sense for organization and planning

Strong attention to detail

Basic knowledge and understanding of all the various departments found on a film set.

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