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Weekend Commercial Video Editor Jobs (NOW HIRING)

JAMES RIVER CHURCH

Video Editor - Full Time

Ozark, MO · On-site

We tell stories through video, produce weekly television programs, weekend experience videos ... Produce our weekly video announcements, including writing scripts, shooting, editing, and post ...

James River Church

Video Editor - Full Time

Ozark, MO · On-site

We tell stories through video, produce weekly television programs, weekend experience videos ... Produce our weekly video announcements, including writing scripts, shooting, editing, and post ...

Fox

News Video Editor

Tampa, FL

$25.96 - $26.87/hr

Minimum of two years of experience as a video editor in a television news department is recommended ... Weekends, holidays and overtime as needed required. We are an equal opportunity employer and all ...

FOX News Network, LLC

News Video Editor

Tampa, FL · On-site

$25.96 - $26.87/hr

Minimum of two years of experience as a video editor in a television news department is recommended ... Weekends, holidays and overtime as needed required. We are an equal opportunity employer and all ...

Utah Jazz

Video Editor Intern

Sandy, UT

You'll be able to combine your passion for sports with video production in this internship ... Flexibility in schedule to assist on productions (including weekends). * Experience editing quick ...

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Weekend Commercial Video Editor information

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How much do weekend commercial video editor jobs pay per hour?

As of Jun 28, 2026, the average hourly pay for weekend commercial video editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What is the day rate for a commercial video editor?

The day rate for a commercial video editor typically ranges from $300 to $800, depending on experience, project complexity, and location. Freelance editors often charge higher rates for short-term projects and may include additional costs for revisions or specialized skills in editing software like Adobe Premiere or DaVinci Resolve.

What is the 80 20 rule in video editing?

In video editing, the 80/20 rule suggests that roughly 80% of the final product comes from 20% of the editing effort, emphasizing the importance of focusing on key clips and essential adjustments. For a weekend commercial video editor, prioritizing impactful scenes and efficient use of editing tools helps deliver quality content within tight schedules.

What is the 321 rule of video editing?

The 321 rule in video editing suggests that a video should have no more than three seconds of any single shot, no more than two seconds of any scene or sequence, and no more than one minute of total footage to maintain viewer engagement. This guideline helps editors create concise, dynamic videos, especially useful for social media content or promotional videos. Applying this rule can improve pacing and viewer retention in commercial video editing projects.

How much do commercial video editors make?

Commercial video editors typically earn between $40,000 and $80,000 annually, depending on experience, location, and the complexity of projects. Experienced editors with skills in editing software like Adobe Premiere Pro or Final Cut Pro and a strong portfolio can command higher salaries, especially in competitive markets.
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What are the most commonly searched types of Commercial Video Editor jobs? The most popular types of Commercial Video Editor jobs are:
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Weekend Commercial Video Editor jobs near you

FREELANCE VIDEO EDITOR - BETTER TOGETHER

TBN

Fort Worth, TX • On-site

Full-time

Posted 7 days ago

Job description

Location: Freelance position based in TBN’s Ft. Worth, TX, Studio Location

Reports to: Post-Production Manager

Video Editor

About the Role

We are seeking a highly skilled freelance Lead Video Editor with proven experience in broadcast post-production to support the daily Better Together series airing on TBN Networks. The ideal candidate is a detail-oriented professional who understands broadcast standards, thrives in fast-paced environments, and can deliver high-quality content for broadcast.

This position requires strong technical proficiency, creative storytelling ability, multi-camming knowledge and a commitment to accuracy and deadlines. A flexible schedule and willingness to work evenings, weekends, and overtime when necessary are essential for this role. This is an in-studio position and must live in the DFW area, no remote work.

Key Responsibilities

  • Edit video content for broadcast, and digital distribution in compliance with network technical and creative standards
  • Manage all aspects of the post-production workflow — from ingest to final delivery — ensuring accuracy and consistency across all deliverables, detail oriented
  • Collaborate closely with producers, directors, and creative teams to shape compelling visual narratives and achieve project objectives.
  • Ensure strict compliance with broadcast specifications, including color space, aspect ratio, audio levels, and captioning requirements.
  • Identify and resolve technical and workflow issues to maintain efficient production and on-time delivery.
  • Stay current with evolving editing software, broadcast technologies, and emerging media trends.
  • Maintain schedule flexibility, including weekends and overtime, to meet production deadlines.

Qualifications

  • 5–7+ years of professional experience in video editing, preferably within a broadcast, or agency environment
  • Advanced proficiency with Adobe Premiere Pro/After Effects
  • In-depth understanding of broadcast terminology and specifications, including timecode, slates, bars & tone, and loudness standards
  • Strong storytelling, pacing, and editorial judgment skills
  • Excellent organizational abilities and attention to detail under tight deadlines
  • Exceptional communication skills and the ability to work collaboratively within a team
  • A professional demo reel showcasing broadcast-quality work

Preferred Skills

  • Experience with live or near-live broadcast workflows
  • Familiarity with cloud-based review and collaboration tools
  • Working knowledge of motion graphics, color grading, or sound design

To Apply:
Submit your resume and recent demo reel, highlighting your editing experience.