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Studio Camera Operator Jobs in New York (NOW HIRING)

... video, graphics, studio elements, and music. * Lead technical crews, including technical directors, audio operators, graphics operators, and camera operators, to ensure seamless production.

Content Creator

Manhattan, NY · On-site

$60 - $80/hr

iNexxus is an operating partner for companies launching products, deploying AI, entering new ... BONUS SKILLS * -- Motion design or 3D. * -- On-camera presenting. * -- Experience with AI-assisted ...

You'll build and run Kaizen Studio (open to naming suggestions): the creative function that ... Direct and brief contractors (editors, camera operators) on larger productions, making sure their ...

Founding Filmmaker & Video Lead

New York, NY · On-site

$140K - $180K/yr

You'll build and run Kaizen Studio (open to naming suggestions): the creative function that ... Direct and brief contractors (editors, camera operators) on larger productions, making sure their ...

Senior Content Producer

Manhattan, NY · On-site

$125 - $150/hr

... camera * Help design and build our new studios and sets as we grow our physical production space ... Comfortable operating with significant autonomy in a fast-moving, high-growth environment ...

Senior Content Producer

New York, NY · On-site

$110K - $120K/yr

... camera * Help design and build our new studios and sets as we grow our physical production space ... Comfortable operating with significant autonomy in a fast-moving, high-growth environment ...

Studios is a full-service creative and marketing agency that creates unique, high-impact content ... Proficiency in operating DSLR/cinema cameras, along with expertise in sound, lighting, and grip ...

Video Producer

Manhattan, NY · On-site

$60 - $80/hr

Studios is a full-service creative and marketing agency that creates unique, high-impact content ... operating DSLR/cinema cameras, along with expertise in sound, lighting, and grip ...

Studios is a full-service creative and marketing agency that creates unique, high-impact content ... Proficiency in operating DSLR/cinema cameras, along with expertise in sound, lighting, and grip ...

Troubleshoot cameras, microphones, monitors, playback systems, signal paths, and other production ... studio operations, or a related technical environment. * Hands-on experience setting up, operating ...

Media Operations Technician

New York, NY · On-site

$70 - $75K/day

Troubleshoot cameras, microphones, monitors, playback systems, signal paths, and other production ... studio operations, or a related technical environment. * Hands-on experience setting up, operating ...

Multimedia Producer

Manhattan, NY · On-site

$60 - $80/hr

... camera switching to record content as live and managing on-screen graphics like lower thirds and ... and operating within an audio, video, podcast, or broadcast studio environment. * Education

Operate and troubleshoot conference-room AV systems, studio interview setups, displays, cameras ... Advanced troubleshooting skills across hardware, operating systems, applications, networks, AV ...

This role is responsible for building a consistent, scalable operating model that supports high ... studio, or technical production environment * Hands-on experience with multi-camera directing and ...

Showing results 41-60

Studio Camera Operator information

See New York salary details

$14

$30

$68

How much do studio camera operator jobs pay per hour?

As of Sep 7, 2026, the average hourly pay for studio camera operator in New York is $30.81, according to ZipRecruiter salary data. Most workers in this role earn between $18.94 and $33.41 per hour, depending on experience, location, and employer.

What is a studio camera operator?

Studio camera operators are professionals responsible for operating cameras during television, film, or live broadcast productions within a studio environment. They work closely with directors and other production staff to capture the desired shots, angles, and movements according to the script or production plan. Their duties may also include setting up equipment, adjusting camera settings, and ensuring smooth transitions between scenes. Attention to detail, technical expertise, and good communication skills are essential for this role. Studio camera operators play a key part in delivering high-quality visual content to audiences.

What are the key skills and qualifications needed to thrive as a studio camera operator, and why are they important?

To thrive as a Studio Camera Operator, you need a solid understanding of camera operation, lighting, and shot composition, often supported by a degree in film, broadcasting, or related experience. Familiarity with broadcast cameras, video switchers, and sometimes certification in camera operation or broadcast technology is typical. Attention to detail, teamwork, and the ability to follow direction under pressure are essential soft skills in this role. These skills ensure precise visual storytelling and smooth production flow in high-pressure, live studio environments.

What are some common challenges studio camera operators face during live broadcasts, and how can they be managed?

Studio Camera Operators often encounter challenges such as adapting to last-minute production changes, maintaining smooth camera movements under pressure, and ensuring precise framing during live broadcasts. Managing these challenges requires strong communication with directors and other crew members, quick problem-solving skills, and the ability to stay focused in fast-paced environments. Regular practice, familiarity with equipment, and attentiveness to cues help operators deliver high-quality visual content consistently.

What is the difference between Studio Camera Operator vs Camera Assistant?

AspectStudio Camera OperatorCamera Assistant
CredentialsRelevant camera operation certifications, technical trainingBasic technical knowledge, sometimes certifications
Work EnvironmentTelevision studios, live broadcasts, production setsOn-set support, assisting camera operators, equipment prep
Employer & IndustryTV stations, production companies, broadcasting industryTV studios, film sets, live event productions
Search & Comparison IntentUnderstanding roles, job requirements, career pathEntry-level support, learning camera operation

The Studio Camera Operator and Camera Assistant roles are closely related in the broadcasting industry. The Camera Assistant typically supports the camera team by handling equipment setup and maintenance, while the Studio Camera Operator is responsible for operating the camera during broadcasts. Both roles require technical knowledge and work in similar environments, but the Camera Operator has more direct responsibility for capturing footage. Understanding these differences helps job seekers identify the right position for their skills and career goals.

Do studio camera operators make good money?

Studio camera operators typically earn a median annual salary that varies by location and experience, with entry-level positions starting lower and experienced operators earning higher wages. Factors such as certification, technical skills, and the size of the production can influence earnings, and some may work irregular hours or on freelance projects. Overall, the profession offers a stable income but may require additional skills and experience to increase earning potential.

How much do you get paid as a studio camera operator?

Studio camera operators typically earn between $30,000 and $70,000 annually, depending on experience, location, and the employer. Entry-level positions may start lower, while experienced operators working on high-profile productions can earn higher salaries, often supplemented with benefits and overtime pay.

What are popular job titles related to Studio Camera Operator jobs in New York?

For Studio Camera Operator jobs in New York, the most frequently searched job titles are:

What job categories do people searching Studio Camera Operator jobs in New York look for?

The top searched job categories for Studio Camera Operator jobs in New York are:

Infographic showing various Studio Camera Operator job openings in New York as of August 2026, with employment types broken down into 40% Full Time, and 60% Part Time. Highlights an 100% In-person job distribution, with an average salary of $64,092 per year, or $30.8 per hour.

Broadcast & Media Technology Project Manager

Fox

New York, NY

Full-time

Medical, Dental, Vision, Retirement, PTO

Posted 14 days ago


Job description

OVERVIEW OF THE COMPANY

Fox News MediaFOX News Media operates the FOX News Channel (FNC), FOX Business Network (FBN), FOX News Digital, FOX News Audio, FOX News Books, the direct-to-consumer digital streaming services FOX Nation and FOX News International and the newly announced platform FOX Weather. Currently the number one network in all of cable, FNC has also been the most watched television news channel for 20 consecutive years, while FBN currently ranks among the top business channels on cable. Owned by FOX Corporation, FOX News Media reaches 200 million people each month.JOB DESCRIPTION

FOX News Media is seeking an experienced Broadcast & Media Technology Project Manager to lead complex technology initiatives across studio operations, live broadcast production, contribution/transmission networks, Media Asset Management (MAM) pipelines, and fast-turnaround content creation/editing environments.

This role will manage projects from initial discovery and technical requirements gathering through solution delivery, systems integration, testing, commissioning, and transition to 24/7 broadcast operations. The successful candidate will collaborate closely across broadcast engineering, studio operations, control rooms, post-production, editorial, transmission, infrastructure, cybersecurity, and external systems integrators/vendors.

The ideal candidate combines disciplined project management practices with a strong technical understanding of how broadcast content moves from field capture/ingest through studio control rooms, non-linear editing (NLE) suites, central MAM repositories, master control/playout, and multi-path transmission.

A SNAPSHOT OF YOUR RESPONSIBILITESProject Delivery and Governance
  • Lead the full project lifecycle, including discovery, scoping, technical design coordination, procurement, installation, integration, testing, commissioning, cutover, hypercare, and operational handover.

  • Develop and maintain integrated project plans covering work breakdown structures, milestones, critical paths, dependencies, hardware/software lead times, risks, issues, and capital/operating budgets.

  • Establish governance routines, engineering working sessions, steering committee reporting, and change-control decision forums.

  • Coordinate workstreams across broadcast engineering, studio tech, transmission/traffic, newsroom operations, editing/post-production, IT infrastructure, and third-party vendors/systems integrators.

  • Track delivery against broadcast milestones, schedule, budget, quality standards, and operational-readiness criteria.

  • Maintain rigorous project documentation, including functional specs, system schematics coordination, rack elevations, acceptance test plans (ATP), cutover runbooks, and handover documentation.

Broadcast & Media Technology Delivery
  • Lead initiatives involving production switchers, audio consoles, studio cameras, robotics, multi-viewers, tally/intercom systems (e.g., Riedel, RTS), broadcast graphics (e.g., Vizrt), and virtual/augmented reality studio tech.

  • Oversee deployments for field acquisition, bonded cellular (e.g., LiveU, Dejero), satellite/fiber contribution, IP contribution protocols (SRT, RIST, Zixi), and baseband/IP ingest pipelines.

  • Manage MAM implementations, metadata schema standardization, ingest automation, nearline/deep archive tiers, LTO/cloud storage lifecycles, and media supply chain orchestration.

  • Drive technical delivery for non-linear editing (NLE) platforms (Adobe Premiere, Avid Media Composer), shared production storage (SAN/NAS/Isilon/Avid NEXIS), fast-turnaround news editing, and transcode/QC workflows.

  • Coordinate projects for playout automation, routing matrices (SDI and IP), primary/backup transmission paths, satellite uplink/downlink, terrestrial fiber circuits, and disaster recovery (DR) facilities.

  • Facilitate technical integration between newsroom systems (e.g., iNEWS, ENPS), rundown automation, prompters, and playback servers.

  • Translate operational and editorial requirements into clear engineering workstreams and technical deliverables.

  • Support infrastructure modernization and technology refreshes, such as SDI-to-ST 2110 IP transitions, cloud-assisted production, and hybrid on-prem/cloud workflows.

  • Coordinate technical design reviews alongside Principal Engineers, Systems Architects, and Technical Leads.

Live Operations, Commissioning & Deployment Readiness
  • Plan and direct factory acceptance testing (FAT), site acceptance testing (SAT), end-to-end rehearsal workflows, operational shadow periods, cutovers, and rollback strategies.

  • Schedule and oversee maintenance windows and deployment sequencing to ensure zero disruption to on-air linear feeds and 24/7 live studio operations.

  • Partner with Broadcast Operations and Engineering teams to establish support escalation models, monitoring/telemetry dashboards, signal path redundancies, runbooks, and SOPs.

  • Coordinate comprehensive operational training and knowledge transfer for operators, directors, editors, engineers, and technicians prior to on-air cutover.

Technology Modernization & Continuous Improvement
  • Partner with engineering leads to evaluate emerging broadcast standards (SMPTE ST 2110, NMOS, NDI) and cloud/virtualized production platforms.

  • Identify workflow bottlenecks in the content creation and turnaround pipeline, introducing automation for ingest, transcode, QC, and archiving.

  • Promote standard operating procedures and best-practice deployment frameworks across all broadcast and studio facilities.

WHAT YOU WILL NEED

  • Bachelor's degree in Broadcast Engineering, Electrical Engineering, Media Technology, Computer Science, or equivalent practical industry experience.

  • Technology project management experience, with experience directly managing broadcast engineering, studio facility, transmission, or media production technology projects.

  • Proven track record leading projects through technical scoping, RFP/vendor evaluation, rack/facility buildout, systems integration, commissioning, and on-air cutover.

  • Demonstrated working knowledge across core broadcast domains, including:

    • Studio production, PCR/TCR control rooms, routing, and intercom systems.

    • Live contribution (SRT, RIST, ASI, Satellite, Fiber) and transmission pipelines.

    • MAM systems, automated transcode engines, and shared editing storage (SAN/NAS).

    • Post-production and NLE workflows (Avid, Adobe, automated QC).

    • Newsroom Computer Systems (NRCS) and broadcast automation/playout.

  • Solid grasp of broadcast video/audio signals and protocols (Baseband SDI, SMPTE ST 2110, AES67, Dante, PTP timing, MPEG-TS).

  • Experience coordinating structured acceptance testing (FAT/SAT) and high-stakes, off-hours facility cutovers with tight change-window constraints.

  • Proficiency with project management tools (e.g., Jira, Confluence, Smartsheet, Microsoft Project, Visio/Lucidchart).

  • Exceptional communication, leadership, and conflict-resolution skills, with the ability to bridge conversations between on-air talent/editorial teams and deep technical engineering specialists.

  • Experience leading facility buildouts, studio relocations, or control room overhauls.

  • Practical knowledge of IP media network architecture (SMPTE ST 2110, ST 2022-6/7, NMOS IS-04/IS-05).

  • Experience with broadcast equipment vendors and platforms (e.g., Grass Valley, Evertz, Ross Video, Sony, Avid, Imagine Communications, Vizrt, Harmonic, Telestream).

  • Familiarity with hybrid/cloud-based media workflows in AWS, Azure, or GCP.

  • Experience managing external Systems Integrators (SIs) and broadcast equipment hardware vendors.

  • Relevant industry certifications: PMP, CAPM, or technical broadcast certifications (e.g., SBE - Society of Broadcast Engineers certifications).

#LI-AA1

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, gender identity, disability, protected veteran status, or any other characteristic protected by law. We will consider for employment qualified applicants with criminal histories consistent with applicable law.

Pursuant to state and local pay disclosure requirements, the pay rate/range for this role, with final offer amount dependent on education, skills, experience, and location is $114,000.00-165,000.00 annually. This role is also eligible for various benefits, including medical/dental/vision, insurance, a 401(k) plan, paid time off, and other benefits in accordance with applicable plan documents. Benefits for Union represented employees will be in accordance with the applicable collective bargaining agreement.

View more detail about FOX Benefits.