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Stories Jobs (NOW HIRING)

Ramp

Filmmaker, Customer Stories

New York, NY · Remote

$132K - $162K/yr

Your role will be to create new and innovative storytelling techniques that celebrate the people and businesses using Ramp to do extraordinary things. Ramp's customer films are cinematic, character ...

Colorwave Inc

Filmmaker, Customer Stories

Manhattan, NY · On-site

Your role will be to create new and innovative storytelling techniques that celebrate the people and businesses using Ramp to do extraordinary things. Ramp's customer films are cinematic, character ...

Ramp

Filmmaker, Customer Stories

New York, NY · On-site

$132K - $162K/yr

Your role will be to create new and innovative storytelling techniques that celebrate the people and businesses using Ramp to do extraordinary things. Ramp's customer films are cinematic, character ...

Mercury

Video Lead - Stories

San Francisco, CA · On-site +1

Storytelling, visual craft, spirit, and warmth could all help shape how people learn. We're not making children's television at Mercury, but we do believe that the founders, builders, and ...

RAMP

Filmmaker, Customer Stories

Manhattan, NY · On-site

Your role will be to create new and innovative storytelling techniques that celebrate the people and businesses using Ramp to do extraordinary things. Ramp's customer films are cinematic, character ...

Fox

Producer, Crime Stories

New York, NY · On-site

$74K - $99K/yr

Crime Stories is seeking a highly motivated, detail-oriented Producer to join our production team in New York. This role must have an excellent understanding of the talent's vision and have deep ...

Fox

Production Assistant, Crime Stories

Atlanta, GA

$19 - $25.97/hr

Crime Stories is seeking a highly motivated, detail-oriented Production Assistant to join our production team in Atlanta. This role works closely with a distributed production team across multiple ...

St. Andrews Episcopal School

MD · On-site

These stories will serve as a cornerstone of our anniversary celebration, used across social media, our anniversary website, newsletters and emails, publications, and various fundraising initiatives.

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How much do stories jobs pay per hour?

As of Jul 7, 2026, the average hourly pay for stories in the United States is $20.12, according to ZipRecruiter salary data. Most workers in this role earn between $17.07 and $20.43 per hour, depending on experience, location, and employer.
What cities are hiring for Stories jobs? Cities with the most Stories job openings:
What states have the most Stories jobs? States with the most job openings for Stories jobs include:
Infographic showing various Stories job openings in the United States as of July 2026, with employment types broken down into 1% Locum Tenens, 1% Internship, 77% Full Time, 18% Part Time, and 3% Contract. Highlights an 92% Physical, 2% Hybrid, and 6% Remote job distribution, with an average salary of $41,841 per year, or $20.1 per hour.
Filmmaker, Customer Stories

Filmmaker, Customer Stories

Paribus (Ramp)

Manhattan, NY • On-site

Other

Posted 11 days ago

Job description

About Ramp

Ramp is building the smart infrastructure for finance teams, embedded in the transaction flow of every dollar a business spends. We automate how over $200B in annualized spend flows in and out of 70,000+ companies: authorizing payments, flagging risk, categorizing spend, and closing books.

The problems are high-stakes, data-dense, and unforgiving.

We hire people with high agency and high urgency. We look for slope over intercept. We care less about where you trained and more about what you've built. At Ramp, everyone is a builder who owns problems end to end and makes consequential decisions that shape the outcome.

The median Ramp customer saves 5% and grows revenue 16% in their first year – far in excess of businesses operating without Ramp. We believe every ambitious company deserves the same.

If you want to build systems that directly shape how companies move and manage billions, Ramp is the place to do it.

About the Role

We're looking for a world class filmmaker who can both shoot and edit Ramp's Customer Stories. Your role will be to create new and innovative storytelling techniques that celebrate the people and businesses using Ramp to do extraordinary things.

Ramp's customer films are cinematic, character-led, and entertainment-first. They are not testimonials shot at a desk. You'll be expected to have a deep knowledge of every part of the filmmaking process, from influencing treatments, to having technical fluency with equipment and editing.

You partner with the Customer Marketing Lead and Creative Director on every project to actively break the mold of traditional B2B "customer stories." The CD owns the idea, the narrative, and the treatment. You own the camera, the cut, and the cinematic standard.

What You'll Do

  • Shoot and edit customer stories films in an entertaining and cinematic manner

  • Influencing pre-production phase and owning production phase including: pre-production (scouting, shot lists, pre-interviews), production (camera, lighting, direction on set), and post (rough cut through final delivery)

  • Build out Ramp's NYC equipment kit — Ramp funds it; you spec, source, and own it

  • Pull social derivative cuts from every shoot so one production generates content across paid, organic, and sales

  • Communicate and liaise with cross functional partners to explain creative decisions and edits

What You Need

  • 5+ years of film production across a mix of commercial and documentary-style work

  • A self-shooter who owns the edit — camera and post are both yours, not handed off

  • Character-driven work on your reel — you can find the human story inside a business context

  • A background in indie filmmaking, post-production houses, or film-leaning production houses

  • Strong editorial eye — you edit your own work and you know when a cut is done

  • Shipped social-cut formats — you can pull a 30-second cut from a 5-minute doc without losing what makes it work

  • Understands how to draw out the value customers get with Ramp, whilst wrapping it in a compelling narrative.

  • Comfortable as the only person on a shoot; capable of directing a small crew (lighting, sound) when necessary

  • AI editing and post tools (Descript, Runway, Adobe AI)

  • Able to travel frequently for on-location shoots

  • Based in NYC (or SF and able to frequently travel)

Nice-to-Haves

  • Strong stills photography on your reel

  • Drone certification

  • Strong connections to the film-making industry e.g editors, sound, and lighting collaborators

  • Experience working alongside an in-house creative director and customer marketing lead

Apply