1

Stage Rigging Jobs in British Columbia (NOW HIRING)

Specific skills in Stage Rigging, Stage Lighting and Stage Management are required. - Willingness to respect diverse perspectives, including perspectives in conflict with one's own - Demonstrates a ...

Specific skills in Stage Rigging, Stage Lighting and Stage Management are required. - Willingness to respect diverse perspectives, including perspectives in conflict with one's own - Demonstrates a ...

Stage Rigging information

See British Columbia salary details

$10

$28

$57

How much do stage rigging jobs pay per hour?

As of Aug 10, 2026, the average hourly pay for stage rigging in British Columbia is $28.72, according to ZipRecruiter salary data. Most workers in this role earn between $19.71 and $31.49 per hour, depending on experience, location, and employer.

What does a stage rigger do?

A typical day for a stage rigger involves inspecting and setting up rigging equipment, installing and operating fly systems, and ensuring all gear meets safety standards before, during, and after performances or events. Riggers often collaborate closely with lighting, sound, and set design teams to coordinate the safe movement and placement of scenery, lights, and effects. Work environments can range from theaters and concert venues to outdoor stages and arenas, and the pace can vary based on production schedules. Flexibility, problem-solving, and adaptability are key, as riggers frequently adjust setups for different shows and troubleshoot issues on the fly. Many stage riggers find the collaborative and dynamic atmosphere rewarding, with opportunities to progress into supervisory or technical director roles.

What skills and qualifications are needed for stage rigging?

To thrive in Stage Rigging, you need a solid understanding of theatrical rigging systems, mechanical principles, and strict adherence to safety protocols, often supported by experience or formal training such as ETCP (Entertainment Technician Certification Program) certification. Familiarity with chain hoists, counterweight systems, and load calculations, as well as the ability to interpret technical drawings and use rigging hardware, is essential. Strong attention to detail, teamwork, and effective communication skills set individuals apart in this role. These skills are vital to ensure safe, efficient, and successful stage productions while minimizing risks and fostering smooth collaboration with production crews.

What is stage rigging?

A Stage Rigging job involves setting up, operating, and maintaining the rigging equipment used in theaters, concerts, and live events. Riggers install and control overhead systems like lighting grids, curtains, and scenery to ensure safe and efficient performances. They must understand load limits, pulley systems, and counterweights to prevent accidents. Strong technical skills, attention to detail, and safety awareness are essential in this role.

How to get into stage rigging?

To get into stage rigging, individuals typically start by gaining experience in theater, production, or technical roles, often through apprenticeships or entry-level positions. Developing skills in rigging, safety procedures, and operating tools like hoists and pulleys is essential, along with obtaining relevant certifications such as OSHA safety training. Building a strong understanding of stage design and working in collaborative environments helps advance in this field.
What are popular job titles related to Stage Rigging jobs in British Columbia? For Stage Rigging jobs in British Columbia, the most frequently searched job titles are:
What job categories do people searching Stage Rigging jobs in British Columbia look for? The top searched job categories for Stage Rigging jobs in British Columbia are:
Infographic showing various Stage Rigging job openings in British Columbia as of August 2026, with employment types broken down into 84% Full Time, 14% Part Time, and 2% Contract. Highlights an 89% Physical, 3% Hybrid, and 8% Remote job distribution, with an average salary of $59,735 per year, or $28.7 per hour.

Assistant Head Technician-Stage

Ubc

Vancouver, BC • On-site

CA$32.93/hr

Part-time

Re-posted 4 days ago


United Brotherhood Of Carpenters rating

8.6

Company rating: 8.6 out of 10

Based on 29 frontline employees who took The Breakroom Quiz

2nd of 12 rated unions


Job description

Staff - UnionJob CategoryCUPE 2950Job ProfileCUPE 2950 Hourly - Assistant Head Technician 35 hrsJob TitleAssistant Head Technician-StageDepartmentProduction Technician | Chan Centre for the Performing ArtsCompensation Range$32.93 - $32.93 CAD HourlyPosting End DateAugust 4, 2026

Note: Applications will be accepted until 11:59 PM on the Posting End Date.

Job End Date

Ongoing

There are 3 vacancies for this position.

At UBC, we believe that attracting and sustaining a diverse workforce is key to the successful pursuit of excellence in research, innovation, and learning for all faculty, staff and students. Our commitment to employment equity helps achieve inclusion and fairness, brings rich diversity to UBC as a workplace, and creates the necessary conditions for a rewarding career.


Job Summary
1: Supervising the Backstage Operations of the Chan Centre for the Performing Arts during set-ups and performances.

2: During evening/weekend events or performances may be responsible for the management of the facility.
Organizational Status
Reports to the Production Manager.
Work Performed
1: Assist in training, overseeing and scheduling staff. Supervision of stage technicians as required.

2: Ensures that client requirements are met in a timely manner.

3: Works within the schedule as provided.

4: Resolves client problems related to stage and backstage areas with direction from the Production Manager.

5: Ensures effective implementation of new and previously arranged Production Services to clients for their performances and related activities at the Chan Centre. These services should follow within the guidelines provided in the Chan Centre Production Policy and Procedures.

6: Recommends policies and procedures to the Production Manager.

7: In conjunction with the Ticket, Bar and Front of House Coordinators, ensures the performances and events run smoothly.

8: Oversees and ensures that the negotiated client production requirements are met for each performance event.

9: Represents Chan Centre to the general public, clients, and Artist's representatives. This includes, as required, the staff and students of Theatre, Film and Creative Writing Departments, Ceremonies Office, and the UBC School of Music.

10: Ensures security of the building and safety of the performers, staff and patrons.

11: Reports deficiencies of building amenities to the Production Manager.

12: Compiles performance and event reports and forwards to appropriate staff.

13: Acts as the primary stage technician on some events.

14: Performs other related duties as required.
Consequence of Error/Judgement
Errors could have a serious impact on relations with clients and patrons. Poor customer service could negatively impact these relations as well as patron safety and the Chan Centre's financial viability. It is expected that clients be treated in a courteous and cheerful manner at all times.
Supervision Received
Works under the direction of the Reports to the Production Manager.
Supervision Given
Responsible for motivating and leading the casual stage and production staff.


Minimum Qualifications
Diploma in a related field of arts production or an equivalent combination of education and experience. Minimum five years of experience in various production related facets of the performing arts demonstrating a responsibility progression. Specific skills in Stage Rigging, Stage Lighting and Stage Management are required.
- Willingness to respect diverse perspectives, including perspectives in conflict with one's own

- Demonstrates a commitment to enhancing one's own awareness, knowledge, and skills related to equity, diversity, and inclusion


What United Brotherhood Of Carpenters employees say

Pay

Benefits

Hours and flexibility

Workplace

Get the full story on Breakroom