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Sound Mixing Engineer Jobs (NOW HIRING)

Sound Engineer Department:Wexner Center for Arts | Tech Operations The Sound Engineer serves as a ... audio mixing consoles, lighting control systems, wired and wireless handheld and lavalier ...

Sound Engineer Department: Wexner Center for Arts | Tech Operations The Sound Engineer serves as a ... audio mixing consoles, lighting control systems, wired and wireless handheld and lavalier ...

Sound Engineer Department: Wexner Center for Arts | Tech Operations The Sound Engineer serves as a ... audio mixing consoles, lighting control systems, wired and wireless handheld and lavalier ...

The Hangout is looking for a hard-working sound engineer who has a passion for live entertainment ... possess audio mixing knowledge - Construction/shop/electrical experience preferred - Great ...

The audio and video recording engineer oversees many technical and aesthetic aspects of a recording session and is responsible for the overall sound of all recorded tracks, ensuring that the mixing ...

Digital audio consoles and live sound mixing * Professional lighting consoles and programming * Video switching, routing, IMAG, and camera systems * LED walls and large-format display technologies

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Sound Mixing Engineer information

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How much do sound mixing engineer jobs pay per year?

As of Jul 24, 2026, the average yearly pay for sound mixing engineer in the United States is $90,538.00, according to ZipRecruiter salary data. Most workers in this role earn between $71,500.00 and $100,000.00 per year, depending on experience, location, and employer.

What does a Sound Mixing Engineer do?

A Sound Mixing Engineer is responsible for blending and balancing audio tracks to create a cohesive final sound for music, film, television, or live events. They adjust levels, add effects, and ensure clarity and consistency across different audio elements like dialogue, music, and sound effects. Their expertise helps bring out the intended mood and impact of a project, making sure the audio experience meets professional standards.

What are some common challenges a Sound Mixing Engineer faces during live events, and how can they be managed?

Sound Mixing Engineers often encounter challenges such as unexpected feedback, signal interference, or abrupt changes in performance dynamics during live events. Managing these requires quick problem-solving, clear communication with performers and technical staff, and a thorough understanding of the venue's acoustics. Being well-prepared with backup equipment, sound checks, and real-time monitoring tools helps ensure high-quality sound even in fast-paced environments.

What are the key skills and qualifications needed to thrive as a Sound Mixing Engineer, and why are they important?

A Sound Mixing Engineer needs a solid understanding of audio engineering principles, acoustics, and often a degree or certification in audio production or a related field. Mastery of digital audio workstations (DAWs) like Pro Tools, mixing consoles, and sound editing software is typically required. Strong attention to detail, creativity, and effective communication are vital soft skills for collaborating with artists and production teams. These competencies ensure the delivery of high-quality audio that meets artistic and technical standards in various production environments.
More about Sound Mixing Engineer jobs
What cities are hiring for Sound Mixing Engineer jobs? Cities with the most Sound Mixing Engineer job openings:
What states have the most Sound Mixing Engineer jobs? States with the most job openings for Sound Mixing Engineer jobs include:
Infographic showing various Sound Mixing Engineer job openings in the United States as of July 2026, with employment types broken down into 96% Full Time, 1% Part Time, and 3% Contract. Highlights an 87% Physical, 5% Hybrid, and 8% Remote job distribution, with an average salary of $90,538 per year, or $43.5 per hour.
Sound Engineer

Full-time

Posted 7 days ago


Job description

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Job Title:Sound EngineerDepartment:Wexner Center for Arts | Tech Operations

The Sound Engineer serves as a key member of the Production team, supporting both the technical execution and artistic realization of live events while ensuring the operational readiness of the Center's audio and audiovisual systems. This position plays an essential role in delivering exceptional experiences for artists, audiences, and stakeholders across a variety of performance, exhibition, and event settings.

Key Responsibilities

  • Serve as the lead Sound Engineer for performances, events, and programs presented by the Wexner Center for the Arts and external stakeholders across multiple venues and spaces.
  • Prepare, operate, and provide technical support for audio, video, and related production equipment for rehearsals, performances, exhibitions, and special events.
  • Design, install, configure, operate, troubleshoot, maintain, and strike professional sound and audiovisual systems for theaters, galleries, and other event spaces.
  • Read, interpret, and implement technical riders, stage plots, production schedules, and other event-related documentation.
  • Collaborate closely with artists, designers, visiting production teams, and Center staff to support artistic and production goals while ensuring high-quality audience experiences.
  • Support the design and implementation of audiovisual systems for gallery installations, exhibitions, and non-traditional performance environments.
  • Assist visiting designers and production personnel during rehearsals, performances, and event load-ins/load-outs.
  • Create and manage professional multi-channel audio recordings as needed.
  • Maintain accurate inventory records, equipment documentation, and related technical paperwork.
  • Service, maintain, and ensure operational readiness of the Center's professional audio, video, and mobile production equipment inventory.
  • Maintain clean, organized, and safe workspaces across all production, performance, and technical areas.
  • Partner with colleagues across production and technical disciplines to support departmental initiatives, shared projects, and event operations beyond primary audio responsibilities.
  • Attend production meetings, planning sessions, and institutional meetings as required.
  • Demonstrate professionalism, accountability, adaptability, and a collaborative, solutions-oriented approach while managing projects through successful completion.
  • Perform other duties as assigned.

Working Conditions

  • This is an in-person position requiring on-site support for rehearsals, performances, installations, events, and related preparation activities.
  • Regular evening and weekend work is required based on event and performance schedules.
  • Work routinely involves operating at heights, including the use of ladders, lifts, and catwalks, as well as handling and transporting technical equipment in active production environments.
  • Successful completion of a background check is required prior to the start date.

Supervises

  • Intermittent event staff- Stagehands


Minimum Education Required

  • Bachelor's Level Degree in Engineering or other related field, or equivalent combination of education and experience.


Qualifications Required:

  • Bachelor's degree in engineering or other related field or equivalent combination of education and experience; minimum of 4 years of experience required;
  • Experience in theatre technology; experience in audio, video, film and lighting fields, preferably in visual and performing arts; experience with digital and analog audio mixing consoles, lighting control systems, wired and wireless handheld and lavalier microphones, hearing-impaired assistance sets
  • Work independently; ability to collaborate with colleagues from a variety of functional areas; positive workplace attitude; ability to troubleshoot; proficiency in MS Office suite; must be able to work independently and as part of a team under general supervision; must be self-motivated with the ability to manage
  • Multiple projects simultaneously with limited supervision; excellent interpersonal, organization and communication skills; work effectively with culturally diverse customers and client groups; focus, flexibility, and great attention to detail.


Desired:

  • Knowledge of or experience in professional recording and editing; experience in design, construction, and repair of electronic, electrical, and mechanical equipment;
  • member of professional organizations in this field (USITT, ESTA, ETCP); willing to pursue certifications and other educational opportunities int he field
Additional Information:

Position is a member of the American Federation of State, County, & Municipal Employees Local 322, Ohio Council 8, AFL-CIO.

Location:Wexner Center for the Arts (0386)Position Type:RegularScheduled Hours:40Shift:First Shift

Final candidates are subject to successful completion of a background check. A drug screen or physical may be required during the post offer process.

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