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Seasonal Film Programmer Jobs (NOW HIRING)

La Jolla Playhouse

$35.14/hr

Seasonal per show; IATSE local 122; Non-Exempt (Hourly) PAY: $35.14 per hour, negotiable ( current ... PARTICLE FEVER Based on the documentary film by Mark Levinson and David Kaplan Book by David Henry ...

AMC Networks, Inc.

Manager - CRM Marketing

New York, NY · On-site

$80K - $95K/yr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

AMC Global Media is home to many of the greatest stories and characters in TV and film and the ... Lead CRM strategy and execution for key programming tentpoles (premieres, finales, seasonal moments ...

News 12 / Westchester

Manager - CRM Marketing

New York, NY · On-site +1

$80K - $95K/yr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

AMC Global Media is home to many of the greatest stories and characters in TV and film and the ... Lead CRM strategy and execution for key programming tentpoles (premieres, finales, seasonal moments ...

Scholastic Inc

Be Seen First

Production Worker

Jefferson City, MO · On-site

$17 - $21/hr

NOW HIRING FULL-TIME SEASONAL POSITIONS - Order Clerks & Material Handlers ! WAGES UP TO $21 Our ... materials, television programming, film, videos and toys. Scholastic's National Service ...

Urgent

Tubi

Manager, Content Merchandising

Los Angeles, CA · Hybrid

... programming, audience-focused curation strategies, and seasonal or cultural storytelling ... Passionate fan of TV and film with broad taste across genres and audiences. #LI-SY1 #LI-Hybrid

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Seasonal Film Programmer information

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How much do seasonal film programmer jobs pay per hour?

As of Aug 15, 2026, the average hourly pay for seasonal film programmer in the United States is $39.54, according to ZipRecruiter salary data. Most workers in this role earn between $25.72 and $51.44 per hour, depending on experience, location, and employer.

What is a seasonal film programmer?

Seasonal Film Programmers are professionals who curate and organize film screenings or festivals during specific times of the year, such as summer or holiday seasons. They select films, coordinate schedules, and often work with filmmakers and distributors to create engaging programs for audiences. Their work ensures that film events feature a diverse and appealing lineup, tailored to the interests of the community or festival-goers. This role is typically temporary and aligns with the film festival or event calendar.

What is the difference between Seasonal Film Programmer vs Film Curator?

AspectSeasonal Film ProgrammerFilm Curator
Required CredentialsFilm studies, programming experience, knowledge of film historyFilm studies, curatorial training, knowledge of film history
Work EnvironmentFilm festivals, cinemas, cultural centersMuseums, film archives, cultural institutions
Employer & Industry UsageEvent-based, seasonal programming in entertainment and cultural sectorsLong-term collection management, exhibition planning in arts and culture

While both roles involve selecting and organizing films, a Seasonal Film Programmer focuses on short-term, event-based programming for festivals or cinemas, often seasonally. A Film Curator typically manages film collections or exhibitions over a longer term within museums or archives, emphasizing preservation and thematic curation.

What are the key skills and qualifications needed to thrive as a seasonal film programmer?

To thrive as a Seasonal Film Programmer, you need a deep knowledge of film history and genres, strong research skills, and experience in curating film selections, often supported by a background in film studies or arts administration. Familiarity with film database systems, ticketing software, and digital projection equipment is typically required. Excellent communication, organizational skills, and cultural sensitivity help in engaging with diverse audiences and coordinating with filmmakers and partners. These skills ensure curated programs are relevant, well-organized, and resonate with target audiences, contributing to successful film events.

What are some common challenges faced by a seasonal film programmer during festival season?

One common challenge for a Seasonal Film Programmer is managing tight deadlines while evaluating a high volume of film submissions. Coordinating with filmmakers, handling programming logistics, and adjusting schedules to accommodate last-minute changes are also frequent aspects of the role. Additionally, balancing diverse audience interests and maintaining clear communication with other festival staff and volunteers are key to delivering a successful event. Effective time management and adaptability are essential skills in this fast-paced, collaborative environment.

What cities are hiring for Seasonal Film Programmer jobs?

Cities with the most Seasonal Film Programmer job openings:

What are the most commonly searched types of Film Programmer jobs?

The most popular types of Film Programmer jobs are:

What states have the most Seasonal Film Programmer jobs?

States with the most job openings for Seasonal Film Programmer jobs include:

Seasonal Film Programmer jobs near you
Infographic showing various Seasonal Film Programmer job openings in the United States as of July 2026, with employment types broken down into 2% As Needed, 68% Full Time, 24% Part Time, 2% Contract, 1% Nights, and 3% Summer. Highlights an 92% Physical, 1% Hybrid, and 7% Remote job distribution, with an average salary of $82,234 per year, or $39.5 per hour.

Moving Light Programmer

La Jolla Playhouse

On-site

$35.14/hr

Full-time

Re-posted 5 days ago

Job description

DEPARTMENT: Production – Electrics

CLASSIFICATION: Seasonal per show; IATSE local 122; Non-Exempt (Hourly)

PAY: $35.14 per hour, negotiable (current Department Head Rate 1, IATSE Local 122)

LOCATION: Onsite in La Jolla, CA on the beautiful UC San Diego campus

SCHEDULE: Weekdays with occasional overtime, weeknight, weekend and/or holiday work

REPORTS TO: Production Electrician

WORKS WITH: LJP Staff, Visiting Artists & Designers, IATSE Labor, UCSD Residents & Students

PRODUCTION: PARTICLE FEVER

Based on the documentary film by Mark Levinson and David Kaplan
Book by David Henry Hwang
Music and Lyrics by Bear McCreary and Zoe Sarnak
Story by David Henry Hwang, Bear McCreary and Zoe Sarnak
Directed by Leigh Silverman

EMPLOYMENT DATES: January 25 – February 28, 2027

REQUIRED APPLICATION MATERIALS: Cover letter, resume, and references


ABOUT THE POSITION

Join La Jolla Playhouse’s Production Department as the Moving Light Programmer for PARTICLE FEVER, an ambitious new musical that blends science, spectacle and human discovery. Working under the direction of the Production Electrician, this role is a key creative and technical partner in bringing the lighting design to life during tech and preview weeks.

The Moving Light Programmer will collaborate closely with visiting Lighting Designers, the Production Electrician and the electrics team to program moving light and conventional lighting rigs on an EOS-based console. This position is ideal for a highly skilled programmer who thrives in a fast-paced theatrical environment, enjoys solving complex technical challenges, and brings both artistry and precision to the cue-building process.

The strongest candidate is a collaborative artist-technician who is excited by new work, energized by the intensity of tech, and committed to supporting the artistic vision and mission of La Jolla Playhouse.

RESPONSIBILITIES

Pre-Production, Prep and Console Setup

  • Report directly to the Production Electrician and collaborate with the Lighting Designer, Assistant Lighting Designer, Board Operator and electrics team.
  • Program rigs containing upward of 40 automated LED and moving light fixtures on an EOS Apex console.
  • In consultation with the Production Electrician and Board Operator, establish and maintain console layout, channel check procedures and show file organization.
  • Participate in prep and pre-programming calls as determined by the Production Electrician, Production Manager and Lighting Designer.
  • Prepare programming tools and show elements, which may include groups, presets, macros, beam and color palettes, cues, pre-visualization, advanced pixel mapping, magic sheets, MIDI/SMPTE setup, robotic followspot setup and VOR or similar systems.

Tech, Previews and Artistic Programming

  • Work directly with the Lighting Designer to write, revise and maintain cues throughout the tech and preview process.
  • Execute technical programming required to support the Lighting Designer’s artistic vision, including effects, chases, macros, marking and other complex programming needs.
  • Anticipate programming needs, troubleshoot issues quickly and help maintain forward momentum during fast-paced technical rehearsals.
  • Communicate clearly with the Production Electrician, Board Operator and design team about cue changes, system needs, notes and priorities.

Documentation, Turnover and Production Support

  • Assist the Assistant Lighting Designer with moving light documentation using MLA software.
  • Train the Board Operator to take over the show file and complete the run of show confidently.
  • Support the show crew with theatre turnover between tech and previews, including daily tech table strike and reset.
  • As needed and in coordination with the Production Electrician, assist with physical tech notes such as hanging lights, circuiting, moving ladders or lifts, swapping color, troubleshooting fixtures and addressing moving light issues.

QUALIFICATIONS & SKILLS

Required Qualifications

  • Advanced experience programming ETC EOS-family consoles (preferably EOS Apex) in live theatre, opera, dance, concert, event, or comparable production environments.
  • Demonstrated experience programming automated, LED, and conventional lighting systems in complex cueing environments.
  • Strong knowledge of EOS programming workflows, including cueing, tracking, timing, palettes/presets, effects, macros, marking, magic sheets, show file organization, and troubleshooting.
  • Ability to collaborate effectively with Lighting Designers, Assistant Lighting Designers, stage management, production teams, and artists to translate artistic direction into accurate, repeatable cues.
  • Experience working in fast-paced technical rehearsals and live production environments, managing competing priorities, frequent changes, and tight deadlines while maintaining attention to detail.
  • Working knowledge of lighting control systems, signal flow, and networking, including DMX, MIDI, SMPTE, sACN, and Art-Net.
  • Familiarity with automated lighting fixtures and controllers, including fixture profiles, modes, addressing, calibration, maintenance, and troubleshooting.
  • Ability to read and interpret lighting plots, channel hookups, instrument schedules, Lightwright paperwork, and related production documentation.
  • Proficiency with industry-standard software and tools, including Lightwright, Vectorworks, Excel, ETC applications, and MLA or comparable moving-light documentation software.
  • Strong critical thinking, problem-solving, organizational, and time-management skills, with the ability to work independently, anticipate needs, and adapt to evolving production requirements.
  • Excellent communication, interpersonal, and relationship-building skills; ability to work effectively and respectfully with individuals from diverse backgrounds and experiences.
  • Commitment to maintaining safe working practices and following all union and production safety protocols.
  • Commitment to continuous learning and professional development as lighting technology and production practices evolve.
  • Ability to reliably commute to the worksite and work evenings, weekends, holidays, overtime, and extended technical rehearsal schedules as required.
  • Commitment to the mission, values, and culture of La Jolla Playhouse.

Preferred Qualifications

  • Experience programming new musicals or large-scale theatrical productions.
  • Experience with advanced pixel mapping, media servers, robotic followspot systems, VOR, or similar technologies.
  • Experience training, mentoring, or supporting board operators during turnover from technical rehearsals to performances.

PHYSICAL DEMANDS

  • This role is primarily performed at a lighting console and computer workstation and requires extended periods of sitting, standing, close visual work and repetitive keyboard/console use.
  • As needed, may assist with physical electrics notes, including lifting, carrying, pushing, pulling, reaching, bending, climbing and moving equipment.
  • Occasionally works on ladders, lifts, catwalks, grids and other elevated work areas.
  • Frequently lifts or moves equipment up to 50 pounds with assistance.
  • Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions of the position.

WORK ENVIRONMENT

  • Work takes place in a live theatrical production environment, including backstage areas, onstage, the lighting console area, catwalks, tension wire grid and other technical production spaces.
  • The environment may include low light, bright stage lighting, loud sound levels, haze/fog effects, moving equipment, confined backstage areas and periods of high activity during technical rehearsals and performances.
  • Work may require entering elevated work areas, including ladders, lifts, catwalks and the tension wire grid, in accordance with safety procedures and training.
  • The position requires flexibility, focus and calm communication in a fast-paced, collaborative environment with frequent changes and time-sensitive production needs.

ABOUT LA JOLLA PLAYHOUSE

La Jolla Playhouse is a place where artists and audiences come together to create what’s new and next in the American theatre, from Tony Award-winning productions, to imaginative programs for young audiences, to interactive experiences outside our theatre walls. Founded in 1947 by Gregory Peck, Dorothy McGuire and Mel Ferrer, the Playhouse is currently led by Artistic Director Jessica Stone and Managing Director Debby Buchholz. The Playhouse is internationally renowned for the development of new plays and musicals, including mounting 120 world premieres, commissioning more than 70 new works, and sending 37 productions to Broadway, garnering a total of 42 Tony Awards, as well as the 1993 Tony Award for Outstanding Regional Theatre.

We are committed to diversity in all areas of our work, on and off stage. We lead with our values and encourage individuals with unique perspectives to apply. EOE