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Script Reader Jobs in Arcadia, CA (NOW HIRING)

Lionsgate

Assistant, Theatrical Music

Santa Monica, CA · On-site

Read scripts and breakdown for music * Curate and organize composer reels * Organize and catalog project budgets past & present * Assist in sourcing and researching songs, composers and artists for ...

Speak

Bilingual Actor - French - English

Los Angeles, CA · On-site

$16.75 - $21/hr

Read scripts from the teleprompter in both French and English to teach French to English speakers. * Portray a professional in a different industry other than education who is excited that their ...

Speak

Bilingual Actor - Korean - English

Los Angeles, CA · On-site

$65 - $75/hr

Read scripts from the teleprompter in both Korean and English to teach English to Korean speakers. * Portray a professional in a different industry other than education who is excited that their ...

Scrollmark

Social Media Manager

Los Angeles, CA · On-site

$85K/yr

Direct, specific feedback on your hooks, scripts, and edits * How to read analytics (including SocialGPT's own data) to diagnose why a video worked and iterate deliberately. You'll be teaching this ...

Scrollmark

Social Media Manager

Long Beach, CA · Remote

$85K/yr

Direct, specific feedback on your hooks, scripts, and edits * How to read analytics (including SocialGPT's own data) to diagnose why a video worked and iterate deliberately. You'll be teaching this ...

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Script Reader information

See Arcadia, CA salary details

$11

$20

$34

How much do script reader jobs pay per hour?

As of Jul 20, 2026, the average hourly pay for script reader in Arcadia, CA is $20.53, according to ZipRecruiter salary data. Most workers in this role earn between $16.25 and $22.50 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Script Reader, and why are they important?

To thrive as a Script Reader, you need a strong background in storytelling, critical analysis, and often a degree in film, literature, or a related field. Familiarity with industry-standard script formatting software (like Final Draft) and coverage templates is commonly required. Exceptional written communication, attention to detail, and a keen sense for narrative structure and character development are standout soft skills. These abilities are essential for providing insightful script coverage and helping producers identify promising projects.

What are some common challenges faced by script readers, and how can they be managed?

Script readers often face the challenge of managing a high volume of scripts while maintaining objectivity and providing detailed, constructive feedback. Staying organized and developing a clear evaluation checklist can help ensure consistency and efficiency. Additionally, balancing time between reading, analyzing, and writing coverage is crucial, as deadlines are often tight. Networking within the industry and regularly discussing scripts with colleagues can provide valuable perspective and prevent burnout.

What Does a Script Reader Do?

As a script reader, your primary duties are to read, review, and provide coverage analysis and detailed notes of scripts. Typically, when a writer sends an agent or a studio a new screenplay, it is first screened by a script reader. Your responsibilities are to assess whether the script may be a viable film option for the agent or producer. You may choose to reject the screenplay or send the script to the agent or producer. If you work at an agency, the ultimate goal is either for the agent to sign the screenwriter and sell the script, or for the agent to attach their own talent to the screenplay and persuade a producer or studio to make the film. At a studio, the producer advocates for the script rather than the agent.

What are Script Readers?

Script Readers are professionals who review screenplays, teleplays, or other written scripts to evaluate their potential for production. They provide coverage, which is a detailed report that includes a summary, analysis, and recommendation about the script's strengths and weaknesses. Script Readers play a crucial role in helping studios, production companies, and agencies decide which projects to pursue. Their feedback can influence whether a script moves forward in the development process or is passed over.

What is the difference between Script Reader vs Script Supervisor?

AspectScript ReaderScript Supervisor
Required credentialsFilm/TV writing or related experience, sometimes a degree in film or screenwritingExperience in film/TV production, often with a background in editing or continuity
Work environmentOffice, studio, or production company; primarily reading and evaluating scriptsOn-set during filming, overseeing continuity and script adherence
Employer and industry usageStudios, production companies, agencies, and independent filmmakersFilm and TV production sets, studios, and post-production facilities
Common search and comparison intentUnderstanding script evaluation rolesUnderstanding on-set roles related to script management

The main difference is that a Script Reader reviews and evaluates scripts to advise on their potential, while a Script Supervisor manages continuity and script details during filming. Both roles are essential in the production process but serve different functions within the industry.

More about Script Reader jobs
What job categories do people searching Script Reader jobs in Arcadia, CA look for? The top searched job categories for Script Reader jobs in Arcadia, CA are:
What cities near Arcadia, CA are hiring for Script Reader jobs? Cities near Arcadia, CA with the most Script Reader job openings:
Script Reader jobs near you
Infographic showing various Script Reader job openings in Arcadia, CA as of July 2026, with employment types broken down into 1% As Needed, 72% Full Time, 24% Part Time, 1% Temporary, and 2% Contract. Highlights an 94% Physical, 1% Hybrid, and 5% Remote job distribution, with an average salary of $42,693 per year, or $20.5 per hour.

Assistant Production Office Coordinator

WOWK-TV

Los Angeles, CA

$25/hr

Part-time

Posted 8 days ago

Job description

JOB TITLE: Assistant Production Office Coordinator

DEPARTMENT: Production

REPORTS TO: Executive Producer / Production Manager

KTLA is looking for a skilled Part Time Assistant Production Office Coordinator to work on our Emmy Award-winning live coverage of the Rose Parade. Coordinator with a can-do attitude will work directly with Executive Producers for all their needs, and will additionally assist Producer,

Director and Writer. They will also oversee and delegate to a Production Assistant during script

printing week.

Responsibilities

Will be the main hub for all pre-production, coordination, and post-production tasks.

Will assemble script books, and coordinate all needed information to staff, crew and talent.Will manage files in OneDrive for Executive Producers, writers, and producers, including rundown, production schedules, script, etc.Will book travel, meetings, and coordinate with producers and talent for call times, talking points for promotional appearances, etc.
  • Will assist the Executive Producers, writer, and talent during location scouts to float barns, create itineraries/maps, and act as the liaison between KTLA and commercial float builders.
Perform clerical duties to support the show and producers.Manage calendar for Executive Producer.Provide telephone coverage.Research for script writers and format script for print.Responsible for completing script books, rundowns, schedules and itineraries for ROS meetings, table reads and day of show.Will work on the live event on location in Pasadena.Position is temporary late October or November to first week of January.

Requirements

  • Bachelor's degree in film, communications, marketing, management, or related field
  • Must have experience in live television, scripted or related field
  • Must be extremely proficient in administrative tasks and on a PC - Microsoft Excel, Outlook, Word and OneDrive are must.
  • Knowledge of live show rundowns and scripts including formatting imperative.
  • Ability to multitask with excellent attention to detail and handle a lot on their plate all at once
  • Internship experience at television stations or production companies are an asset
  • Previous experience as a production coordinator or APOC a must.
  • Familiarity with all aspects of live event production to facilitate effective communication
  • Superb organizational and time management skills
  • Ability to complete multiple tasks in a fast-moving environment
  • Capable of meeting deadlines and working with daily time constraints
  • Talent for anticipating needs
  • Professional judgment for handling confidential information
  • Excellent written and verbal communications; professional telephone etiquette

AVAILABLE: Immediately

Compensation $25/hr.+ - commensurate with experience and skill level

EEO Statement: All qualified applicants will receive consideration for employment without regard to disability, protected veteran status, or any other characteristic protected by local, state, or federal laws, rules, or regulations.

KTLA will consider qualified applicants with criminal histories in a manner consistent with the Los Angeles County Fair Chance Hiring Ordinance

#LI-Onsite

SCAM ALERT:

Please be aware candidates may be at risk of being targeted by scammers seeking personal data or money. Recruiters with Nexstar Media Group and its local stations will only contact you through official job boards, LinkedIn, or email with Nexstar.tv domain or official station email addresses (example:@wreg.com). Be cautious of any outreach claiming to be from Nexstar or its recruiters via any other messaging platforms or personal email addresses. We will not contact you using a @gmail email address. If you are unsure about the authenticity of a job inquiry or offer, email us at corporaterecruiters@nexstar.tv.

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