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Remote Vfx Editor Jobs (NOW HIRING)

Editor

Niwot, CO ยท On-site +1

$350 - $450/day

Familiarity with VFX, compositing, or more advanced motion design * Experience with DaVinci Resolve ... Contract terms are competitive and based on experience, with remote eligibility during the ...

... rigs, VFX, or technical art. * Experience working with Motion Capture data and editing it ... Remote candidates may be considered; however, preference will be given to those who can work in Los ...

3D Artist (Remote)

San Francisco, CA ยท Remote

$110K - $140K/yr

Experience in creating shaders using Shadergraph or Amplify Editor. * Experience in creating particle effects using Unity Shuriken Particle System or VFX Graph. * Working experience in version ...

New

Sr. Producer

$150K - $165K/yr

You understand the soft skills of shepherding a large multi-faceted video campaign in a remote work ... Oversee post-production, ensuring high-quality editing, motion graphics, vfx, cgi, color, voiceover ...

Creative Director

Santa Monica, CA ยท On-site +1

$130K - $170K/yr

Location: Los Angeles, CA or US Remote What You'll Be Doing: * Creative Vision and Excellence ... Lead development of VFX-enhanced broadcast spots and platform-native content. * Strategic ...

Remote Vfx Editor information

See salary details

$11

$31

$57

How much do remote vfx editor jobs pay per hour?

As of Jul 15, 2026, the average hourly pay for remote vfx editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Remote VFX Editor, and why are they important?

To thrive as a Remote VFX Editor, you need expertise in visual effects compositing, a strong eye for detail, and proficiency in editing software, often supported by a degree in film, animation, or a related field. Familiarity with industry-standard tools such as Adobe After Effects, Nuke, and remote collaboration platforms is essential, along with certifications in relevant software being advantageous. Strong communication, time management, and problem-solving skills distinguish top performers in a remote setting. These abilities are crucial for delivering high-quality visual effects on schedule and collaborating seamlessly with distributed production teams.

What is a Remote VFX Editor?

A Remote VFX Editor is a professional who assembles, manages, and reviews visual effects (VFX) shots for film, television, or other media projects while working from a remote location. They collaborate with directors, VFX supervisors, and artists to ensure that VFX elements are seamlessly integrated into the final edit. Using specialized software, they organize VFX shots, track progress, and provide feedback, all while maintaining clear communication with the production team online. This role requires strong technical skills, attention to detail, and the ability to work efficiently in a distributed team environment.

What is the difference between Remote Vfx Editor vs Remote Compositor?

AspectRemote Vfx EditorRemote Compositor
Required SkillsVFX editing, software proficiency, project managementCompositing, visual effects, software proficiency
Work EnvironmentPost-production studios, freelance projects, remote teamsPost-production studios, freelance projects, remote teams
Industry UsageFilm, TV, advertisingFilm, TV, advertising

Both Remote Vfx Editors and Remote Compositors work in post-production environments, often remotely, and require similar software skills. However, Vfx Editors focus on assembling and managing visual effects sequences, while Compositors specialize in blending multiple visual elements into seamless shots. Understanding these differences helps professionals choose the right role based on their skills and career goals.

How does a Remote VFX Editor effectively collaborate with directors and VFX teams across different time zones?

As a Remote VFX Editor, effective collaboration often involves flexible scheduling and proactive communication to accommodate team members in various locations. You'll typically use project management tools, video conferencing, and cloud-based editing platforms to review shots, provide feedback, and ensure everyone is aligned on project goals. Clear documentation of edits and feedback loops is crucial for keeping the workflow smooth. Regular virtual meetings help maintain strong working relationships and ensure that creative vision is consistently achieved, despite the distance.
More about Remote Vfx Editor jobs
What cities are hiring for Remote Vfx Editor jobs? Cities with the most Remote Vfx Editor job openings:
What are the most commonly searched types of Vfx Editor jobs? The most popular types of Vfx Editor jobs are:
What states have the most Remote Vfx Editor jobs? States with the most job openings for Remote Vfx Editor jobs include:
Infographic showing various Remote Vfx Editor job openings in the United States as of July 2026, with employment types broken down into 5% Locum Tenens, 71% Full Time, 16% Part Time, 4% Temporary, and 4% Contract. Highlights an 75% Physical, 4% Hybrid, and 21% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

Editor

Fact and Fiction

Niwot, CO โ€ข On-site, Remote

$350 - $450/day

Contractor

Medical, Dental, Vision, Life, Retirement, PTO

Posted 23 days ago


Job description

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a craftsperson who can take a project from string-out to final master, shaping story in the edit and carrying it through color, mix, graphics, and online finishing. You'll work closely with Creatives, Producers, and our wider post team to turn footage into work that stands out.


We're looking for an editor who can own a job end to end and move comfortably between long-form storytelling and quick-turn social cutdowns. The kind of editor who quietly handles the whole pipeline, the cut, the color, the mix, the graphics, the finish, and treats that as just doing the job. Creative, collaborative, detail-obsessed, and able to keep high-quality work moving on time in a fast-paced environment. If this sounds like you, read on.

Day in the Life

  • Take projects from raw footage to final delivery: assembly, story edit, picture lock, color, mix, graphics, and online finishing
  • Cut across formats and lengths, from broadcast and brand films to social cutdowns, product videos, and quick-turn content
  • Collaborate with Creatives and Producers to understand the vision, then bring your own instincts to make the work better, not just execute the boards
  • Manage your own media: organized projects, clean bins, reliable backups, and version control that someone else could pick up without a treasure hunt
  • Handle color grading and audio mixing to a broadcast-ready standard, or know when to hand off to a specialist and prep cleanly for them
  • Build and animate graphics and titles as the job calls for, from lower thirds to light motion design
  • Deliver to spec across platforms and clients, managing the details of codecs, frame rates, aspect ratios, and platform requirements
  • Keep work moving on tight timelines without sacrificing craft, flagging risks early and offering solutions
  • Maintain the standards and best practices that keep our post pipeline efficient and consistent
  • Contribute to a collaborative post culture where the instinct is to make the work better, together

Here's what you need to get our attention:

  • 3+ years of professional editing experience at an agency, production company, post house, or in-house creative team
  • A reel or portfolio link showing range and craft across formats (required - applications without one won't be reviewed)
  • Strong command of Adobe Premiere Pro


Here's what will make us call you for sure:

  • An editor who can take a job all the way: edit, color, mix, graphics, and online finishing, without needing to hand it off at every stage
  • Strong story instincts and the ability to find the cut that elevates the creative
  • Color grading skills in Premiere or DaVinci Resolve
  • Audio mixing and sweetening chops, with an ear for clean, polished sound
  • Motion and graphics ability in After Effects, from titles and lower thirds through light motion design
  • Fluency in the rest of the Adobe Creative Suite (Photoshop, Illustrator, Audition)
  • Rock-solid media management, project organization, and version control
  • Working knowledge of delivery specs across broadcast, digital, and social platforms
  • Comfortable taking creative direction and running with it independently, without hand-holding
  • Calm under tight timelines, with a track record of delivering on time and on spec
  • Exceptional communication and collaboration skills

Not required, but it'll give you an edge

  • An interest in post-producing your own work: scoping, scheduling, and managing post jobs from intake to delivery
  • Familiarity with VFX, compositing, or more advanced motion design
  • Experience with DaVinci Resolve for finishing and color
  • Knowledge of usage and licensing as it touches stock, music, and footage
  • Experience mentoring or directing junior editors and assistants


This role starts as a contract-to-hire engagement, with a clear path to full-time for the right fit.


We use the initial contract period as a working try-out on both sides. You get a real look at how we operate, the kinds of projects you'll be working on, and the team you'll be working on them with. We get to see your craft in motion, how you navigate a fast-paced post pipeline, and how you show up day to day. When it's working, and we expect it to, we move to a full-time conversation.


Contract terms are competitive and based on experience, with remote eligibility during the engagement. Full-time conversion is hybrid out of our Niwot, CO office and includes the full benefits package below.


Day rate: $350-$450/day DOE, remote eligible.

Full-time conversion (for the right fit): $70-$85K DOE, hybrid out of our Niwot, CO office, plus full benefits below.

What full-time at Fact & Fiction looks like:

    • A clear path from permalancer to full-time for the right person.
    • A killer culture with team members who have your back!
    • Flex PTO plan for work-life balance with supplemental family leave.
    • Generous holidays including a reduced schedule between Christmas and New Years.
    • Strong health plans - We even cover our employees' dental and vision premiums.
    • Long-term and short-term disability.
    • Access to Flexible Spending Accounts Plan.
    • 401(k) with company match (up to 4%), fully vested from day one.
    • Employee Assistance Program.
    • Life Insurance.


COME AS YOU ARE: your gender, your gods, who you love, what you look like, where you came from, or who you know don't make a difference here. Fact & Fiction is an open-minded meritocracy built on good work and good people. If you're smart, kind, and great at what you do, come as you are.