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Remote Non Linear Video Editor Jobs in New York (NOW HIRING)

Slash Financial

Senior Video Editor

New York, NY · On-site +1

$70K - $100K/yr

We are hiring a Senior Video Editor to own the craft of our most important work: customer case ... Remote is possible for an exceptional candidate. Compensation $70,000-$100,000, depending on ...

Dream Three

Short Form Video Editor

New York, NY · Remote

ROLE OVERVIEW We're looking for a Short Form Video Editor who lives and breathes vertical video to ... Strong communication, time management, and reliability in a remote environment. * Portfolio/reel of ...

Direct Agents

Video Editor - Contract

Manhattan, NY · On-site +1

$40 - $50/hr

Direct Agents is looking for a contract Video Editor to support our Creative team. You'll bring ... This is a contract, remote position. Please be aware of fraudulent recruiters and scams. If you ...

Direct Agents

Video Editor - Contract

Manhattan, NY · Remote

$40 - $50/hr

Direct Agents is looking for a contract Video Editor to support our Creative team. You'll bring ... This is a contract, remote position. Please be aware of fraudulent recruiters and scams. If you ...

WITHIN

Social Video Editor (Freelancer)

New York, NY · Remote

$23 - $53/hr

We're looking for a Social Video Editor to join our creative team, focusing on producing engaging ... This is a remote role. Hourly rate based on education, experience, and skills level ($23-$53)

Daydream

Video Editor (Part-Time Contract)

New York, NY · On-site +1

The Role We're looking for a video editor to take raw footage of Daydream in action and turn it ... Logistics This is a part-time contract role, and it's remote. We're flexible on cadence and can ...

Tripadvisor

Social Video Creative & Editor

New York, NY · On-site +1

Social Video Creative & Editor | Tripadvisor About Tripadvisor The Tripadvisor Group connects ... Tripadvisor Group takes a remote-friendly approach to collaboration across a worldwide team, with ...

WITHIN

Social Video Editor (Freelancer)

New York, NY · Remote

$23 - $53/hr

We're looking for a Social Video Editor to join our creative team, focusing on producing engaging ... This is a remote role. Hourly rate based on education, experience, and skills level ($23-$53)

thelab

Freelance UCG Editor

Manhattan, NY · On-site +1

This is for 5 paid video social ads each ranging :15 - :30 seconds. Ideally this candidate would ... Work can be remote, though we would love a candidate who can meet with the creative team in our ...

Vox Media Group

Senior Video Producer

New York, NY · On-site +1

This is a hands-on role for a highly skilled and versatile video editor and visual storyteller who ... value across remote, in-studio, and hybrid formats. * Create platform-native shortform video ...

Mondo

Video Producer

Manhattan, NY · Remote

$55 - $60/hr

Remote Start Date Is: ASAP Duration: (contract, perm, etc) 5 Month Contract - 20 hours/ week ( 4 ... Coordinate editors, motion designers, cinematographers, voiceover talent, production crews ...

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Remote Non Linear Video Editor information

What is a remote non linear video editor?

A Remote Non Linear Video Editor is a professional who edits video footage using non-linear editing software, such as Adobe Premiere Pro or Final Cut Pro, while working from a location outside of a traditional studio or office. Non-linear editing allows editors to access any part of the video and make changes without following a sequential order, providing more flexibility and creative control. Working remotely, these editors collaborate with clients and teams online, sharing files and feedback digitally to produce polished video content for various media platforms.

What are the key skills and qualifications needed to thrive as a remote non linear video editor?

To thrive as a Remote Non Linear Video Editor, you need strong proficiency in video editing principles, storytelling, and a solid understanding of post-production workflows, often supported by a degree or relevant experience in film or media. Familiarity with industry-standard editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve, as well as knowledge of file formats and cloud-based collaboration tools, is essential. Excellent time management, attention to detail, and clear communication skills set standout editors apart in remote environments. These skills ensure high-quality, creative content delivery and effective teamwork, even when collaborating from different locations.

How does a remote non linear video editor typically collaborate with producers and other team members when working off-site?

As a Remote Non Linear Video Editor, collaboration with producers, directors, and other team members is often facilitated through cloud-based editing platforms, project management tools, and regular video calls. Editors usually receive project briefs, raw footage, and feedback via shared drives or editing suites like Adobe Creative Cloud or Frame.io. Clear communication and time management are essential, as you may work across different time zones and need to deliver revisions quickly based on team feedback. Regular check-ins and organized workflows help ensure everyone stays aligned and that creative goals are met, even when working remotely.

What is the difference between Remote Non Linear Video Editor vs Remote Video Producer?

AspectRemote Non Linear Video EditorRemote Video Producer
CredentialsEditing software proficiency, basic video editing certificationsAdditional project management or production certifications
Work EnvironmentPrimarily editing suites, remote editing platformsPlanning, coordinating, and overseeing entire video projects remotely
Industry UsageFilm, TV, online content creationMedia production companies, advertising agencies
Search & Comparison IntentFocus on editing skills and softwareFocus on production management and coordination

The Remote Non Linear Video Editor specializes in editing raw footage using non-linear editing software, focusing on post-production tasks. In contrast, the Remote Video Producer oversees the entire video project, including planning, coordination, and final delivery. While both roles require strong communication skills and industry knowledge, the editor concentrates on the creative editing process, whereas the producer manages the project's overall workflow remotely.

What are the most commonly searched types of Non Linear Video Editor jobs in New York?

The most popular types of Non Linear Video Editor jobs in New York are:

What are popular job titles related to Remote Non Linear Video Editor jobs in New York?

For Remote Non Linear Video Editor jobs in New York, the most frequently searched job titles are:

What job categories do people searching Remote Non Linear Video Editor jobs in New York look for?

The top searched job categories for Remote Non Linear Video Editor jobs in New York are:

What cities in New York are hiring for Remote Non Linear Video Editor jobs?

Cities in New York with the most Remote Non Linear Video Editor job openings:

Remote Non Linear Video Editor jobs near you

Senior Video Editor

Slash Financial

New York, NY • On-site, Remote

$70K - $100K/yr

Full-time

Re-posted 4 days ago

Job description

About Slash
Slash is a financial technology company building the modern money stack for businesses. We help founders and operators run their entire financial workflow in one place, and we are growing fast off the back of a brand that punches well above its size. Marketing here is creative-first. We invest in original, high-craft content rather than scaling headcount, and video sits at the center of that bet.
We are hiring a Senior Video Editor to own the craft of our most important work: customer case studies, sit-down interviews, and product demos that look and feel like they came out of a top-tier studio.
About the role
This is not a social-clips role. We are looking for a genuinely talented editor who has shipped larger, higher-quality projects and can carry a piece from raw footage to a polished, broadcast-grade final cut. The ideal person is both a shooter and an editor, comfortable behind a camera on a shoot day and equally at home in the timeline.
You will work directly with our marketing leadership on flagship content, with real creative ownership and a high bar for taste, pacing, and finish.
What you'll do
  • Edit customer case studies, sit-down interviews, and product demos into polished, story-driven films.
  • Own post-production end to end: assembly, story structure, pacing, sound design, and color.
  • Shoot when needed, on location and in studio, as a hybrid shooter-editor.
  • Color grade footage to a clean, cinematic standard inside DaVinci Resolve.
  • Collaborate on creative direction and bring your own ideas, not just execute a brief.
What we're looking for
  • A strong portfolio of larger, high-quality projects. We want to see range across long-form and narrative work, not only social edits.
  • Real editing talent with excellent instincts for pacing, story, and audio.
  • Experience in Premiere Pro or DaVinci Resolve, and a willingness to edit in DaVinci Resolve (we standardize on it for color and team collaboration).
  • The ability to take a project from footage to finish with minimal hand-holding.
  • Comfortable being a shooter as well as an editor. This is a strong plus, not a hard requirement.
Nice to have
  • Hands-on experience shooting with Sony FX3.
  • Color grading in S-Log3 / S-Gamut3.Cine inside DaVinci Resolve.
  • Motion graphics and animation chops (helpful, not required).
  • 3D ability in Blender for custom renders. This would be a real differentiator for us, though it is not necessary.
Location
San Francisco is strongly preferred. We have a tight-knit in-office culture and being in person makes collaboration and shoot days far easier. Remote is possible for an exceptional candidate.
Compensation
$70,000-$100,000, depending on experience and whether you bring shooting ability alongside editing. This role is cash compensation.
How to apply
Apply through our Ashby posting and include a link to your portfolio. Show us a clear scope of the work you have done: the kind of projects, your specific role on each, and the pieces you are proudest of. We care most about high-quality, larger projects, so lead with those.

Apply