... n' roll concert staging to setting the global standard for extraordinary live events and ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
... n' roll concert staging to setting the global standard for extraordinary live events and ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
... n' roll concert staging to setting the global standard for extraordinary live events and ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
... n' roll concert staging to setting the global standard for extraordinary live events and ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
Structural Engineer | Entertainment Project Manager
Cincinnati, OH · On-site +1
$76.80K - $102.70K/yr
This team designs a variety of structures that are temporary (concert stage roofs, mobile roofs ... Flexible work hours + hybrid or remote work * Project and management responsibilities at all ...
Structural Engineer | Entertainment Project Manager
Cincinnati, OH · On-site +1
$76.80K - $102.70K/yr
This team designs a variety of structures that are temporary (concert stage roofs, mobile roofs ... Flexible work hours + hybrid or remote work * Project and management responsibilities at all ...
Mechanical Design Engineer (Freelance Opportunities)
Lititz, PA · On-site +1
$70.40K - $95.40K/yr
Work will be hybrid/remote in Lititz PA Preferred Experience * Parametric modeling, ideally using ... rigging, automation, and scenic elements * TAIT markets, especially concert touring and theme parks
Mechanical Design Engineer (Freelance Opportunities)
Lititz, PA · On-site +1
$70.40K - $95.40K/yr
Work will be hybrid/remote in Lititz PA Preferred Experience * Parametric modeling, ideally using ... rigging, automation, and scenic elements * TAIT markets, especially concert touring and theme parks
Remote Concert Rigging information
See salary details
$14.18 - $16.22
1% of jobs
$16.22 - $18.25
6% of jobs
$18.25 - $20.28
5% of jobs
$20.28 - $22.31
6% of jobs
$23.09 is the 25th percentile. Wages below this are outliers.
$22.31 - $24.34
16% of jobs
The median wage is $25.57 / hr.
$24.34 - $26.38
25% of jobs
$26.38 - $28.41
14% of jobs
$28.83 is the 75th percentile. Wages above this are outliers.
$28.41 - $30.44
6% of jobs
$30.44 - $32.47
16% of jobs
$32.47 - $34.51
3% of jobs
$34.51 - $36.54
1% of jobs
$14
$26
$36
How much do remote concert rigging jobs pay per hour?
What are the key skills and qualifications needed to thrive as a Remote Concert Rigger, and why are they important?
What are some common challenges faced when working in a remote concert rigging position, and how can I prepare for them?
What is remote concert rigging?
What is the difference between Remote Concert Rigging vs Remote Audio Technician?
| Aspect | Remote Concert Rigging | Remote Audio Technician |
|---|---|---|
| Credentials | Rigging certifications, safety training | Audio engineering certifications, technical training |
| Work Environment | Event venues, outdoor stages, production sites | Broadcast centers, live event venues, remote setups |
| Industry Usage | Concerts, festivals, theater productions | Live sound, broadcast, recording sessions |
| Search & Comparison | Focuses on physical setup and safety of rigging equipment | Focuses on sound quality and audio setup |
Remote Concert Rigging involves installing and securing equipment like trusses and lighting at live events, requiring safety certifications. Remote Audio Technicians focus on setting up and managing sound systems remotely, emphasizing audio quality. While both roles support live events, rigging is more physically demanding and safety-focused, whereas audio technicians concentrate on sound performance and clarity.

Job description
Position Purpose:
Lead a technical production team, contribute to the client relationship, and oversee the planning & execution of events from a technical perspective. Provide excellent customer service, understanding the importance of forging relationships with clients & production partners alike to successfully spearhead a project from beginning to end. Responsible for the "how & why" of all technical operations, including - scenic, staging, audio, video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for preproduction and wrap, with on site dates as required by individual projects. Travel: Around 20- 50% of the time, domestic. International possible. (site visits & onsite time- depending on project assignments.)
Responsibilities:
- Work with Producer to manage client relationships - establishing trust & confidence in the technical team's capabilities
- Ensure all technical components of a production are developed & executed flawlessly in keeping with the client's vision, budget requirements, timeline, and safety standards
- Play a key role in projects from conception through pre-production, budgeting, onsite execution, and post-production
- Manage relationships and communications with technical vendors
- Depending on the project, manage budgets & profit margins (or work in tandem with Producer) for assigned productions
- Work with project staffing team to outline staffing needs and fill roles as projected within the budget
- Draft site plans, ground plans, and other layouts as required
- Oversee & participate in developing pitches & expanding service offerings
- Grow event capabilities with existing clients and bring new client opportunities to the company
- Manage expectations (Client, Venue, and Internal), provide feedback, and anticipate challenge before they arise
- Leading by example, clearly setting expectations, communicating processes, setting goals for improvement, and offering support as necessary
- Enforce safety standards, follow policies & procedures, and make recommendations as necessary
- Comfortable working in an office setting, as well as from more rigorous & non-traditional onsite environments
Position Requirements:
- Minimum of 7 years' experience in live events / entertainment / theatre / production (Bachelor's degree preferred)
- Functional competencies in theatrical staging & rigging, sound reinforcement, production lighting, and audio & video production
- Previous supervisory experience
- Experience working with & directing union & non-union stagehands
- Computer skills: Macintosh OS or Windows platform using Microsoft Office
- Familiarity with, or willingness to learn communications and project management tools, such a Slack, Box, Airtable, Concur and Google Docs
- Have excellent interpersonal & communication skills, both verbal & written. Effectively communicate with staff of all experience levels
- Have outstanding organizational skills & great attention to detail
- Take initiative, act responsively, and demonstrate a sense of urgency
- Anticipate & solve problems before they arise - providing viable & cost-effective solutions
- Be collaborative, engaged, curious, and solution-oriented
- Flexibility to work non-traditional hours (nights & weekends) as required
About TAIT
Sourced by ZipRecruiter
Industry
Arts, entertainment, and recreation
Company size
501 - 1,000 Employees
Headquarters location
Lititz, PA, US
Year founded
1978