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Red Camera Jobs in California (NOW HIRING)

Experience with cinema cameras is a plus - Red Komodo X * Proficiency with basic microsoft suite, airtable and figma is a plus. Combination of skills & expertise that would make a candidate stand out?

Knowledge of cinema workflows and equipment such as Red cameras (a plus). * Strong written communication skills with the ability to clearly document notes, feedback, and status updates. * Advanced ...

Knowledge of cinema workflows and equipment such as Red cameras (a plus). * Strong written communication skills with the ability to clearly document notes, feedback, and status updates. * Advanced ...

Knowledge of cinema workflows and equipment such as Red cameras (a plus). * Strong written communication skills with the ability to clearly document notes, feedback, and status updates. * Advanced ...

SOC Operator

Fremont, CA · On-site

$29/hr

If you have experience in roles like Call Center Representative, Dispatch or Camera Monitoring this ... Our core values - Integrity, Vigilance and Helpfulness - are represented by the three red dots in ...

FlightWave, a subsidiary of Red Cat Holdings, is looking to fill a Mechanical Engineer position. We ... The ideal candidate will have a background in mechanical design of drones and/or multi-axis camera ...

Mechanical Engineer

Torrance, CA · On-site

$110K - $137K/yr

FlightWave, a subsidiary of Red Cat Holdings, is looking to fill a Mechanical Engineer position. We ... The ideal candidate will have a background in mechanical design of drones and/or multi-axis camera ...

Lead Electronics Engineer

San Diego, CA · On-site

$140K - $160K/yr

Lead Electronics Engineer - Camera & FPGA-Based Consumer Electronics Position Summary We are ... RED). * Collaborate across engineering, manufacturing, quality, supply chain, and program ...

Lead Electronics Engineer - Camera & FPGA-Based Consumer Electronics Position Summary We are ... RED). * Collaborate across engineering, manufacturing, quality, supply chain, and program ...

Digital Cameras Cinema and DSLRS, Film - 16mm and 35mm cameras * Ability to lift 50-100 lbs., reach overhead and climb ladders This job REQUIRES some proficiency of camera (DSLR, RED, Film, OR Sound ...

Strong understanding of camera system pipelines and the tradeoffs between parameters and image ... You have experience integrating with downstream automation systems, including PLCs, Node-RED ...

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Showing results 1-20

Red Camera information

See California salary details

$13

$27

$61

How much do red camera jobs pay per hour?

As of Aug 31, 2026, the average hourly pay for red camera in California is $27.80, according to ZipRecruiter salary data. Most workers in this role earn between $17.07 and $30.14 per hour, depending on experience, location, and employer.

What is a red camera?

A Red Camera is a high-end digital cinema camera produced by RED Digital Cinema, widely used in professional film and video production. These cameras are known for their ability to capture images in extremely high resolutions, such as 4K, 6K, and even 8K, offering filmmakers extraordinary detail and flexibility in post-production. Red Cameras use advanced sensors and codecs, providing exceptional dynamic range and color science. Because of their quality and versatility, they are frequently used in major motion pictures, commercials, and television production.

What are the key skills and qualifications needed to thrive as a red camera operator?

To thrive as a RED Camera Operator, you need in-depth knowledge of cinematography, camera operation, and a solid understanding of RED Digital Cinema cameras, often supported by formal film training or relevant experience. Familiarity with RED camera systems, post-production workflows, and editing software like DaVinci Resolve or Adobe Premiere Pro is essential. Creativity, attention to detail, and effective communication skills help operators collaborate with directors and crew to realize a creative vision. These skills ensure high-quality visual output and efficient production processes on professional film and video shoots.

What are some common challenges faced by professionals operating red cameras on film sets?

Operating RED cameras on film sets often requires managing complex settings and workflows, as these cameras offer high-resolution capabilities and advanced features. Professionals may face challenges such as handling large file sizes, ensuring proper color grading, and maintaining optimal exposure in varying lighting conditions. Collaboration with the director of photography, digital imaging technician, and post-production team is essential to ensure footage quality and workflow efficiency. Familiarity with RED camera firmware updates and accessories also helps in troubleshooting issues quickly on set.

What is the difference between Red Camera vs Black Camera?

AspectRed CameraBlack Camera
Primary UseHigh-end digital cinema productionStandard digital video production
CredentialsKnowledge of digital cinema workflows, camera operationBasic camera operation skills, video production experience
Work EnvironmentFilm sets, high-budget productionsTV studios, corporate videos
Industry UsageFilmmaking, high-end commercialsBroadcast, online content

Red Camera and Black Camera are both used in digital video production, but Red Cameras are known for their high-resolution, cinematic quality, often used in professional filmmaking. Black Cameras are more common in standard video production, suitable for less demanding projects. The choice depends on the production quality requirements and budget.

What cities in California are hiring for Red Camera jobs?

Cities in California with the most Red Camera job openings:

Infographic showing various Red Camera job openings in California as of August 2026, with employment types broken down into 86% Full Time, 10% Part Time, and 4% Contract. Highlights an 10% Physical, and 90% Remote job distribution, with an average salary of $57,816 per year, or $27.8 per hour.

Camera Equipment Lead

eTeam

Los Angeles, CA • On-site

Other

Posted 4 days ago


Job description

Job Title: Camera Equipment Lead

Location: Los Angeles, CA 90016

Duration: 09 months

Pay Range: $(53.34 – 61.53)/hr on W2 all-inclusive without benefits


Job Description:

  • Working in a team is paramount.
  • Must be a good communicator
  • Must be able to plan ahead
  • Ability to work in a high volume big production environment without getting overwhelmed or stressed out

Top must-have skills include the following:

  • Experience leading a small team
  • Experience on a film and photo set
  • Must have an in depth understanding of lighting and grip
  • Experience with cinema cameras is a plus - Red Komodo X
  • Proficiency with basic microsoft suite, airtable and figma is a plus.

Combination of skills & expertise that would make a candidate stand out?

  • Someone who can communicate effectively, can anticipate needs of the team without being told what the next steps are.

Main focus of the role for first 90 days:

  • Going to spend a lot of training time in the role. Will need a ramp up period on their tools, production calendars, and team structure. After 2 months they will be relatively up to speed.

Team size/reporting structure:

  • Will work with 3-5 team members each day but roster is 30 day to day that they will need to know. This person will schedule those team members according to their skill set.

Will be scheduling and working with:

  • Stage hands
  • Grips
  • Gaffers
  • Camera operators and set up staff
  • This role will be on the ground assisting with equipment set up and changeover in clients LA Icon Photo and Film Studio.
  • Will schedule and direct the flow of the editorial floor with 8 bays. Will need to make sure the bays are built, lit, and metered for start of shooting early in the morning. Will assist with moving people from one bay to another which can change styles of shooting etc.
  • Will be in meetings to plan production and go over future planning.
  • They will need to get to know the team to properly schedule the right people for the right role.
  • Likely will not work out for someone that has been on another team for decades, they want someone trainable that can come in and learn the process.
  • The role does not entail any heavy lifting but does require the ETW to be on their feet and moving quite a lot during the day. Candidate should be prepared for that aspect of the role.


Who We're Looking For:

  • We’re looking for an Equipment Lead to join our Equipment team at Icon Studios LA.
  • We seek someone who has experience in a fast paced environment that knows how to proactively manage and track equipment both in house and sub-rented.
  • In addition to equipment knowledge, this person should be well versed in digital equipment and motion equipment, IE; digi-carts, monitors, cable management, RED camera, cinema lenses, and camera support.
  • This person should have solid proficiency working cross functionally with production and digital teams.
  • We seek a leader who can grow a team of players with clear direction, collaboration, and an ability to run point.
  • This leader will explore new ways of thinking and problem solving as well as having the ability to manage multiple projects in a time-sensitive environment, while keeping production moving forward.


Prerequisites:

  • 4+ years of studio managing experience
  • Proven ability to support and lead peers in new workflows and processes.
  • A knowledge base of grip and lighting that puts safety as a priority
  • Experience with creating and replicating detailed lighting diagrams.
  • Ability to balance multiple time sensitive projects at once in addition to the daily responsibilities
  • Expert level communication, listening, and organization skills.
  • A keen eye for detail, cleanliness and organization
  • A strong ability to problem solve camera/lighting malfunctions and errors in real time.
  • Quality control, troubleshoot, and log malfunctioning equipment to send out for repair when necessary.
  • Experience with Blue Circle or TrakIt equipment tracking software is a plus


Responsibilities:

  • Our lead position will be leading a shift of 3 to 4 team members in daily support of 5+ working photo sets.
  • In addition to overseeing daily inventory tracking, they will be responsible for inputting equipment lists in Blue Circle (tracking system) to support ecommerce, editorial, and motion sets.
  • Reading, following, and measuring out detailed lighting diagrams is a part of our weekly cadence with flipping sets – a firm knowledge is measuring and rigging is a must to scale multiple identical photo and video sets.
  • The Equipment Lead will guide their peer’s day to day with building sets to spec by using our lighting diagram SOP’s.
  • They must be able to adapt on the fly with lighting changes, set flips, and shoot schedule changes.
  • They will learn new processes and advocate for efficiencies in time and organization.
  • Being able to lead a diverse team with clear direction, Resilient governance, and a team-based approach is key to success in our team.