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Production Camera Operator Jobs in Fort Wayne, IN

Varsity Tutors

Filmmaking Tutor

Fort Wayne, IN · Remote

$40/hr

Skilled at teaching visual storytelling, production planning, and editing techniques for filmmaking. Guides students through writing screenplays, storyboarding scenes, operating cameras, setting up ...

ProFed Federal Credit Union

VTM Representative

Fort Wayne, IN · On-site

$14.75 - $18.50/hr

Must be able to project an inviting, friendly, and engaging demeanor on camera. Ensure effective ... Ability to multi-task while maintaining attention to detail and accuracy while operating multiple ...

EMCOR Group Inc

Havel

Fort Wayne, IN · On-site

$50K - $57K/yr

Installation and Service of Access Control, Intercom, Intrusion and CCTV/IP camera systems * To ... product manuals * Perform site-specific training for owner/operator on the total system * Must be ...

Havel

Data / Low Voltage Technician

Fort Wayne, IN · On-site

$20.75 - $28/hr

Installation and Service of Access Control, Intercom, Intrusion and CCTV/IP camera systems * To ... product manuals * Perform site-specific training for owner/operator on the total system * Must be ...

Havel

Data / Low Voltage Technician

Fort Wayne, IN · On-site

$20.75 - $28/hr

Installation and Service of Access Control, Intercom, Intrusion and CCTV/IP camera systems * To ... product manuals * Perform site-specific training for owner/operator on the total system * Must be ...

Dick's Sporting Goods

Specialist Golf

Fort Wayne, IN · On-site

Anticipates the needs of the athlete; actively drives sales through product and services ... Cameras must be on during all virtual interviews. * AI tools are not permitted to be used by the ...

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All JobsProduction Camera Operator JobsProduction Camera Operator Jobs in Fort Wayne, IN

Production Camera Operator information

See Fort Wayne, IN salary details

$11

$17

$23

How much do production camera operator jobs pay per hour?

As of Sep 9, 2026, the average hourly pay for production camera operator in Fort Wayne, IN is $17.96, according to ZipRecruiter salary data. Most workers in this role earn between $15.91 and $19.23 per hour, depending on experience, location, and employer.

What does a production camera operator do?

A Production Camera Operator is responsible for capturing video footage during television broadcasts, film shoots, live events, or studio productions. They operate cameras and related equipment, follow the director’s instructions, and ensure that all shots are framed and focused correctly. Camera operators may also help set up and break down equipment, select appropriate lenses, and adjust camera settings to achieve the desired visual effect. Their work is crucial for delivering high-quality visual content to audiences.

What are the essential skills and qualifications needed to excel as a production camera operator?

A Production Camera Operator needs a solid understanding of camera equipment, shot composition, and lighting, often supported by a degree in film, broadcasting, or related experience. Familiarity with professional cameras, tripods, dollies, and editing software is typically required, along with knowledge of live production or studio systems. Strong attention to detail, teamwork, and adaptability under pressure help operators capture high-quality footage and respond to changing production needs. These skills and qualities are crucial for ensuring visually compelling content and smooth production workflows.

What are some common challenges faced by production camera operators during live events?

Production Camera Operators often encounter challenges such as adapting quickly to changing lighting conditions, maintaining steady shots during fast-paced action, and following unpredictable subject movements. Coordination with directors, audio teams, and other camera operators is essential to capture the best angles and transitions seamlessly. Staying focused under pressure and anticipating the next shot are key skills that help ensure the broadcast or recording runs smoothly.

What is the difference between Production Camera Operator vs Camera Assistant?

AspectProduction Camera OperatorCamera Assistant
CredentialsRelevant camera operation certifications, experienceBasic camera knowledge, assistant training
Work EnvironmentOn-set, operating cameras during filmingSupporting camera setup, maintenance, and focus
Industry UsageFilm, TV, commercial productionsFilm, TV, live broadcasts

The Production Camera Operator is responsible for operating cameras during filming, requiring technical skills and experience. The Camera Assistant supports the camera department by handling equipment setup, focus pulling, and maintenance. While both roles work closely on set, the Camera Assistant typically has less responsibility for camera operation but is essential for smooth production workflow.

Coliseum Part-time Video Crew

Fort Wayne, IN • On-site

allencounty
See more jobs at allencountyexternal

Part-time

Re-posted 5 days ago

Job description

Department: Coliseum                                                                     FLSA Status: Non-exempt

Classification/Level:  Part-Time                                                      Date:  12/2022

Under the Direction of the Technical Manager of Audio/Video Services, the part-time A/V Event Production staff will assist management and technical support with the arena scoreboard, electronic boards with Audio/Video production.    This position is Not Covered (at-will) as defined by The Board of Commissioners of the County of Allen Employee Handbook.

ESSENTIAL FUNCTIONS:

 

  • Operates shoulder or fixed mounted cameras during events, including closely following the action, keeping the picture in focus to maintain a quality image for live and recorded videos.
  • Operates the switchers and control surfaces for video playback and camera shots.  Calling camera shots and directions for camera operators in the event area.
  • Runs replay system for slow-motion playback of goals.  Maintains focus and keeps pace with face-paced action for quick clip recalls.
  • Runs Scoreboard display software for games/events.  Recall graphics and media playback for crowd engagement.
  • Sets up and takes down audio-visual camera equipment and cabling.  This includes adjusting all necessary settings, including white and color balance, using vector scope on switchers.
  • Maintains, diagnoses and repair issues related to broadcast and production systems in live studio and broadcast environments.
  • All other duties as assigned by the Event Manager or other members of senior management.

REQUIREMENTS:

  • Working knowledge of camera systems and control functions, including operations and basic troubleshooting of video equipment required
  • At least two to three years of relevant or similar work experience in the operation of audio and video telecommunication/studio equipment
  • Experience using camera , audio boards, control switchers, audio-visual camera equipment and cabling
  • Ability to take direction as given by the director or producer 
  • Work well in a team to complete tasks and goals given to the AV production team
  • Ability to work flexible shifts including nights, holidays, and weekends to work events
  • Requires good working knowledge and the ability to use basic computer knowledge of windows operating systems
  • Ability to stand, sit, crouch, and hold up to 30 lbs. for long periods of time

PERSONAL WORK RELATIONSHIPS:

The A/V Event Production staff maintains frequent contact with other employees, promoters, exhibitors, vendors, clients and guests of the Allen County War Memorial Coliseum.

WORKING CONDITIONS:

The A/V Event Production staff work in a standard office environment with the ability to move about freely with frequent sitting, typing, finger dexterity, color distinction, attention to detail, visual inspection, hand/eye coordination, and hearing.  Some lifting up to thirty pounds, pushing, pulling, bending, squatting, crawling, climbing, reaching, grasping, holding, writing, and speaking are to be expected. The A/V Event Production staff  have frequent exposure to extreme noise and some dangerous equipment, forklifts, heavy equipment, and confined spaces.

SUPERVISION:

None

LICENSING:

None

IMMEDIATE SUPERVISOR:

Technical Manager of Audio/Video Services

HOURS:

Ability to work flexible shifts including nights, holidays, and weekends to work events

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