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Production Assistant Camera Operator Jobs in Connecticut

IMG

Freelance APC Director

Stamford, CT · On-site

... MLS Productions. The ideal candidate will assist in the technical execution of studio shows ... Experience leading a control room of graphics operators, EVS/playback operators, and camera ...

NBCUniversal

APC Operator, NBC Connecticut

Hartford, CT · On-site

If you love the thrill of live production, enjoy working with people, and want to make a positive ... Operate robotic camera controls using Ross Cambot Software. * Operate SSL Audio platform. * Set-up ...

NBCUniversal

APC Operator, NBC Connecticut

Hartford, CT · On-site

If you love the thrill of live production, enjoy working with people, and want to make a positive ... Operate robotic camera controls using Ross Cambot Software. * Operate SSL Audio platform. * Set-up ...

Data-Mail, Inc

Set-Up Operator

Hartford, CT · On-site

$18 - $19/hr

Be available to assist other operators in the area if required. * Comply with company rules and ... and product quality. · Good math skills · Reliability through attendance, punctuality and ...

ESPN

Associate Producer I

Bristol, CT · On-site

$54K - $72K/yr

Provides direction and feedback to Production Assistant and Content Associates on assigned shows ... Qualifications: * Demonstrates and applies strong knowledge of most operating processes of ...

New

Allied Printing

Production Planner

Manchester, CT · On-site

Prepare layouts and camera cards. * Communicate inefficiencies to sales reps or clients proactively ... Alert Sales Reps and/or clients to production issues and assist in resolution. * Report directly to ...

WP Ventures Inc

Production Helper

Bridgeport, CT · On-site

$16.25 - $20.25/hr

Essential Duties and Responsibilities : Assist Machine Operators/Production workers Moving production materials Catching product off machines Keeping jobs in numerical order Assorted tasks based on ...

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Production Assistant Camera Operator information

What is a production assistant camera operator?

Production Assistant Camera Operators, often called Camera PAs or Camera Trainees, support the camera department on film, television, or video shoots. Their duties typically include preparing and maintaining camera equipment, assisting with camera setups, managing cables, and helping camera operators with technical and logistical tasks. This entry-level role is essential for keeping the camera crew efficient and organized, and it provides valuable on-set experience for those interested in a camera department career. Camera PAs are expected to be proactive, attentive, and able to work well under pressure.

What are the key skills and qualifications needed to thrive as a production assistant camera operator, and why are they important?

To thrive as a Production Assistant Camera Operator, you need a basic understanding of camera operations, shot composition, and on-set procedures, often supported by relevant coursework or entry-level experience in film production. Familiarity with digital cameras, tripods, lighting equipment, and editing software like Adobe Premiere Pro is typically expected. Strong attention to detail, teamwork, and the ability to follow directions under pressure are standout soft skills in this role. These capabilities ensure smooth technical execution and effective collaboration, which are vital for producing high-quality visual content on set.

How does a production assistant camera operator typically collaborate with other members of the film crew on set?

As a Production Assistant Camera Operator, you'll work closely with the Director of Photography, camera operators, and the lighting and grip departments to ensure smooth camera operations. Your responsibilities often include assisting with setting up camera equipment, managing cables, and helping to execute camera movements according to the director’s vision. Effective communication and teamwork are essential, as you'll need to respond quickly to instructions and adapt to the fast-paced and sometimes unpredictable environment on set. This role provides valuable hands-on experience and can serve as a stepping stone to more advanced positions within the camera department.

What is the difference between Production Assistant Camera Operator vs Camera Assistant?

AspectProduction Assistant Camera OperatorCamera Assistant
CredentialsBasic film/TV production knowledge, sometimes a camera certificationCamera department training, often a camera-specific certification
Work EnvironmentOn set, assisting with camera setup and operationCamera department, supporting camera crew with equipment and focus
Industry UsageCommon in film, TV, and commercial productionsPrimarily in professional film and television productions

The Production Assistant Camera Operator and Camera Assistant roles both support camera operations but differ mainly in responsibilities. The Production Assistant Camera Operator typically assists with camera operation and setup, often requiring basic technical knowledge. The Camera Assistant focuses more on supporting the camera crew with equipment, focus, and maintenance. Both roles are essential in the camera department, with overlapping skills but distinct duties.

Can I be a production assistant camera operator with no experience?

Production assistant camera operators typically do not need prior experience, as this entry-level role involves supporting camera crews and learning on the job. Basic knowledge of camera equipment and willingness to learn are helpful, and some employers may offer training or mentorship to new hires.

What cities in Connecticut are hiring for Production Assistant Camera Operator jobs?

Cities in Connecticut with the most Production Assistant Camera Operator job openings:

Production Assistant Camera Operator jobs near you
Infographic showing various Production Assistant Camera Operator job openings in Connecticut as of August 2026, with employment types broken down into 1% As Needed, 73% Full Time, 23% Part Time, 1% Temporary, and 2% Contract. Highlights an 98% Physical, 1% Hybrid, and 1% Remote job distribution.

Freelance APC Director

Stamford, CT • On-site

IMG
See more jobs at IMGexternal

Full-time

Re-posted 21 days ago

Key responsibilities

  • Support the technical execution of studio shows for MLS Productions, ensuring quality standards are met.

  • Direct and coordinate live broadcasts by managing the Ross Overdrive production control system and supervising crew members.

  • Collaborate with the IMG team and producers to review, develop, and execute show rundowns and content distribution.

Job description

Who We Are:

TKO Group Holdings, Inc. (NYSE: TKO) is a premium sports and entertainment company. TKO owns iconic properties including UFC, the world's premier mixed martial arts organization; WWE, the global leader in sports entertainment; and PBR, the world's premier bull riding organization. Together, these properties reach 1 billion households across 210 countries and territories and organize more than 500 live events year-round, attracting more than three million fans. TKO also services and partners with major sports rights holders through IMG, an industry-leading global sports marketing agency; and On Location, a global leader in premium experiential hospitality.

IMG are hiring an APC Director on a freelance basis to support all aspects of the IMG studio & digital production for MLS on Apple TV, providing technical proficiency and live show support throughout an exciting match day schedule of content creation.

Key Responsibilities & Accountabilities

The APC Director will play a vital role in supporting the studio & digital programming for MLS Productions. The ideal candidate will assist in the technical execution of studio shows, ensuring the highest quality standards are met. This individual should have experience in technical director roles, familiarity with the Ross Overdrive production control system, and be comfortable directing a crew of EVS, graphics and robotics operators in a hybrid production of automation and live personnel.

  • Live Show Production:
    • Execute precise coding and technical operations for MLS on Apple TV and other platforms utilizing the Ross Overdrive Automated Production Control environment and occasional manual processes.
    • Provide authoritative direction to talent and other production crew members, ensuring seamless coordination and execution of broadcasts.
    • Distribute necessary content across several distinct feeds.
    • Maintain adaptability and readiness to undertake additional critical duties as required or assigned, contributing to the overall success of the broadcasting operation.
  • Organization & Development:
    • Prepare and execute coded rundowns in collaboration with Coordinating Director and Producer.
    • Develop understanding of project's element library and awareness of best practices for each.
  • Collaboration:
    • Collaborate with IMG team to ensure consistency across shows - from camera mapping to graphics workflows to talent positioning.
    • Work closely with producers to review accuracy, feasibility, and quality of rundowns and translate them into cohesive broadcasts.

Knowledge & Experience

  • Minimum 5 years of experience working in a live studio production environment, with a focus on TD/Directing experience utilizing Ross Overdrive Production Automation
  • Experience leading a control room of graphics operators, EVS/playback operators, and camera operators.

Skills and Abilities

  • Familiarity with virtual studios preferred.
  • Strong collaboration and communication skills.
  • The ability to work and troubleshoot effectively in high-pressure, time-sensitive environments.
  • Excellent attention to detail and the ability to prioritize tasks independently.

Working conditions

  • This is a freelance role.
  • This role will be based can be based in the MLS Studios in Stamford, CT
  • Unsocial hours may be required, as dictated by the demands of the business schedule
  • Adapting to use of new systems and technology where appropriate

TKO EEO Statement:

TKO is an Equal Opportunity Employer and complies with all applicable federal, state, and local laws regarding non-discrimination in employment. TKO makes employment decisions based on merit and qualifications, without considering an employee's or applicant's race, color, religion, sex, sexual orientation, gender identity or expression, national origin, age, disability, marital status, veteran status, or any other basis prohibited under federal, state or local laws governing non-discrimination in employment in every location in which the Company has facilities. TKO also provides reasonable accommodations for qualified individuals with disabilities in accordance with the Americans with Disabilities Act (ADA) and applicable state or local laws. For information about Privacy and Information Security for TKO employment candidates, please review our Privacy Policy. For information regarding Terms of Use for this and other TKO websites, please review our Terms of Use.

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