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Post Production Sound Mixer Jobs (NOW HIRING)

DePaul University

Adjunct Faculty in Sound

Chicago, IL · On-site

Application Instructions The Sound Concentration in the BFA and MS in Film and Television provides a thorough study of film production and post-production sound. While sound is a focus, students ...

OSI Engineering, Inc.

Senior Video Editor

Sunnyvale, CA · On-site

$53 - $68/hr

Follow creative direction and incorporate feedback from the post-production lead, engineers, and ... Basic knowledge of sound mixing * Ability to record scratch audio when necessary * Offline and ...

Jobtailor

Finishing Production Manager

Los Angeles, CA · On-site

$90 - $130/hr

Hard Skills * post-production * project management * linear editing * nonlinear editing * audio pre‑lay * audio mixing * animated graphics * file-based environments * cloud-based environments Soft ...

New

Cavco Industries, Inc.

Digital Media Producer

Plano, TX · On-site

Adobe Audition or equivalent for sound mixing, voiceover, and post-production audio. * 3D capture: Matterport (or comparable virtual tour platform). * Social-native editing: CapCut, Instagram Reels ...

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How much do post production sound mixer jobs pay per hour?

As of Aug 20, 2026, the average hourly pay for post production sound mixer in the United States is $17.31, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $19.23 per hour, depending on experience, location, and employer.

What does a post production sound mixer do?

A Post Production Sound Mixer is responsible for balancing, editing, and enhancing all audio elements in a film, television show, or other media project after filming is completed. They combine dialogue, sound effects, ambient noises, and music to create a cohesive and immersive audio experience. Their work ensures that the final product has clear dialogue, impactful sound effects, and proper audio levels throughout. They often collaborate with directors, sound editors, and composers to achieve the desired sound. This role is crucial for delivering a polished and professional finished product.

What skills and qualifications are needed to thrive as a post production sound mixer?

To thrive as a Post Production Sound Mixer, you need a strong understanding of audio engineering, acoustics, and sound editing, often backed by a relevant degree or technical training. Proficiency with digital audio workstations (DAWs) like Pro Tools, knowledge of mixing consoles, and familiarity with industry-standard plugins and software are essential. Excellent attention to detail, collaboration, and communication skills help ensure creative vision aligns with directors and producers. These abilities are crucial for delivering high-quality audio that enhances the overall impact and professionalism of film, television, or media projects.

How does a post production sound mixer collaborate with other departments during film or TV projects?

A Post Production Sound Mixer works closely with editors, directors, sound designers, and composers to ensure the audio aligns with the creative vision of the project. This often involves attending spotting sessions, reviewing rough cuts, and integrating feedback from the creative team. The mixer also coordinates with dialogue editors and Foley artists to balance dialogue, music, and sound effects, ensuring a polished final mix. Effective communication and teamwork are essential, as the sound mix must complement both the visual elements and the narrative intent.

What is the difference between Post Production Sound Mixer vs Sound Editor?

AspectPost Production Sound MixerSound Editor
CredentialsAudio engineering or related certifications, experience in sound mixingAudio editing certifications, proficiency in editing software
Work EnvironmentPost-production studio, sound stagesEditing suites, post-production facilities
Industry UsageFilm, TV, commercials, video productionFilm, TV, video projects, often overlapping with mixers

The Post Production Sound Mixer primarily focuses on balancing and blending audio tracks during the final stages of production, ensuring sound quality and consistency. The Sound Editor, on the other hand, handles the editing and assembly of sound elements earlier in post-production. While both roles require similar technical skills and industry knowledge, the mixer concentrates on the final sound mix, whereas the editor prepares and refines individual sound components.

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Post Production Sound Mixer jobs near you
Infographic showing various Post Production Sound Mixer job openings in the United States as of August 2026, with employment types broken down into 87% Full Time, 9% Part Time, 2% Contract, and 2% Nights. Highlights an 93% Physical, 2% Hybrid, and 5% Remote job distribution, with an average salary of $35,996 per year, or $17.3 per hour.

Adjunct Faculty in Sound

DePaul University

Chicago, IL • On-site

Full-time, Part-time

Re-posted 27 days ago

DePaul University rating

7.2

Company rating: 7.2 out of 10

Based on 29 frontline employees who took The Breakroom Quiz

385th of 620 rated colleges and universities

Job description

Description
DePaul's Jarvis College of Computing & Digital Media (CDM) is located in the heart of Chicago's Loop, the central business district of Chicago. Our students represent many different experiences, perspectives, and cultures, and the university strives to recruit and sustain a faculty community where all backgrounds are valued and supported. Part-time teaching positions are available throughout the academic year, including summer sessions. Academic course schedules fluctuate from quarter to quarter, and the college will work with selected individuals to determine a quarterly schedule. Courses are not guaranteed, however the college does its best to give ample notice about available courses. Applicants with expertise that matches course scheduling needs will be contacted for an interview.
The School of Cinematic Arts (SCA) offers a variety of undergraduate and graduate programs incluuding Film and Television, Animation, Creative Producing, Documentary, and Screenwriting on the Loop campus and at DePaul Cinespace Studios. Find out more about SCA at https://www.cdm.depaul.edu/academics/Pages/School-of-Cinematic-Arts.aspx.
Qualifications
Minimum requirements include a master's degree in the discipline, or 18 semester/27 quarter hours of graduate work in the discipline, or an undergraduate degree with a minimum of five years demonstrated relevant professional experience. Exceptions may be considered with approval of the dean.
Experience in game audio is highly desired.
Application Instructions
The Sound Concentration in the BFA and MS in Film and Television provides a thorough study of film production and post-production sound. While sound is a focus, students experience a comprehensive cinema education from cinematography, editing, color correction through advanced workflows.
Considerations:
Exceptions to standard rates may apply to courses with unique credit hours, supervision, labs, clinical/practicum courses, coaching, administrative tasks, and courses that are either over-enrolled or under-enrolled.
General Compensation/Benefits Statement:
DePaul University has provided a compensation range that represents its good faith estimate of what the University may pay for the position at the time of posting. The salary offered to the selected candidate will be determined based on factors such as (but not limited to) the qualifications, education, experience, and training of the selected candidate, the scope and responsibilities of the position, departmental budget availability, internal salary equity considerations, and available market information.
DePaul University offers a variety of benefit options for qualified part-time employees. Further information regarding benefits can be found here: https://offices.depaul.edu/human-resources/benefits/part-time/Pages/default.aspx
About DePaul University's Academic Calendar:
Except for the College of Law, DePaul University operates on a quarter system. Classes in Autumn, Winter, and Spring quarters are 11 weeks in length (including finals week) and Summer courses, in two sessions, are typically 5 weeks in length. The College of Law operates on the semester system. Classes in the Fall and Spring semesters are 16 weeks in length (including finals week) and it offers a Summer Session of 7 weeks (including final exams).

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