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Part Time Music Composer Jobs (NOW HIRING)

Part Time Music Composer information

See salary details

$11K

$48K

$68.5K

How much do part time music composer jobs pay per year?

As of Sep 3, 2026, the average yearly pay for part time music composer in the United States is $48,000.00, according to ZipRecruiter salary data. Most workers in this role earn between $36,000.00 and $60,000.00 per year, depending on experience, location, and employer.

What does a part time music composer do?

A part time music composer creates original music for various projects, such as films, video games, advertisements, or live performances, but works fewer hours than a full-time composer. Their responsibilities may include writing and arranging music, collaborating with directors or clients, and delivering high-quality audio tracks on a flexible schedule. Part time composers often balance composing with other jobs or commitments and may work on a freelance or contract basis.

What are the key skills and qualifications needed to thrive as a part time music composer?

To thrive as a Part Time Music Composer, you need a solid understanding of music theory, composition techniques, and proficiency in at least one instrument, often supported by formal music education or substantial experience. Familiarity with digital audio workstations (DAWs) such as Logic Pro, Ableton Live, or FL Studio, as well as music notation software, is typically required. Creativity, time management, and strong communication skills help composers collaborate with clients and meet project deadlines. These skills and qualities are crucial for producing high-quality music efficiently while adapting to diverse creative briefs and professional environments.

What are the typical collaboration methods for part time music composers working with other creatives or clients?

Part-time music composers often collaborate remotely with directors, producers, or other musicians using digital communication tools and cloud-based file sharing. This role typically involves regular check-ins via email, video calls, or project management platforms to discuss creative direction and feedback. Flexibility and clear communication are key, as schedules may vary and timelines can be tight. Building strong relationships and being responsive to feedback are essential for delivering high-quality work and securing future opportunities.

What is the difference between Part Time Music Composer vs Freelance Music Producer?

AspectPart Time Music ComposerFreelance Music Producer
CredentialsMusic degree or equivalent, portfolioMusic background, portfolio, sometimes certifications
Work EnvironmentPart-time employment, studio or remoteRemote or studio, project-based
Industry UsageMedia companies, advertising, filmMusic industry, advertising, film, gaming
Search IntentPart time music composition jobsMusic production freelance jobs

While both roles involve creating music, a Part Time Music Composer typically works for an employer on a part-time basis, focusing on composing for specific projects like films or ads. A Freelance Music Producer operates independently, managing multiple projects across various media, often working remotely. The key differences lie in employment status and project scope, but both require musical skills and industry experience.

What cities are hiring for Part Time Music Composer jobs?

Cities with the most Part Time Music Composer job openings:

What are the most commonly searched types of Music Composer jobs?

The most popular types of Music Composer jobs are:

What states have the most Part Time Music Composer jobs?

States with the most job openings for Part Time Music Composer jobs include:

Part-Time Hire SFCM Manager

San Francisco Conservatory of Music

San Francisco, CA • On-site

Part-time

This job post has expired 1 day ago. Applications are no longer accepted.


Job description

Job Type
Part-time
Description
The San Francisco Conservatory of Music (SFCM) seeks a highly organized, relationship-driven, and entrepreneurial Hire SFCM Manager to oversee and expand SFCM's musician contracting and engagement services. This individual serves as the primary liaison between clients seeking musicians and SFCM's talented student and alumni performers.
The ideal candidate is deeply connected within the Bay Area arts, nonprofit, corporate, and event communities, possesses strong sales and business development skills, and thrives in a fast-paced environment where adaptability, responsiveness, and professionalism are essential. The Hire SFCM Manager will also lead the annual Hire SFCM audition process, interface with the Artistic Operations, Roots Jazz and American Music (RJAM), and Technology and Applied Composition (TAC) departments, and work collaboratively as a member of the Professional Development & Engagement Center (PDEC) team.
Key Responsibilities
Music contracting & Client Management
  • Serve as the primary manager of all Hire SFCM performance requests and engagements.
  • Develop and maintain relationships with corporate, nonprofit, private, and community clients throughout the Bay Area.
  • Match performers and ensembles to client needs, including internal requests, while ensuring a high-quality experience for both musicians and presenters.
  • Negotiate performance fees, contracts, schedules, and logistical details.
  • Coordinate event staffing and musician placement for performances of varying size and scope.
  • Manage last-minute changes, substitutions, and client requests with professionalism and efficiency.
  • Maintain accurate records of engagements, contracts, payments, and musician availability.

Business Development & Sales
  • Identify and cultivate new opportunities for Hire SFCM throughout the Bay Area.
  • Promote Hire SFCM services to prospective clients and community partners.
  • Generate new revenue opportunities through strategic outreach and relationship-building.
  • Represent SFCM professionally at networking events, performances, and community gatherings.
  • Assist with the development of marketing materials and promotional initiatives.

Internal Hire SFCM Engagements
  • Technology and Applied Composition Courses: Sony Sessions, SFFILM, Orchestration for the Media Composer, and other engagements.
  • Advancement: Donor Relations Receptions, Luncheons, Private Events.
  • SFCM Large Ensemble, including Orchestra, Baroque Ensemble, Wind Ensemble, and opera and musical theater orchestras/bands: find substitute musicians and/or auxiliary players when student musicians are unavailable
  • Conservatory At Large: Commencement, other special events as needed.

Annual Hire SFCM Auditions
  • Lead the planning, coordination, and execution of the annual Hire SFCM auditions at the beginning of each academic year.
  • Manage audition logistics, scheduling, communications, adjudication processes, and musician onboarding.
  • Collaborate with faculty and staff to ensure a fair, efficient, and professional audition experience.
  • Maintain and update performer rosters and talent databases.

PDEC Team Support
  • Actively contribute as a collaborative member of the Professional Development & Engagement Center team.
  • Support departmental initiatives, events, student programming, and special projects as needed.
  • Assist colleagues during peak periods and contribute to a positive, solutions-oriented team culture.
  • Participate in departmental meetings and planning efforts.

Requirements
  • Bachelor's degree or equivalent professional experience in music, arts administration, event management, or a related field.
  • Experience as a music contractor, artist manager, booking coordinator, producer, presenter, or related role.
  • Strong knowledge of the Bay Area arts, education, corporate, and nonprofit sectors.
  • Demonstrated success in sales, client relations, business development, or partnership cultivation.
  • Exceptional organizational and project management skills.
  • Excellent verbal and written communication skills.
  • Ability to manage multiple projects simultaneously while meeting deadlines.
  • Proficiency with spreadsheets, databases, CRM systems, and standard office software (Google Suite, Adobe, and Paylocity preferred).

Preferred Skills and Attributes
Relationship Builder
  • Well-connected within Bay Area arts, business, nonprofit, and event communities.
  • Skilled at developing long-term client and partner relationships.
  • Comfortable networking and representing SFCM in professional settings.

Contractor & Negotiator
  • Experienced in coordinating musicians, contracts, schedules, and event logistics.
  • Strong negotiation skills with the ability to balance client needs and musician interests.
  • Sound judgment and professionalism in managing complex situations.

Organized & Adaptable
  • Hyper-organized with exceptional attention to detail.
  • Able to quickly adapt to changing priorities and last-minute performance needs.
  • Responsive, dependable, and proactive in communication and follow-through.

Team-Oriented Professional
  • Positive attitude and collaborative mindset.
  • Willingness to jump in and support broader PDEC initiatives as needed.
  • Committed to student success, community engagement, and advancing the mission of SFCM.

What Success Looks Like
  • Growth in Hire SFCM bookings, partnerships, and earned revenue.
  • Outstanding client satisfaction and repeat business.
  • Efficient and successful annual Hire SFCM auditions.
  • Strong engagement and opportunities for student, alumni, and faculty performers.
  • Meaningful contributions to the success of the PDEC team and SFCM community.

How to Apply
We prefer to receive applications through our website. This position will be posted until filled.
Position Details
  • Part-Time Position, approximately 25 hours per week
  • Hourly rate: $28.00 to $35.00/hour, DOE
  • Flexible schedule
  • Compensation commensurate with experience

Equal Opportunity Employer
SFCM is a fully committed equal employment opportunity institution and welcomes applications from all qualified persons, including those who consider themselves to be of a race, national origin or ancestry that is not fully represented in musical arts programs in the United States. Personnel decisions regarding applicants for employment are made without regard to race, color, religion, marital status, national origin, ancestry, sex, sexual orientation, physical or mental disability, medical condition (including cancer and genetic characteristics), status as a Vietnam-era veteran or special disabled veteran, age, citizenship, or any other consideration made unlawful by federal, state and local laws.