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Overnight Reach Media Jobs (NOW HIRING)

JR BROADCAST DIRECTOR

Washington, DC · On-site

$55K - $85K/yr

Direct some programming, including non prime time and overnight programming as experience develops. * Assist in the smooth running of live and non live control rooms and studios. * Manage the ...

Media Sales Representative

Kansas City, MO · Hybrid

$73K - $89K/yr

... Sosland's reach and achieves revenue targets. The Media Sales Representative will be given a ... Some overnight travel required. Required Skills amp; Qualifications: Education: * Bachelor's degree ...

Identify key influencer and creator relationships to help us expand our reach to valuable and ... Overnight travel to Panthers away games will be required. * Must pass pre-employment screens * Must ...

... reach, engagement and business relevance. * Supports issues and crisis response on social channels ... Rare to occasional overnight domestic or international travel up to 10% annually. EOE/M/F/Vet ...

We're proud to be one of the few family-owned media companies in the nation. What You'll Do ... No overnight travel is required. What You'll Bring: * Highly motivated with a passion for helping ...

We're proud to be one of the few family-owned media companies in the nation. What You'll Do ... No overnight travel is required. What You'll Bring: * Highly motivated with a passion for helping ...

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Infographic showing various Overnight Reach Media job openings in the United States as of July 2026, with employment types broken down into 75% Full Time, 20% Part Time, 1% Temporary, and 4% Contract. Highlights an 84% Physical, 3% Hybrid, and 13% Remote job distribution.

JR BROADCAST DIRECTOR

Reach Media LLC

Washington, DC • On-site

$55K - $85K/yr

Full-time

Re-posted 11 days ago


Job description

General Description:

The Junior Broadcast Director works as part of the directing team to deliver live and non live programming using broadcast automation technology. Operating primarily in a Co Director role (but also directing some programs), they support the Automation Broadcast Director to ensure programs are delivered cleanly, accurately, and in line with editorial intent and channel guidelines. Working closely with Production, Newsroom, and Technical teams, the role focuses on operating the automation system, checking rundowns, maintaining on air quality, and responding quickly to issues in a live environment. As a developing director, the Assistant Broadcast Director gains experience by supporting senior colleagues, with progression toward more complex directing assignments.

Essential Job Functions:

  • Operate the production automation system (Vizrt Mosart) in a Co Director capacity across all programming, including prime time and special events.
  • Direct some programming, including non prime time and overnight programming as experience develops.
  • Assist in the smooth running of live and non live control rooms and studios.
  • Manage the automation GUI, monitoring workflows and identifying issues while on air.
  • Support preparation and checking of NCS running orders to ensure accurate delivery.
  • Coordinate control room line ups, studio checks, and outside source line ups with the Broadcast Automation Director.
  • Anticipate production or technical challenges and assist in resolving them quickly.
  • Facilitate ad hoc on air requirements using automation tools.
  • Maintain program continuity, established formats, and workflow standards.
  • Carry out on air quality control including audio, graphics, lighting, and robotic cameras.
  • Work professionally with editorial teams, talent, and technical staff.
  • Follow broadcast operations protocols, health & safety practices, and departmental procedures.
  • Support training and development of other Assistant Broadcast Directors.
  • To undertake any other reasonable duties as required.

Minimum Qualifications

  • 2 years of control room and studio experience is required; experience in an automated control room environment preferred.
  • Calm composed operator able to perform effectively under pressure.
  • Strong interest in directing automated live television output.
  • Working knowledge of control room production components including cameras, sound, lighting, and graphics.
  • Ability to collaborate with editorial and operational teams while responding decisively to change.
  • Good understanding of world news and live broadcast environments.
  • Willingness to work shifts including nights, weekends, and holidays.
  • Excellent communication, organizational, and timekeeping skills.
  • Solid understanding of health and safety in broadcast operations.