ZipRecruiter

Log In

1

Outside Broadcast Jobs (NOW HIRING)

Cascade PBS

Broadcast Equipment Technician

Seattle, WA · On-site

$36.26 - $37/hr

Install, maintain, repair and monitor broadcast and production equipment: master control, servers ... Ability to work outside regular business hours as needed The hiring process for this role will ...

Cascade PBS

Broadcast Equipment Technician

Seattle, WA

$36.26 - $37/hr

Install, maintain, repair and monitor broadcast and production equipment: master control, servers ... Ability to work outside regular business hours as needed The hiring process for this role will ...

Paramount Pictures

Broadcast Engineer

West Sacramento, CA · On-site

$70K - $90K/yr

... outside vendors in a fast‑paced, dynamic environment. * Ability to train fellow engineers in new ... in broadcast engineering or technical operations. * Knowledge and experience working with control ...

New

Paramount

Broadcast Engineer

West Sacramento, CA · On-site

Other duties, as assigned by Broadcast Operations & Engineering management. BASIC QUALIFICATIONS ... outside vendors in a fast-paced, dynamic environment. * Ability to train fellow engineers in new ...

Paramount

Broadcast Engineer

West Sacramento, CA · On-site

Other duties, as assigned by Broadcast Operations & Engineering management. BASIC QUALIFICATIONS ... outside vendors in a fast-paced, dynamic environment. * Ability to train fellow engineers in new ...

Bath Spa University

Wider experience of multi-camera television, live events or outside broadcast production. * Active industry experience and professional networks within audio, broadcast or live production. For ...

Audacy

Remote Broadcast Technician

Saint Louis, MO

Remote Broadcast Technician Audacy seeks a Remote Broadcast Technician. This position is for a ... Work well under pressure and have the ability to think "outside the box" to solve issues quickly ...

Audacy

Remote Broadcast Technician

Saint Louis, MO · On-site

Remote Broadcast Technician Audacy seeks a Remote Broadcast Technician. This position is for a ... Work well under pressure and have the ability to think "outside the box" to solve issues quickly ...

previous pagenext page

Showing results 21-40

All JobsOutside Broadcast Jobs

Outside Broadcast information

See salary details

$30K

$78K

$165.5K

How much do outside broadcast jobs pay per year?

As of Sep 14, 2026, the average yearly pay for outside broadcast in the United States is $78,042.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,500.00 and $90,000.00 per year, depending on experience, location, and employer.

What is the difference between Outside Broadcast vs Camera Operator?

AspectOutside BroadcastCamera Operator
CredentialsBroadcast engineering certifications, technical trainingCamera operation certifications, media production training
Work EnvironmentOn-location, live event settings, outdoor and studioStudio or on-location, primarily focused on camera work
Industry UsageBroadcasting, live sports, events, newsFilm, TV, live events, studio productions

Outside Broadcast and Camera Operator roles both involve working in broadcast environments, but Outside Broadcast technicians handle the technical setup and operation of broadcast equipment during live events, while Camera Operators focus on capturing footage. Outside Broadcast roles require broader technical skills and often involve managing entire broadcast systems, whereas Camera Operators specialize in camera work. Both roles are essential in the broadcasting industry and often work together during live productions.

More about Outside Broadcast jobs

What cities are hiring for Outside Broadcast jobs?

Cities with the most Outside Broadcast job openings:

What states have the most Outside Broadcast jobs?

States with the most job openings for Outside Broadcast jobs include:

What are popular job titles related to Outside Broadcast jobs?

For Outside Broadcast jobs, the most frequently searched job titles are:

Outside Broadcast jobs near you
Infographic showing various Outside Broadcast job openings in the United States as of September 2026, with employment types broken down into 85% Full Time, 12% Part Time, and 3% Contract. Highlights an 66% Physical, 1% Hybrid, and 33% Remote job distribution, with an average salary of $78,042 per year, or $37.5 per hour.

Broadcast Production Engineer

Washington, DC • On-site

ICM Asia Pacific
See more jobs at ICM Asia Pacificexternal

Full-time

Re-posted 4 days ago

Job description

Job Overview

Broadcast Management Group (BMG) delivers Managed Services, Live Production, and REMI Remote Production - engineered and monitored 24/7 across our national footprint (Washington DC, New York, Chicago, Las Vegas, and Los Angeles). We're looking for a Broadcast Production Engineer to support our REMI facilities, mobile units, and client sites nationwide.

This role travels extensively to support live news, sports, and entertainment broadcasts as Engineer in Charge (EIC), keeping mission-critical equipment running and issues resolved fast. Between shows, you'll work alongside our integration team - installing and testing new gear and helping build engineering signal flow synoptic diagrams and rack elevations. We're looking for someone who wants to be part of a team engineering broadcast-grade infrastructure from the ground up.

Essential Functions

Provide technical production support across BMG facilities and mobile units, keeping equipment running correctly.
Serve as Engineer in Charge (EIC) on location and at BMG's Broadcast Operations Center.
Handle integration and upgrade projects of varying scale.
Read and interpret broadcast engineering AutoCAD drawings.
Work independently or as part of a team on integration projects - equipment commissioning, training, and planned system upgrades.
Perform equipment maintenance as needed, including outside normal business hours.
Terminate, label, and test video, audio, control, and network wiring against wire lists and drawings.
Apply approved broadcast installation standards and wire equipment to BMG's quality and neatness standards.
Contribute ideas for improving systems and workflows.
Interact daily with clients on-site, delivering the BMG experience.
Work closely with producers and help manage crew on show days.
Pack and unpack the production truck with your Crew.
Build shows from the ground up - router configuration, signal flow troubleshooting, and translating show requirements into working solutions with the technical team.
Coordinate and set up transmission for assigned shows.
Maintain a positive, collaborative working relationship with co-workers, supervisors, clients, and vendors.
Mentor and train crew and less experienced team members.
Take end-to-end ownership of large-scale events, overseeing the production crew.

Skills & Experience

  • 5 years of experience in broadcast engineering, live production, or mobile/remote broadcast operations.
  • Proficiency in Adobe Premiere, Final Cut Pro, Avid Media Composer or similar editing platforms.
  • Extensive experience operating recording studio equipment and live sound engineering setups.
  • Strong knowledge of audio systems, sound reinforcement systems operation, and event audio equipment operation.
  • Skilled in digital audio workstation (DAW) software for music mixing, post-production editing, and sound design.
  • Ability to troubleshoot technical issues efficiently across a range of broadcast equipment and AV systems.
  • Expertise in videography, filming techniques, content creation, and video production workflows.
  • Familiarity with signal processing techniques and audio engineering principles for high-quality sound output.

transport).
Comfortable terminating, labeling, and testing video, audio, control, and network cabling to industry standards.
Strong problem-solving skills and the ability to make sound decisions under live-event pressure.
Effective communicator who works well with producers, crew, clients, and vendors.
Willingness to travel extensively and work irregular hours, including nights, weekends, and holidays as production schedules require.
Valid driver's license, with the ability to safely operate and help maintain a production truck.

Preferred (not required)

Prior experience serving as Engineer in Charge (EIC) on live remote or REMI productions.
Experience mentoring or training junior engineers (E2s).
Familiarity with IP-based broadcast standards (SMPTE 2110, NDI, SRT).


Embark on a career where your technical prowess fuels captivating broadcasts! We're dedicated to fostering a creative environment that values innovation, precision, and teamwork-empowering you to excel in every project you undertake.


Work Location: In person


Apply