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Non Linear Video Editor Jobs (NOW HIRING)

Qualifications * 1-2 years of recent sports production experience, ENG video production, and non-linear video editing experience - preferably for a college sports in-house production. * Excellent ...

About the Position (non-paid internship): Start-Up Guys is seeking a passionate volunteer Video Editor to help us produce high-quality, engaging content for our growing YouTube audience. This role ...

Non-Exempt Accountable to: Producer Date Updated: April 2025 Position Summary: The Video Editor serves It Is Written by editing programs for the Media Production department. It is crucial that this ...

Non-Exempt Accountable to: Producer Date Updated: April 2025 Position Summary: The Video Editor serves It Is Written by editing programs for the Media Production department. It is crucial that this ...

Perform non-linear video editing using professional editing systems and the Adobe Creative Cloud suite and plugins such as Red Giant; create animation and motion graphics using Adobe After Effects

Perform non-linear video editing using professional editing systems and the Adobe Creative Cloud suite and plugins such as Red Giant; create animation and motion graphics using Adobe After Effects

Video Editor

Mobile, AL ยท On-site

... and non-working days. * No remote work will be authorized for this position. Qualifications ... Proficiency with video editing software (e.g., Adobe Premiere Pro, Final Cut Pro) and camera ...

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Non Linear Video Editor information

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$11

$31

$57

How much do non linear video editor jobs pay per hour?

As of Jul 12, 2026, the average hourly pay for non linear video editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What is a Non Linear Video Editor?

A Non Linear Video Editor is a professional who uses digital editing software to assemble, modify, and enhance video footage in a non-sequential manner. Unlike traditional linear editing, non linear editing allows editors to access any frame in a digital video clip regardless of sequence, making the editing process more flexible and efficient. These editors work with various software platforms like Adobe Premiere Pro, Final Cut Pro, or Avid Media Composer to cut, arrange, and add effects to video projects. Their work is essential in film, television, advertising, and online media production.

What is the difference between Non Linear Video Editor vs Video Producer?

AspectNon Linear Video EditorVideo Producer
Primary RoleEditing and assembling raw footage into a final productOverseeing the entire video production process from concept to delivery
Skills & CertificationsProficiency in editing software (e.g., Adobe Premiere, Final Cut), editing skillsProject management, creative planning, communication skills
Work EnvironmentEditing suites, post-production studiosOn-location shoots, production offices, post-production facilities
Industry UsageFilm, TV, online content creationMedia, advertising, film, television

While a Non Linear Video Editor focuses on editing footage using specialized software, a Video Producer manages the entire production process, including planning, budgeting, and coordinating teams. Both roles are essential in video creation but differ in scope and responsibilities.

What are the key skills and qualifications needed to thrive as a Non Linear Video Editor, and why are they important?

To thrive as a Non Linear Video Editor, you need expertise in video editing principles, storytelling, and a solid understanding of digital formats, often backed by a degree in film, media, or a related field. Proficiency with editing software such as Adobe Premiere Pro, Final Cut Pro, or Avid Media Composer is essential, and certifications in these platforms can be advantageous. Creativity, attention to detail, and effective communication help editors collaborate with directors, producers, and clients to realize a shared vision. These skills ensure that editors can efficiently produce high-quality content that meets technical standards and client expectations.

What are some common challenges a Non Linear Video Editor faces when working on tight deadlines?

Non Linear Video Editors often need to manage large volumes of footage and multiple project revisions while meeting tight deadlines. Balancing creative decisions with technical constraints, such as file formats and system performance, can be challenging under time pressure. Effective organization, clear communication with directors and producers, and proficiency with editing software help editors stay efficient and responsive to last-minute changes. Building strong workflows and backup systems is also crucial to avoid data loss or delays.
More about Non Linear Video Editor jobs
What cities are hiring for Non Linear Video Editor jobs? Cities with the most Non Linear Video Editor job openings:
What are the most commonly searched types of Non Linear Video Editor jobs? The most popular types of Non Linear Video Editor jobs are:
What states have the most Non Linear Video Editor jobs? States with the most job openings for Non Linear Video Editor jobs include:
Video Coordinator

Video Coordinator

Vinik Sports Group

Tampa, FL โ€ข On-site

Full-time

Posted 9 days ago


Job description

REQUIRED: Applicants must provide/include a digital demo reel or link to professional work to be considered for this role.
Job Summary

The Video Coordinator serves as a video content/feature producer for Lightning Vision and VSG Productions. This includes all Tampa Bay Lightning home games and production projects originating at Benchmark International Arena, as well as select internal and occasional third-party events requiring these services.

Essential Duties & Responsibilities
  • Assist in creation, editing and production of video features and feature elements, commercials, promotional spots, etc. as directed for display in-game and/or on other team
    digital/social/website channels.
  • Assist with daily Tampa Bay Lightning team coverage including practices and home games.
  • Assist entire production team through coordinating with all internal departments on securing collateral, direction and deadlines to exceed expectations of deliverables.
  • Assist with the producing and editing of flagship long-form content initiatives such as Recharge and Bolts Beginnings.
  • Assist with producing and editing hype videos.
  • Assist in maintaining video footage database/archives.
  • Assist with maintenance/care of video equipment.
  • Collaborating across departments to ideate, produce and distribute content across all TBL/VSG channels.
  • Other duties as assigned
Game/Event Responsibilities
  • Game/Event Night responsibilities: Yes
  • Approximate number of events worked per year: 100+
  • Camera operation, including the capturing of highlights and exclusive footage to be used across all distribution platforms.
  • Fast paced editing of highlights and exclusive footage for us on social platforms.
  • Capturing and editing player and staff media availability both pre and postgame.
  • In-Game Lightning Vision Crew responsibility will be TBD by Director of Game Presentation and VP, Game Presentation on an as-needed basis.
Qualifications
  • 1-2 years of recent sports production experience, ENG video production, and non-linear video editing experience - preferably for a college sports in-house production.
  • Excellent interpersonal skills, positive attitude, and ability to maintain healthy relationships with co-workers, managers, executives, and Hockey Operations.
  • BA/BS in video and television production or relevant degree.
  • Creative mindset to bring fresh ideas to content brainstorms.
  • Knowledge of hockey is preferred, but not necessary.
  • Knowledge of Adobe Premiere video editing program and associated visual effect plug-ins.
  • Knowledge of Davinci Resolve Studio
  • Technical aptitude, including very good computer skills (troubleshooting abilities and a major interest in emerging video and display technologies).
Working Conditions
  • Ability to work efficiently and effectively in office and arena environment that can be exciting, loud and distracting
  • This is an onsite role; flexibility to work a minority of time remotely.
  • Ability to work extended hours including late nights, holidays, and weekends as needed
  • Ability to work prolonged periods sitting at a desk and working on a computer.
  • Ability to lift/carry/move up to 25lbs
  • Ability to work in cold/hot indoor and outdoor temperatures
  • Ability to commute to various venues throughout the Greater Tampa Bay Area
  • Ability to travel within the US and Canada for up to one-week at a time, multiple times per year
  • Ability to work in areas that can become crowded with equipment and/or people
  • Ability to stand on feet for long periods of time, walk long distances and climb stairs.
  • Ability to work comfortable around special effects including, but not limited to: haze, strobe lights, lasers, etc.

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.