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Manager Forensic Audio Jobs (NOW HIRING)

WORD OF GOD FELLOWSHIP, INC. D/B/A DAYSTAR TELEVISION NETWORK

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Assistant Audio Engineer

Bedford, TX · On-site

$27/hr

Work alongside Audio Supervisor and Producers to manage and meet audio post needs as determined by ... Pro-Tools, forensic, audio cleanup techniques, mixing techniques, for dialog and dialog with music ...

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WORD OF GOD FELLOWSHIP, INC. D/B/A DAYSTAR TELEVISION NETWORK

Be Seen First

Assistant Audio Engineer

Bedford, TX · On-site

$27/hr

Work alongside Audio Supervisor and Producers to manage and meet audio post needs as determined by ... Pro-Tools, forensic, audio cleanup techniques, mixing techniques, for dialog and dialog with music ...

New

Urgent

City of New York

Investigator (Discipline) II

Queens, NY · On-site

$60K - $70K/yr

... analyzing forensic, audio, video, written, medical, and testimonial evidence; - Questioning DOC ... managing highly sensitive and confidential information - Multilingual/Bilingual skills are ...

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Manager Forensic Audio information

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$128.4K

$325K

How much do manager forensic audio jobs pay per year?

As of Jun 21, 2026, the average yearly pay for manager forensic audio in the United States is $128,375.00, according to ZipRecruiter salary data. Most workers in this role earn between $87,500.00 and $130,000.00 per year, depending on experience, location, and employer.
What are the most commonly searched types of Forensic Audio jobs? The most popular types of Forensic Audio jobs are:
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Assistant Audio Engineer

Assistant Audio Engineer

Daystar Television Network

Bedford, TX • On-site

Full-time

Posted 2 days ago

Job description

Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and dialog content for broadcast television and various digital platforms. Experience with setting up and maintaining audio equipment, enhancing audio with the appropriate sound effects and fixing sound-related issues. Must be a Christian committed to the Gospel of Jesus Christ.
Duties and Responsibilities
  • Work alongside Audio Supervisor and Producers to manage and meet audio post needs as determined by regular workflow and project/deadline driven needs.
  • Ensures final live audio mixes are consistent with overall vision of the program.
  • Uses creativity and audio skills to provide the final mixes required to complete the project.
  • Creative and knowledgeable in the concepts of audio recording.
  • Works with Audio Supervisor, other members of Audio, Production, IT, and Engineering to maintain and support audio and networking functions to keep audio post systems in good working order.
  • Proficient in technical aspects of audio including:
    • Music: Pro-Tools, vocal tuning, editing, mixing, techniques, and more.
    • Video: Pro-Tools, forensic, audio cleanup techniques, mixing techniques, for dialog and dialog with music, and more.
    • DVD production and digital platforms: Pro-Tools and mastering software for DVD production.
    • CD production and digital platforms: Pro-Tools and mastering software for CD production.
    • Music: capable of hearing and understanding the basics of music theory, specifically 3- and 4-part harmony.

Skills and Qualifications
  • A valid Texas Driver's License
  • Bachelor's Degree and/or proven advanced experience in Music, Audio Post-Production, TV production, or a related field.
  • A positive attitude (a must)
  • 1-3 years' experience (preferred)
  • Experience working with a team to bring a project from Pre-Production through Post-Production.
  • Exemplary related skills (i.e., EFP Recording, Live Mixing, Music Production)
  • Problem solver with the ability to adapt to ever-changing environments of production that can be caused by unforeseen factors.
  • Efficient time management skills and able to work with deadlines.
  • Exceptional organization skills

Physical Requirements
  • Must be able to sit, stand, and walk for extended periods of time.
  • Must be able to lift to 25 lbs.
  • Requires normal range of hearing and vision.
  • Must be able to work shifts as scheduled.
  • Must be able to work extended hours during events.

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