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Live Production Jobs in Washington (NOW HIRING)

E Logic

Studio Technician

Washington, DC · On-site

Support live productions and studio operations. * Configure video-over-IP and transmission systems. * Assist with equipment setup and breakdown. * Support live streaming workflows. Required ...

E Logic

Video Production Assistant

Washington, DC · On-site

This position assists with equipment setup, editing, live productions, media management, and post-production activities while ensuring high-quality digital content is delivered on schedule. Key ...

Fox

Freelance Production Assistant

Washington, DC

$71 - $80.50/hr

FOX News Live is looking for a talented Freelance Production Assistant to join our Washington, DC team on weekends. In this role, you'll play a key part in bringing live news coverage to air by ...

Digital Remedy

Chief Engineer

Arlington, VA · On-site

Live Production and Control-Room Systems Engineer, maintain, and support the integrated control-room ecosystem, including cameras and robotics, production switchers, automated production control ...

Sinclair Broadcast Group

Chief Engineer

Arlington, VA · On-site

Live Production and Control-Room Systems • Engineer, maintain, and support the integrated control-room ecosystem, including cameras and robotics, production switchers, automated production control ...

E Logic

Studio Engineer

Washington, DC · On-site

Troubleshoot live production equipment. * Support streaming platforms and broadcast infrastructure. * Configure video conferencing and encoding systems. * Ensure operational readiness of studio ...

Fox

Lead Audio Operator

Washington, DC

$35.50 - $50/hr

Serve as Lead A1 for live studio and remote productions * Design, build, and operate complex live audio workflows including studio and remote translations and transcriptions * Operate and program ...

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All JobsLive Production JobsLive Production Jobs in Washington

Live Production information

See Washington salary details

$12

$18

$23

How much do live production jobs pay per hour?

As of Sep 2, 2026, the average hourly pay for live production in Washington is $18.81, according to ZipRecruiter salary data. Most workers in this role earn between $16.88 and $20.14 per hour, depending on experience, location, and employer.

What is live production?

Live production refers to the real-time creation and broadcasting of events, such as concerts, sports, news, or theater, using audio, video, and lighting technology. It involves a team of professionals who coordinate multiple elements—such as cameras, microphones, and graphics—to deliver seamless live content to audiences in person or via broadcast or streaming platforms. Live production requires quick decision-making and technical expertise to handle unexpected challenges and ensure a smooth viewer experience.

What are the key skills and qualifications needed to thrive in live production?

To thrive in Live Production, you need a strong grasp of audio-visual technology, event coordination, and problem-solving, often supported by relevant experience or a degree in media production or a related field. Familiarity with technical tools such as mixing consoles, lighting boards, video switchers, and production management software is typically required. Excellent communication, quick decision-making, and teamwork are essential soft skills for handling the fast-paced and dynamic live environment. These skills ensure seamless event execution, minimize technical issues, and enable effective collaboration under pressure.

How does a live production professional typically collaborate with other departments during an event?

Live Production professionals work closely with a variety of departments, including audio, video, lighting, stage management, and technical support teams. Effective communication and coordination are essential, especially during live events where timing and precision are critical. Team members often participate in pre-event planning meetings, technical rehearsals, and real-time troubleshooting to ensure smooth execution. Building strong working relationships across departments is key to handling challenges quickly and delivering successful live productions.

What is the difference between Live Production vs Video Editor?

AspectLive ProductionVideo Editor
CredentialsOften requires technical certifications or experience with broadcasting equipmentTypically requires a degree or certification in film, media, or related fields
Work EnvironmentReal-time, on-site during live events or broadcastsStudio or post-production setting, working with footage after filming
Industry UsageCommon in broadcasting, live events, sports, and concertsUsed in film, television, advertising, and online content creation

Live Production involves managing and executing real-time broadcasts or events, requiring quick decision-making and technical skills. Video Editors focus on post-production editing, refining footage after filming. While both roles work with video content, Live Production is immediate and on-site, whereas Video Editing is a post-production process done in a studio environment.

How do I get into live production?

To get into live production, gain experience with audio, video, and lighting equipment, often through internships or entry-level roles. Developing technical skills, familiarity with production software, and obtaining relevant certifications can improve job prospects. Building a strong understanding of the production environment and teamwork is also essential.
Live Production jobs near you
Infographic showing various Live Production job openings in Washington as of August 2026, with employment types broken down into 85% Full Time, 10% Part Time, 3% Contract, and 2% Nights. Highlights an 91% Physical, 2% Hybrid, and 7% Remote job distribution, with an average salary of $39,132 per year, or $18.8 per hour.

Mobile Unit Sales and Operations Manager

Broadcast Management Group, Inc.

Washington, DC • On-site

Full-time

Re-posted 10 days ago

Job description

MOBILE UNIT SALES AND OPERATIONS MANAGER
Live Production Division | Broadcast Management Group
Location: Washington, DC or Toronto, ON | Full-Time | In-Office
ABOUT BROADCAST MANAGEMENT GROUP
Broadcast Management Group (BMG) is a leading global broadcast production company providing Live Production, Managed Services, System Design and Integration, and creative services to major broadcast networks, studios, and corporations. A top producer of live multi-camera news, sports, entertainment, and corporate productions, BMG operates across the United States and Canada. The Live Production division delivers remote, studio, and mobile unit productions anywhere BMG's clients need them, backed by world-class production management and an extensive freelance crew network.
POSITION OVERVIEW
The Mobile Unit Sales and Operations Manager is the hands-on lead of sales and day to day operations of BMG's mobile production units, supporting live multi-camera productions in news, sports, entertainment, and large-scale corporate events across the United States and Canada. This role works directly with customers and the sales team to develop production budgets, assign the best mobile unit to each project, and ensure every mobile production is planned, staffed, and executed to BMG's standards.
The position manages the full mobile unit lifecycle, from initial client consultation, budgeting, and unit assignment through scheduling, logistics, crewing, and on-site execution. This includes traditional mobile unit productions but primary REMI productions that connect on-site units and crews with remote control rooms and production teams. The role is based at BMG's Washington, DC office or its Toronto, ON office.
POSITION DETAILS
Department: Live Production
Reports To: Executive Vice President of Production
Direct Reports: Mobile unit engineers, and drivers.
Location: Washington, DC or Toronto, ON, full-time, in-office
Travel: Required for site surveys, on-site productions, and client engagements across North America
KEY RESPONSIBILITIES
Sales & Budgeting
  • Work directly with customers and the sales team to develop mobile unit production budgets
  • Assign the best mobile unit to each project based on production requirements, technical specifications, schedule, and budget
  • Prepare quotes and proposals for mobile unit and REMI services, ensuring pricing meets the company's expected gross profit margins
  • Support the sales and marketing teams in expanding the mobile unit client base and building long term client engagements
  • Track competitor mobile unit services, rates, and practices, always seeking ways to improve BMG's offering
  • Develop client list targets, perform outreach, and work with sales and marketing on sales and marketing plans
  • Develop annual mobile unit revenue and cost forecast working with the BMG accounting department.

Mobile Unit Operations
  • Manage scheduling, routing, and logistics for BMG's mobile units and flypack systems
  • Oversee mobile unit maintenance, engineering upgrades, and technical readiness so every unit arrives on site fully prepared
  • Coordinate crewing for mobile unit productions, working with staff engineers and BMG's freelance crew network
  • Manage REMI production workflows connecting on-site mobile units with remote control rooms and production teams
  • Build production books, technical documentation, and workflows for each mobile unit project

Clients & Service
  • Serve as the primary point of contact for clients throughout the mobile unit production lifecycle
  • Ensure customer satisfaction by providing outstanding customer service on every project
  • Cultivate strong customer, vendor, and freelancer relationships that create positive impressions of BMG
  • Keep the EVP of Production informed of any technical, staffing, client, operational, or business issues that may arise

REQUIRED SKILLS AND QUALIFICATIONS
  • 10+ years of mobile broadcast production experience, including working directly with customers to develop budgets and assign the best mobile unit solution to each project
  • Strong working knowledge of REMI production workflows and the technology that supports them
  • Deep understanding of mobile unit engineering, multi-camera production systems, and transmission paths
  • Proven track record building show/event budgets and delivering against gross profit targets
  • Experience managing mobile unit scheduling, logistics, maintenance, and crewing
  • Established network of freelance production crew and vendors across North America
  • Strong client-facing skills with a history of building long-term customer relationships
  • Ability to remain calm, decisive, and solution-focused under live broadcast pressure
  • Excellent communication, negotiation, and organizational skills
  • Ability to travel across the United States and Canada as production schedules require
Broadcast Management Group logo

About Broadcast Management Group

Sourced by ZipRecruiter

We are a video production company dedicated to solving technical and creative challenges of any scale or complexity At Broadcast Management Group, we believe there is no one-size-fits-all solution to production. Every project requires a unique approach. And every client has different desires and objectives. Our job is to understand those goals, desires, and dreams and craft a custom production solution that delivers results. This philosophy applies to all facets of our organization, from live production, consulting, and integration to events, staffing, and creative. We’ve spent nearly two decades helping clients across the globe achieve their production goals. From large-scale, multi-camera productions, engineering technical facilities, and launching OTT networks from the ground up. Our work tells the story of what we’ve done, where we’ve been, and the clients we’ve been fortunate to collaborate with.

Industry

Broadcasting

Company size

51 - 200 Employees

Headquarters location

Washington, DC, US

Year founded

2005

Social media

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