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International Radio Jobs (NOW HIRING)

Metopera

Broadcast Audio Operations Director

Yonkers, NY · On-site

$131.70 - $160.96/hr

Johnson Foundation-Metropolitan Opera International Radio Network, the Met Opera Radio channel on SiriusXM, and the Live in HD series in cinemas worldwide. The Audio Operations Director oversees the ...

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FOX News Network, LLC

Freelance Radio Anchor

New York, NY · On-site

$68.75 - $77.75/hr

... FOX News International and the newly announced platform FOX Weather. Currently the number one ... Fox News is looking for a Freelance Radio Anchor to join the Fox News Audio family as on-air talent ...

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How much do international radio jobs pay per year?

As of Aug 8, 2026, the average yearly pay for international radio in the United States is $62,349.00, according to ZipRecruiter salary data. Most workers in this role earn between $62,000.00 and $62,500.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive in the international radio position, and why are they important?

To excel in International Radio, you need a strong background in broadcast journalism, multilingual communication abilities, and cultural awareness, often supported by a relevant degree in communications or broadcasting. Familiarity with audio editing software, broadcasting consoles, and compliance with international regulatory standards like the FCC or ITU is highly valuable. Outstanding interpersonal skills, adaptability, and cross-cultural sensitivity distinguish top professionals in this field. These competencies are vital to delivering engaging, accurate content to diverse global audiences while maintaining regulatory and production standards.

What are some common challenges faced when working in international radio?

Professionals in International Radio often navigate challenges such as coordinating with contributors across different time zones, overcoming language barriers, and adapting content for culturally diverse audiences. Managing technical issues with live broadcasts and ensuring compliance with varying international broadcast regulations requires flexibility and vigilance. Additionally, staying current with global news and developing relevant, timely programming is key to audience engagement. Collaborating effectively with a multinational team and remaining adaptable to shifting priorities will help you succeed in this dynamic environment.

What is an international radio?

An International Radio job involves working with radio stations or networks that broadcast content across different countries and cultures. This can include roles in programming, production, news reporting, or technical operations for shortwave, satellite, or online radio platforms. Professionals in this field may collaborate with international partners, manage multilingual content, and stay informed on global events. Strong communication skills, cultural awareness, and technical proficiency are essential for success in this role.

What are the most commonly searched types of International Radio jobs? The most popular types of International Radio jobs are:
What states have the most International Radio jobs? States with the most job openings for International Radio jobs include:
What job categories do people searching International Radio jobs look for? The top searched job categories for International Radio jobs are:
International Radio jobs near you
Infographic showing various International Radio job openings in the United States as of August 2026, with employment types broken down into 100% Part Time. Highlights an 100% In-person job distribution, with an average salary of $62,349 per year, or $30 per hour.

Broadcast Audio Operations Director

The Metropolitan Opera

New York, NY • On-site

$146K/yr

Full-time

Posted 11 days ago

Job description

Rate of pay per CBA: $2,814 weekly / $146,328 annual
 
The Metropolitan Opera Media Department produces approximately 70 live and pre-recorded broadcasts each season, between September and June, for the Saturday matinee series on the Robert K. Johnson Foundation-Metropolitan Opera International Radio Network, the Met Opera Radio channel on SiriusXM, and the Live in HD series in cinemas worldwide. The Audio Operations Director oversees the technical planning and broadcast engineering for the Met's broadcasts and participates as a member of the broadcast engineering team. The Audio Operations Director must bring a musical background and sensibility to the work. This position is under the creative direction of the Met's Music Producers and reports to the Senior Radio Producer and the Assistant General Manager, Media. 
Primary Responsibilities
Broadcast Engineering:
Technical planning, design, and maintenance of the Met's in-house broadcast facilities, including equipment budgeting and purchases
Technical set-up (e.g., microphones, wireless systems, cabling, mix console, and VO booth) for all broadcast and recording scenarios, including music mix, live announcer, live interviews, and pre recorded features. Broadcast productions range from stereo to 128+ tracks and include multiple locations and wireless systems within the Met.
Technical and engineering support for the broadcast Music Producers, including preparation of mixing board and communication of microphone setup to relevant departments before each broadcast rehearsal and broadcast
Audio technical coordination for Live in HD transmissions 
Transmission operations for a network of over 200 radio stations worldwide and internet streaming partners, including end-to-end connections and quality assurance throughout broadcasts
Live broadcast mixing and recording and board operation, including live mixing on large frame consoles with multiple microphones and talking heads including host, commentators, and guests, and triggering live playback of prerecorded features
Recording, editing, mixing, and music underscoring of radio features, interviews, promos, and trailers, including VO, performance excerpts, and music beds 
 
Management and Administration:
Organization and communication of broadcast information and requirements to departments throughout the organization and to the Live in HD team
Organization of broadcast engineer work assignments and schedule for both on-staff and freelance engineers, and recruitment and training of new hires, in coordination with the Senior Radio Producer
Management of relationships with key vendors (NPR Content Depot, telecom service, Studer, etc.), including contracts, budget, schedule, maintenance of equipment, and monitoring of services
Planning, budgeting, and supervision of technical capital projects
Creation of annual budget for equipment purchases and handling of orders Overseeing of asset management planning and execution, including long-term storage of assets 
Skills and Qualifications
minimum 15 years professional engineering experience (in broadcast, studio and remote recording)
experience working in a supervisory position with a team of engineers
experience with operations planning, design and maintenance
extensive classical music training and knowledge 
live recording and mixing, including familiarity with large-frame consoles such as the Studer Vista line and digital audio workstations such as Pyramix
post-production editing and mixing, with advanced ProTools fluency
live on-air broadcast engineering 
Knowledge of and compliance to broadcast standards
Experience with broadcast IP codecs
Experience with intercommunications systems - RTS, Clearcom, or Riedel
IP networking knowledge for broadcast infrastructure
technical maintenance engineering
extensive experience with both analog formats and digital systems
transmission technology knowledge/experience 
television broadcast experience
new media technology knowledge/experience 
experience with asset management systems such as Soundminer, Enco, or Amazon Glacier 
Physical Demands
The Broadcast Audio Operations Director carries enormous responsibility and must coordinate and cooperate with people from diverse departments of the Met and beyond. Judgment, discretion, and people skills are of paramount importance.
The position requires schedule flexibility and the ability to work nights and weekends, with weekly rehearsals and broadcasts. 
The Broadcast Audio Operations Director must be able to work effectively under pressure and on tight deadlines. 
The Metropolitan Opera is an equal opportunity employer. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and existing employees without regard to race, color, religion, sex, pregnancy (including childbirth, lactation and related medical conditions), national origin, citizenship status, age, physical and mental disability, marital status, sexual orientation, gender identity, gender expression, genetic information (including characteristics and testing), military and veteran status, or any protected category prohibited by local, state or federal laws.
We may use artificial intelligence (AI) tools to support parts of the hiring process, such as reviewing applications, analyzing resumes, or assessing responses and identifying potential inconsistencies or verification signals in application materials based on available information. These tools assist our recruitment team but do not replace human judgment. Final hiring decisions are ultimately made by humans. If you would like more information about how your data is processed, please contact us.
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