1

Intern Film Script Reader Jobs in Tennessee (NOW HIRING)

... reading scripts * producing plans, drawings and models of sets * preparing estimates of set costs * managing budgets * viewing possible outside broadcast sites * planning * attending rehearsals/film ...

Intern Film Script Reader information

What does an intern film script reader do?

An Intern Film Script Reader is responsible for reading and evaluating screenplays submitted to a production company, agency, or studio. They write coverage reports that summarize the script's plot, characters, and overall strengths and weaknesses. Their feedback helps decision-makers determine whether a script is worth pursuing for development or production. Intern Script Readers gain valuable experience in story analysis and the inner workings of the film industry.

What are the typical responsibilities and learning opportunities for an intern film script reader?

As an Intern Film Script Reader, your primary responsibility will be to read screenplays and provide coverage, which includes writing summaries and offering feedback on story structure, character development, and commercial potential. You may also assist with organizing script submissions, tracking feedback, and participating in team meetings to discuss promising projects. This role offers valuable insight into the decision-making process of film development and helps you build analytical and communication skills. Collaborating closely with development executives and other readers, you'll gain firsthand experience in the industry and have the chance to network, which can open doors to more advanced roles in film production or development.

What are the key skills and qualifications needed to thrive as an intern film script reader, and why are they important?

To thrive as an Intern Film Script Reader, strong analytical reading skills, attention to detail, and a background in film studies, creative writing, or related fields are generally required. Familiarity with screenplay formatting software like Final Draft and knowledge of industry-standard script coverage templates are typically used. Excellent written communication, time management, and the ability to provide constructive feedback are standout soft skills for this position. These skills and qualities are crucial for effectively evaluating scripts and supporting the development process in the film industry.

What is the difference between Intern Film Script Reader vs Film Development Assistant?

AspectIntern Film Script ReaderFilm Development Assistant
CredentialsTypically students or entry-level with interest in film/script analysisOften similar, may include related coursework or internships
Work EnvironmentFilm studios, production companies, or literary departmentsDevelopment departments within studios or production companies
Employer & Industry UsageUsed in entertainment industry for script evaluationInvolved in broader development tasks, including script and project coordination
Search & Comparison IntentCommonly compared for entry-level script review rolesCompared for roles with broader development responsibilities

The Intern Film Script Reader primarily focuses on evaluating scripts to assist in selecting projects, often as an entry-level position. The Film Development Assistant has a broader role, supporting the development process, including script review, project coordination, and administrative tasks. Both roles are common in the entertainment industry, but the Development Assistant typically involves more responsibilities beyond script analysis.

What are the most commonly searched types of Film Script Reader jobs in Tennessee?

The most popular types of Film Script Reader jobs in Tennessee are:

What cities in Tennessee are hiring for Intern Film Script Reader jobs?

Cities in Tennessee with the most Intern Film Script Reader job openings:

Full-time

Posted 24 days ago


Job description

A set designer is in charge of designing and creating the sets that appear in films and television programmes as well as in the theatre. The role involves working with and communicating with directors, producers, costume designers and other members of staff.  
Typical responsibilities include:
  • reading scripts
  • producing plans, drawings and models of sets
  • preparing estimates of set costs
  • managing budgets
  • viewing possible outside broadcast sites
  • planning
  • attending rehearsals/film takes
  • meeting with and commissioning set construction companies.
Responsibilities
  • Typical responsibilities include:
    • reading scripts
    • producing plans, drawings and models of sets
    • preparing estimates of set costs
    • managing budgets
    • viewing possible outside broadcast sites
    • planning
    • attending rehearsals/film takes
    • meeting with and commissioning set construction companies.
Required SkillsAlthough there are routes into this profession for both university graduates and school leavers, employers will prefer candidates with degrees in theatre studies, creative arts, performing arts, drama, fine arts, visual arts, graphic design, 3D design, illustration, architecture or landscape architecture.
The ability to demonstrate a genuine interest in, knowledge of and experience of visual arts, television, film or theatre is essential, and often more important than academic qualifications.
Job shadowing and unpaid/vacation work experience can be helpful. It is essential to make speculative applications – directories such as KFTV and Kays Production Manual contain useful contact information.
Key Skills
  • Stamina
  • Creativity
  • Enthusiasm
  • Determination
  • Perseverance
  • Imagination
  • Adaptability
  • Working well under pressure
  • Good spatial awareness
  • Technical skills