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Audio Engineer Jobs in Commack, NY (NOW HIRING)

The New York Times

Audio Engineer, Newsroom

New York, NY · On-site

$93K - $110K/yr

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production ...

Sofar Sounds

Audio Engineer

New York, NY

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

Sofar Sounds

Audio Engineer

New York, NY

$450 - $900/mo

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

Livenation

Audio Engineer- Gramercy

New York, NY

Audio adjustments, maintaining safe audio levels. While providing a professional mix * Audio Control Boards operation * Oversee visiting audio techs, especially during shows * Responsible for ...

Princess Cruises

APM Audio

New York, NY

This includes loading and programming show files, conducting sound checks, setting up microphones and monitors, and ensuring all audio cues are executed accurately during live shows. * Technical ...

Princess Cruises

APM Audio

New York, NY · On-site

This includes loading and programming show files, conducting sound checks, setting up microphones and monitors, and ensuring all audio cues are executed accurately during live shows. * Technical ...

Sandbar

ML Engineer, Audio

New York, NY · On-site

$180K - $250K/yr

... audio models spanning cloud models to resource-constrained on-device settings * Optimize inference pipelines for latency, reliability, and concurrency * Work closely with other ML/AI engineers ...

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All JobsAudio Engineer JobsAudio Engineer Jobs in Commack, NY

Audio Engineer information

See Commack, NY salary details

$30.5K

$87.5K

$177.6K

How much do audio engineer jobs pay per year?

As of Jul 31, 2026, the average yearly pay for audio engineer in Commack, NY is $87,458.00, according to ZipRecruiter salary data. Most workers in this role earn between $51,800.00 and $117,000.00 per year, depending on experience, location, and employer.

What is the difference between Audio Engineer vs Sound Technician?

AspectAudio EngineerSound Technician
CredentialsAudio engineering degree or certification, technical trainingTechnical training, sometimes on-the-job experience
Work EnvironmentRecording studios, live events, post-productionLive events, concerts, theater productions
Industry UsageMusic, film, broadcasting, live soundConcerts, theater, events, live sound reinforcement

While both roles involve working with sound, Audio Engineers focus on recording, mixing, and mastering audio in studios or post-production, whereas Sound Technicians primarily handle live sound setup and operation during events. The roles often overlap but differ mainly in their work environment and specific responsibilities.

What engineers make $500,000?

Senior audio engineers working in high-profile industries such as film, television, or live event production can reach salaries around $500,000, especially with extensive experience, specialized skills, and leadership roles. Achieving this level often requires advanced certifications, a strong portfolio, and working in large markets or for major companies.

What Is an Audio Engineer?

An Audio Engineer is involved in the recording and production of audio, sound, and music. Some Audio Engineers help record vocal or musical performances in a recording studio. Others manage sound output during live concerts. As an Audio Engineer, you might mix and edit tracks for studio albums, radio and television shows, movies, or video games. During recordings and performances, you may be responsible for setting up audio equipment, such as microphones, speakers, headphones, and mixers, and checking them to make sure they work correctly.

What do you do as an audio engineer?

An audio engineer is responsible for recording, mixing, and editing sound for music, film, television, or live events. They operate equipment such as mixing consoles, microphones, and digital audio workstations, and often require technical skills and certifications to ensure high-quality sound production.

Do audio engineers get paid well?

Audio engineers' salaries vary based on experience, location, and industry, but they generally earn a median annual wage that is competitive within the entertainment and media sectors. Entry-level positions may pay less, while experienced professionals working on high-profile projects or in major markets can earn significantly more, especially with specialized skills and certifications.

What does an Audio Engineer do?

An Audio Engineer is responsible for recording, mixing, and mastering sound for various media, including music, film, television, and live events. They operate and maintain audio equipment, ensure high-quality sound production, and often collaborate with producers, musicians, and other technical staff. Their work can involve setting up microphones, adjusting sound levels, editing audio tracks, and troubleshooting technical issues. Audio Engineers play a crucial role in achieving the desired sound for a project.

How does an audio engineer typically collaborate with producers and artists during a recording session?

Audio engineers work closely with producers and artists to ensure the vision for each project is realized. During recording sessions, they set up and operate audio equipment, offer technical advice, and make real-time adjustments based on feedback. Communication is key, as engineers often interpret creative ideas into technical solutions, ensuring clarity and quality in every take. This collaborative environment requires flexibility, quick problem-solving, and a strong understanding of both the artistic and technical aspects of sound production.

What are the key skills and qualifications needed to thrive as an Audio Engineer, and why are they important?

To thrive as an Audio Engineer, you need strong knowledge of sound theory, audio mixing, and recording techniques, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) such as Pro Tools or Logic Pro, audio interfaces, and studio equipment is crucial. Excellent attention to detail, problem-solving abilities, and effective communication skills set top professionals apart. These capabilities ensure high-quality sound production, smooth collaboration, and the ability to address technical challenges in dynamic audio environments.

Is audio engineering in high demand?

Audio engineering is a competitive field with steady demand in sectors such as music production, film, television, and live events. Growth is driven by technological advancements and the increasing use of digital audio workstations, but job availability can vary by location and industry trends.
More about Audio Engineer jobs
What cities near Commack, NY are hiring for Audio Engineer jobs? Cities near Commack, NY with the most Audio Engineer job openings:
Audio Engineer jobs near you
Infographic showing various Audio Engineer job openings in Commack, NY as of July 2026, with employment types broken down into 75% Full Time, 22% Part Time, 1% Temporary, and 2% Contract. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $87,458 per year, or $42 per hour.

Audio Engineer, Newsroom

The New York Times

New York, NY • Hybrid

Other

Posted 7 days ago

Job description

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production processes, and play a significant role in the ongoing development of audio best-practices and video integration by working closely with the audio engineering team, show producers and editors, as well as New York Times reporters and contributors.

You will be the main point of contact for one or more shows. The right candidate can demonstrate the ability to clearly discuss audio engineering techniques, and steer technical conversations with producers and editors. As a key player on the team, you will develop strong working relationships with producers and editors in a creative environment. In addition, you will be expected to have a working knowledge of NYT studio systems to provide tapings support as needed, and the ability to contribute adaptive and creative original music composition across NYT projects.

This is an in-office position, based in New York City and includes regular attendance in the office four days each week. There may be some flexibility to work remotely per your departmental guidance.

Responsibilities:

  • Be a point person for show teams and mix daily/weekly shows as directed
  • Lead show-specific workflow and project management in collaboration with Engineering leadership
  • Contribute to the development of changing formats and workflows, particularly video podcasting
  • Organize audio and video media ingest across platforms and stakeholders
  • Act as first line of defense in troubleshooting studio and Pro Tools workflow issues
  • Help train and assist staff in all aspects of production
  • General technical support including audio restoration, file management, host/guest recording setup, and SOP documentation
  • Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools
  • Collaborate with Sound Designer/Composers as directed
  • Occasional evening and weekend technical support
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world
  • You will report to the Senior Audio Engineer, Newsroom

Basic Qualifications:

  • 5+ years of experience as an audio engineer (or equivalent position) required - podcast or broadcast environment preferred
  • Strong knowledge of Pro Tools, iZotope RX, and other creative plugins
  • Comfortable with concept of Loudness and mixing to different specs
  • Familiarity with mixing for video, specifically .aaf formats, Premiere Pro audio suite, etc.
  • Demonstrated knowledge of media asset management systems and file organization

Preferred Qualifications:

  • Quickly, calmly and creatively troubleshoot complex issues under pressure
  • Demonstrated ability to manage multiple priorities and follow through on projects to completion
  • Excellent attention to detail, with good organization and time management skills
  • Collaborative attitude and strong communication skills; with the ability to communicate complex technical information to people with technical and nontechnical backgrounds
  • High level of proficiency with Apple computers
  • Believes in the New York Times' mission and is dedicated to being part of our innovation and growth
  • Uphold the existing editorial standards of The Times

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