Audio Eng Jobs in Chicago, IL (NOW HIRING)

• Support assigned technical and production responsibilities before, during, and after live events.
• Follow direction from producers, directors, engineers, and event leadership while communicating technical issues promptly.
• Contribute to a professional, collaborative, and customer-service-oriented production environment, including sponsorship activations, special events, and revenue-generating opportunities.
• Set up, operate, and strike audio, video, broadcast, and production equipment for live events, including sporting events, concerts, and special events.
• Execute assigned technical production duties, including camera operation, video switching, replay, graphics, audio support, and other broadcast systems based on event requirements.
• Perform system testing, signal verification, equipment checks, and basic troubleshooting to ensure production readiness before and during events.
• Follow production cues and communicate effectively with directors, producers, and production teams using intercom and other communication systems to deliver seamless live productions.
• Provide technical support during live events, quickly resolving issues while maintaining a "fans first" mindset and delivering a high-quality guest and client experience.
• Reliable, punctual, and willing to assist outside a primary assigned role when needed.

• 2-3 years of live sports, entertainment, concert, or event-production experience.
• A "fans first" customer-service mindset with the creativity and business awareness to support client service, sponsorship execution, special events, and revenue opportunities.
• Ability to remain calm, collaborative, and decisive during live events and other time-sensitive situations.
• Ability to independently complete assigned technical responsibilities with limited supervision, including equipment setup, system testing, operation, breakdown, and basic troubleshooting.
• Ability to follow cues, communicate over intercom, and work effectively as part of a production team.
• Previous experience in one or more of the following areas: Grass Valley K-Frame production switchers, Ross Carbonite production switchers, Evertz DreamCatcher replay, Ross XPression, XPression Tessera, DashBoard control, ENG, long-lens or RF camera operation, remote camera shading, A1 operation using Yamaha or Allen & Heath consoles, A2 support and portable sound-system setup, Riedel intercom and Bolero wireless, PTZ camera operation, and/or IPTV.

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