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Assistant Film Set Production Jobs (NOW HIRING)

Television Production Production Type: Films | Show Series Position: Freelance Project Hire ... As such, the 1st AD must have enough knowledge about each department on a film set in order to ...

... on Set Volunteer for student films or independent projects. Take on production assistant roles to ... Film school can provide a structured learning environment and networking opportunities. If ...

... film titles include the multi-Oscar-nominated The Lost Daughter from Maggie Gyllenhaal, Ambulance ... Basic knowledge of set production workflow; previous on-set experience is advantageous * Previous ...

Production Assistant

Bethlehem, PA · On-site

$15.75 - $20.50/hr

The Production Assistants will play a key role in helping productions run smoothly from pre ... Previous experience working on film, commercial, or television sets. * Strong understanding of set ...

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Assistant Film Set Production information

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How much do assistant film set production jobs pay per hour?

As of Sep 10, 2026, the average hourly pay for assistant film set production in the United States is $18.86, according to ZipRecruiter salary data. Most workers in this role earn between $15.38 and $19.95 per hour, depending on experience, location, and employer.

What does an assistant film set production do?

An assistant in film set production, often called a production assistant (PA), supports the crew by handling various tasks to keep the set running smoothly. Their responsibilities can include managing equipment, coordinating schedules, communicating between departments, running errands, and assisting with the setup and breakdown of scenes. This entry-level role is essential for ensuring that the day-to-day operations on a film set proceed efficiently and safely. It's a great way to gain hands-on experience and learn about different aspects of film production.

What are the key skills and qualifications needed to thrive as an assistant film set production, and why are they important?

To thrive as an Assistant Film Set Production, you need a solid understanding of film production processes, strong organizational abilities, and basic knowledge of set safety, often supported by relevant coursework or entry-level experience in film or media. Familiarity with production scheduling software, call sheets, and two-way radios is frequently required. Exceptional communication, adaptability, and problem-solving skills help you coordinate between departments and manage on-set challenges. These skills and qualities ensure smooth operations, efficient teamwork, and the timely completion of production tasks.

What are some common challenges faced by an assistant film set production and how can they be managed?

Assistant Film Set Production professionals often encounter challenges such as managing tight schedules, coordinating communication between departments, and adapting to last-minute changes. Being proactive, highly organized, and maintaining clear communication with crew members are essential strategies for overcoming these hurdles. It's common to work long hours and handle multiple tasks simultaneously, but staying flexible and solution-oriented helps ensure the smooth running of the set. Building good relationships with both the production team and on-set talent also contributes to a more efficient workflow.

What is the difference between Assistant Film Set Production vs Assistant Director?

AspectAssistant Film Set ProductionAssistant Director
Primary RoleSupports production logistics, scheduling, and coordination on setAssists the director with creative decisions, scene management, and directing actors
CredentialsRelevant production experience, often with certifications in production managementExperience in directing, film production, or related fields
Work EnvironmentOn set, behind the scenes, supporting production teamsOn set, closely working with the director and cast
Industry UsageCommonly used in film, TV, and commercial productions

The Assistant Film Set Production focuses on logistical and operational support during filming, ensuring smooth production flow. In contrast, the Assistant Director is more involved in creative and scene management tasks, working directly with the director. Both roles are essential on set but serve different functions within the production process.

What cities are hiring for Assistant Film Set Production jobs?

Cities with the most Assistant Film Set Production job openings:

What states have the most Assistant Film Set Production jobs?

States with the most job openings for Assistant Film Set Production jobs include:

What are popular job titles related to Assistant Film Set Production jobs?

For Assistant Film Set Production jobs, the most frequently searched job titles are:

Infographic showing various Assistant Film Set Production job openings in the United States as of September 2026, with employment types broken down into 1% As Needed, 75% Full Time, 20% Part Time, and 4% Contract. Highlights an 79% Physical, 1% Hybrid, and 20% Remote job distribution, with an average salary of $39,233 per year, or $18.9 per hour.

FIRST ASSISTANT DIRECTOR (AD)

On-site

Other

Posted 11 days ago


Key responsibilities

  • Break down the script into storyboards and create a shooting schedule based on approved storyboards.

  • Ensure that all scenes are scheduled appropriately considering location, props, and cast availability, and prepare call sheets for each shooting day.

  • Call the roll during filming, coordinate with department heads, and manage on-set discipline and safety standards.


Job description

Seeking an experienced First Assistant AD to support the creation and development of LSS Universal originals for television and streaming platforms. Business Line: Television Production Production Type: Films | Show Series Position: Freelance Project Hire: Production Specific

The First (1st) Assistant Director (AD) role ensures that the cast and crew are working on a schedule. They plan for that daily schedule, as well as the overall production timeline. As such, the 1st AD must have enough knowledge about each department on a film set in order to ensure effective communications.

RESPONSIBILITIES

The AD must be able to:

Storyboards. The 1st AD first breaks the script down into storyboards that reflect how each scene will be shot.

Shooting schedule. Once the director signs off on the storyboards, the first AD creates an overall shooting schedule. The 1st AD clears the shooting schedule with the production manager, line producer, and crew department heads. The AD must ensure that all scenes are appropriately scheduled for when the applicable location, props, and cast are available.

Call sheets. Before each day of shooting, a call sheet is drawn up by the second AD in conjunction with the first AD. During production, it's the first AD's job to make sure that everyone is making their call times and the filming is progressing on schedule.

Calling the roll. During filming, one of the first assistant director's primary responsibilities is what's known as "calling the roll". Calling the roll is when the 1st AD cues the various department heads (including camera operator , key grip , and sound mixer ) to prepare for filming to start.

Liaise with the crew. The 1st AD serves as the go-between for the director and the rest of the crew. If something needs to be communicated in either direction, it generally goes through the first AD.

On-set diplomat. The first AD is also responsible for controlling discipline on the set. If someone is not doing their job effectively or there are conflicts on set, it is the first AD's job to resolve the situation. This may require taking disciplinary action or changing personnel when appropriate.

Safety. Safety is a priority on any film set and the first AD must also ensure that all health and safety standards are met. Each department has different precautions to ensure that cast and crew members aren't in danger. The first AD oversees each department and is ultimately responsible for ensuring that each department head is maintaining a safe workspace.

DESIRED QUALIFICATIONS

Previous experience as production assistants or runners

5+ years working in the video production/film industry as a cinematographer.

Ability to multi-task and delegate

Good sense for organization and planning

Strong attention to detail

Basic knowledge and understanding of all the various departments found on a film set.

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