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Assistant Comic Book Editor Jobs in California (NOW HIRING)

Executive Assistant

Los Angeles, CA · On-site +1

$20 - $25/hr

Book restaurants, meetings, client dinners and other logistics for the CEO & other business drivers ... Bonus: video editing basics (Capcut, etc), experience with awards submission platforms Salary Range ...

Executive Assistant

Los Angeles, CA · On-site +1

$20 - $25/hr

Book restaurants, meetings, client dinners and other logistics for the CEO & other business drivers ... Bonus: video editing basics (Capcut, etc), experience with awards submission platforms Salary Range ...

Showing results 21-40

Assistant Comic Book Editor information

What does an assistant comic book editor do?

An Assistant Comic Book Editor supports the main editor in managing the production and publication process of comic books. Their tasks often include coordinating with writers and artists, reviewing scripts and artwork, proofreading, and ensuring deadlines are met. They may also track revisions, prepare materials for print or digital release, and help maintain the overall quality and consistency of the comic series. This role is essential for keeping projects organized and running smoothly within a publishing timeline.

What are some common challenges faced by assistant comic book editors, and how can they overcome them?

Assistant Comic Book Editors often face the challenge of balancing multiple deadlines while ensuring high-quality content and consistency across storylines and artwork. Effective communication with writers, artists, and senior editors is essential to resolve creative differences and maintain a cohesive vision. Time management and attention to detail are crucial, as the role frequently involves reviewing scripts, layouts, and proofs simultaneously. Building strong organizational habits and proactively seeking feedback can help overcome these challenges and contribute to a successful editorial process.

What are the key skills and qualifications needed to thrive as an assistant comic book editor, and why are they important?

To excel as an Assistant Comic Book Editor, you need a solid grasp of storytelling, grammar, and visual literacy, often supported by a degree in English, communications, or a related field. Familiarity with editing software (such as Adobe InDesign or Photoshop) and knowledge of comic book production workflows are typically required. Strong communication, attention to detail, and organizational skills help you manage creative teams and multiple projects effectively. These competencies are crucial for maintaining high editorial standards and ensuring timely, polished comic book releases.

What is the difference between Assistant Comic Book Editor vs Comic Book Editor?

AspectAssistant Comic Book EditorComic Book Editor
ResponsibilitiesSupports editing, proofreading, and coordinating production tasksLeads editing, story development, and final content approval
Required SkillsStrong editing, communication, and organizational skillsAdvanced editing, creative direction, and leadership abilities
ExperienceEntry to mid-level experience in comic book publishingSignificant experience in editing and industry knowledge
Work EnvironmentCollaborative team within publishing companies or comic studiosLeadership role within the same environment

The Assistant Comic Book Editor typically supports the Comic Book Editor by handling editing tasks and coordinating production. The Comic Book Editor oversees the entire editing process, making creative and content decisions. While both roles require strong editing skills and industry knowledge, the assistant position is more entry-level, focusing on support, whereas the editor role involves leadership and decision-making responsibilities.

How much do assistant comic book editors make?

Assistant comic book editors typically earn between $30,000 and $50,000 annually, depending on experience, location, and the size of the publisher. They often work closely with senior editors and may develop skills in editing, storytelling, and industry software during their role.

How to become an assistant comic book editor?

To become an assistant comic book editor, candidates typically need a bachelor's degree in journalism, literature, or a related field, along with strong editing, communication, and organizational skills. Gaining experience through internships or entry-level positions in publishing or comics can be valuable. Familiarity with comic book production tools and understanding the creative process are also beneficial for advancing in this role.

What are the most commonly searched types of Comic Book Editor jobs in California?

The most popular types of Comic Book Editor jobs in California are:

What are popular job titles related to Assistant Comic Book Editor jobs in California?

For Assistant Comic Book Editor jobs in California, the most frequently searched job titles are:

What job categories do people searching Assistant Comic Book Editor jobs in California look for?

The top searched job categories for Assistant Comic Book Editor jobs in California are:

What cities in California are hiring for Assistant Comic Book Editor jobs?

Cities in California with the most Assistant Comic Book Editor job openings:

Infographic showing various Assistant Comic Book Editor job openings in California as of August 2026, with employment types broken down into 73% Full Time, 18% Part Time, and 9% Contract. Highlights an 82% In-person, and 18% Remote job distribution.

Barry Katz Entertainment Internship

Barry Katz Entertainment

Malibu, CA

Internship

Re-posted 4 days ago


Job description

Company Description

Mission Statement

"To work together with extraordinary artists and companies, to create unforgettable 'holy sh*t moments'  in film, television, literary, streaming internet content, and live performance that entertains, inspires, and changes the world."  - Barry Katz, CEO

Barry Katz is an Emmy/Grammy-nominated TV/film/record producer, talent manager, private coach/consultant, community leader, and podcast host

Katz is universally known for representing iconic artists like Louie Anderson, Ken Jeong, Andy Dick, Hasan Minhaj, and Mike Epps, giving quality stage time in New York City and Boston to future stars like Kevin Hart, Ed Helms, Sarah Silverman, Anthony Clark, Dave Attell, Bobcat Goldthwait, Dana Gould, Timothy Olyphant, Denis Leary, and the late Patrice O'Neal, as well as helping launch the careers of some of the most extraordinary comedy artists in the business - including Dave Chappelle, Nick Swardson, Louie CK, Felipe Esparza, Bill Burr, Frank Caliendo, Marc Maron, Whitney Cummings, Bill Bellamy, Judah Friedlander, Wanda Sykes, Bert Kreischer, Jeff Dye, Jim Gaffigan, Dane Cook, Steve Byrne, Jeffrey Ross, Neil Brennan, and former and present SNL stars Darrell Hammond, Jay Mohr, Melissa Villasenor, Jim Breuer, and Tracy Morgan.

Throughout his career, Katz has sold 39 out of 40 stand-up comedy specials he produced and has brokered an unprecedented 100 TV development deals, created 3 television shows, and executive produced over 50 different specials, documentaries, reality shows, and scripted series including the YouTube TV produced Telethon for America (with Natalie Portman, Orlando Bloom, Jennifer Lawrence, Pete Davidson, Alicia Keys, Charlize Theron, Ray Romano, Chelsea Handler, and Jane Fonda), NBC's Whitney, Netflix's The Road Trick, FOX's Action, HBO's Tourgasm, Showtime's Jay Mohr: Happy. And A Lot, History Channel's Houdini: Unlocking the Mystery, TBS's Frank TV, Comedy Central's Whitney Cummings: Money Shot, CBS' Welcome to New York (Letterman's first produced sitcom), HBO's Heidi Fleiss: The Would-be Madam of Crystal, the syndicated Bellamy/Tim Meadows/Jon Lovitz/Vivica Fox sitcom Mr. Box Office, and 7 seasons of the Emmy-nominated NBC series Last Comic Standing.

Katz started his involvement in the film business when he helped Dave Chappelle and Neal Brennan (who eventually went on to create Chappelle's Show) sell the cult classic Half Baked to Universal Studios and went on to produce several films after that, including Employee of the Month (starring Jessica Simpson and Dane Cook), Good Luck Chuck (starring Jessica Alba), My Best Friend's Girl (starring Kate Hudson and Alec Baldwin), I Killed JFK (about the only living person in history to admit to killing Kennedy), and Misery Loves Comedy (starring Tom Hanks, Amy Schumer, Judd Apatow, and Larry David).

Katz was the first manager to work with a comedy artist to use social media to accelerate their career, with Dane Cook. At the height of his popularity, Cook had the ability to press a button on his computer and sell out 2 shows in one night at the Boston Garden and 2 shows in one night at Madison Square Garden for a total of 75,000 tickets sold in less than a week - which had never been done before. In the recording world, Katz has produced Grammy-nominated, multiple gold, platinum, and double platinum albums, while becoming the only manager/producer to debut a comedy album in Billboard's top 5 national charts - twice!

In other facets of the business, Katz acted as one of the driving forces and co-founders of Comedy Dynamics, which has become one of the largest independent comedy production and distribution companies in the world. Additionally, he was involved in the original sale of the Emmy-nominated Comedy Central Roasts to the network, which has become one of the longest running, most profitable, annual specials franchises in the history of TV.

Today, Katz continues to lead his legendary career - looking for extraordinary talent and collaborators to make the next great project in the entertainment business.

Job Description

We are looking for hardworking and intuitive interns who always overdeliver! If you are looking for an in-road to kickstart your career in the entertainment business, this position is a fantastic place to start. Not only will you have time to work one-on-one with CEO Barry Katz, but you will have a front row seat to what's going on in the entertainment industry. This is an unpaid position for current students and recent graduates (remote or in person), with multiple areas of specialization as detailed below.

Executive Assistant Internship: Executive Assistant Interns work one-on-one with CEO, Barry Katz, with tasks and assignments that will familiarize interns with all facets of the entertainment business, including artist management, production, creative development, and more. 

Editing Internship: Editing Interns work on various audio/video projects within the company, including proof of concepts, sizzle or acting reels, stand-up comedy sets, etc. They also have the opportunity to work with a variety of comedy artists as they grow their online followings through creating vertical videos for social media. Additionally, Editing Interns have the opportunity to work on Barry's podcast, Industry Standard. We require proficiency in Premiere Pro and competency in creating social media clips for this position.

Social Media Internship: Social Media Interns work with a variety of artists to survey content and provide support for their social media profiles. This is a great way to develop social media instincts, tracking how content performs for our various artists. 

Development Internship: Development Interns work with written or visual content, including scripts, stand-up comedy sets, produced pilots/films, etc. The majority of this work is done through supplying coverage as well as other types of useful feedback, working with artists to develop their creative work into its very best form. For Development Interns, it is required that they have a background in creative writing / screenwriting. 

Interns have the opportunity to engage in one, multiple, or all of the above internship categories upon request/approval from Barry. 

Application Instructions 

Please go to https://www.barrykatz.com/internships where you'll find out application and instructions for your COVER VIDEO! Making a cover video is a MANDATORY part of the application (please do NOT click apply unless you are planning to make a cover video!). If you want to impress us, make your video unique, funny, and creative!

Qualifications

Desired Qualifications

- Multiple hours/week to devote to projects (remote or in person)

- Genuine interest/aspirations in the entertainment business

- Communicative and responsive over email and text

- Intuitive in understanding instructions and asking questions when needed

- Committed to working with us upon acceptance on the internship

Additional Information

Barry Katz Entertainment is an Equal Opportunity Employer

Barry Katz Entertainment is an equal opportunity employer that is committed to diversity and inclusion in the workplace. We prohibit discrimination and harassment of any kind based on race, color, sex, religion, sexual orientation, national origin, disability, genetic information, pregnancy, or any other protected characteristic as outlined by federal, state, or local laws.

This policy applies to all employment practices within our organization, including hiring, recruiting, promotion, termination, layoff, recall, leave of absence, compensation, benefits, training, and apprenticeship. Barry Katz Entertainment makes hiring decisions based solely on qualifications, merit, and business needs at the time.

All your information will be kept confidential according to EEO guidelines.