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Assistant Audio Software Developer Jobs in Texas

As a member of the software engineering division, you will assist in defining and developing software for tasks associated with the developing, debugging or designing of software applications or ...

... audio engineering, and quality assurance. Operating in a hybrid model in Austin TX, we balance ... assist in the completion of a specific project and who are temporarily scheduled to work the ...

We're looking for a detail-oriented Entry-Level Software Developer who's excited to learn ... What You'll Do * Assist in designing, developing, testing, and maintaining web applications * Write ...

We're looking for a detail-oriented Entry-Level Software Developer who's excited to learn ... What You'll Do * Assist in designing, developing, testing, and maintaining web applications * Write ...

... software development cycle Participate and help lead UI/UX efforts to advance our products ... Assist with design and implementation of assigned features in AngularJS (4.0, 1.x), Angular ...

Advanced critical thinking and problem solving abilities * BS or MS in Computer Science, or equivalent experience Responsibilities As a member of the software engineering division, you will assist in

Use technical specifications to develop software. Assist in prioritizing tasks and accurately ... or Software Developer. ALTERNATE EDUCATION: Master's Degree in Computer Science, Computer ...

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Assistant Audio Software Developer information

What is the difference between Assistant Audio Software Developer vs Audio Software Engineer?

AspectAssistant Audio Software DeveloperAudio Software Engineer
Required CredentialsBachelor's in Computer Science, Audio Engineering, or related fieldBachelor's or Master's in Computer Science, Electrical Engineering, or related field
Work EnvironmentEntry-level, collaborative teams in tech or audio companiesMid to senior-level roles, often in R&D or product development teams
Employer & Industry UsageStartups, audio tech firms, multimedia companiesEstablished tech firms, audio hardware/software companies
Common Search & ComparisonYesYes

The main difference between an Assistant Audio Software Developer and an Audio Software Engineer lies in experience level and responsibilities. The assistant role is entry-level, focusing on supporting development tasks, while the engineer role involves more complex design and problem-solving. Both roles require similar educational backgrounds and are found in audio and tech industries, but the engineer position typically demands more experience and technical expertise.

What does an Assistant Audio Software Developer do?

An Assistant Audio Software Developer helps design, code, and test software applications that process or generate audio. They often work under the guidance of senior developers to build features such as audio effects, plugins, or digital audio workstation (DAW) tools. Their responsibilities might include debugging code, collaborating with sound designers, and ensuring software meets audio quality standards. This role requires knowledge of programming languages like C++ and familiarity with digital audio concepts.

What are some common challenges faced by Assistant Audio Software Developers when working on collaborative projects?

Assistant Audio Software Developers often work as part of teams that include senior developers, sound designers, and QA specialists. One common challenge is ensuring seamless integration of audio features across different platforms and hardware, which can require troubleshooting compatibility issues and adapting to rapidly changing project requirements. Effective communication and version control are essential to prevent conflicts in shared codebases. Developing a strong understanding of both audio processing concepts and software engineering best practices helps in navigating these challenges successfully.

What are the key skills and qualifications needed to thrive as an Assistant Audio Software Developer, and why are they important?

To thrive as an Assistant Audio Software Developer, you need strong programming skills (such as C++ or Java), a solid understanding of digital signal processing, and a relevant degree in computer science, audio engineering, or a related field. Familiarity with industry-standard audio development tools (like JUCE or VST SDKs), version control systems, and audio plugin frameworks is typically required. Strong problem-solving abilities, attention to detail, and effective teamwork and communication skills help someone excel in this role. These skills and qualities are critical for building reliable audio software, collaborating efficiently with teams, and meeting the creative and technical demands of the audio industry.
What are the most commonly searched types of Audio Software Developer jobs in Texas? The most popular types of Audio Software Developer jobs in Texas are:
What cities in Texas are hiring for Assistant Audio Software Developer jobs? Cities in Texas with the most Assistant Audio Software Developer job openings:

Full-time

Posted 5 days ago


Job description

JOB SUMMARY


The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.


This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that

support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.


This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.


ESSENTIAL FUNCTIONS


Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.


  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events

  • Mix high-level FOH, monitor, overflow, and broadcast audio environments

  • Deliver polished, balanced, and emotionally engaging mixes for:

  •  In-room worship experiences

  • Online streaming audiences

  • Satellite campuses

  • Broadcast environments

  • Recording and archive playback

  • Overflow environments

  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:

  • Main Worship Center

  • Overflow venues

  • Monitor World

  • Broadcast environments

  • Build and maintain console show files, scenes, routing structures, macros, and workflows

  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes

  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence

  • Maintain sonic consistency across multiple venues and campus environments

  • Mix and optimize audio specifically for online and broadcast environments

  • Understand the operational and creative differences between FOH and broadcast mixing

  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms

  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues

  • Understand audio-for-video workflows including:

  • Embedded SDI audio

  • Dante network audio systems

  • Multitrack recording

  • Playback systems

  • Lip sync management

  • Streaming signal paths

  • Help create immersive worship experiences for In room/online audiences

  • Operate, maintain, and troubleshoot advanced live audio systems including:

  • Yamaha Rivage console ecosystems

  • Yamaha DM7 console ecosystems

  • d&b Audiotechnik PA systems

  • d&b Soundscape immersive audio environments

  • Shure wireless microphone systems

  • Dante audio networking

  • RF coordination systems

  • Playback and recording systems

  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues

  • Coordinate wireless frequencies and RF environments for large-scale productions

  • Assist with PA optimization, gain structure management, and system tuning workflows

  • Troubleshoot complex signal flow and technical issues under live-event pressure

  • Maintain organized documentation including:

  • Patch sheets

  • Signal flow diagrams

  • System configurations

  • Equipment status reports

  • Ensure systems remain operationally reliable and service-ready

  • Record, edit, mix, and master audio for:

  • Video productions

  • Promotional content

  • Broadcast packages

  • Podcasts

  • Worship recordings

  • Support multitrack recording workflows and playback systems

  • Maintain organized session archives and audio assets

  • Assist in developing scalable playback and recording workflows for future production growth

  • Support guest artists, conferences, and special production environments with advanced preparation and execution

  • Serve as technical lead for smaller ministry events and gatherings

  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles

  • Cross-train in lighting, broadcast, and video systems to support overall production excellence

  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards

  • Maintain calm, organized, and solutions-focused environments during high-pressure productions


COMPETENCIES


  • Strong attention to detail with exceptional listening skills

  • Calm and composed under live-event pressure

  • Highly organized and solutions-oriented

  • Team-focused with strong interpersonal communication skills

  • Self-motivated learner with a growth mindset

  • Reliable, punctual, and highly accountable

  • Passionate about excellence in both ministry and production environments

  • Adaptable and flexible within rapidly changing live-event environments


POSITION TYPE/EXPECTED HOURS OF WORK


Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.


PHYSICAL REQUIREMENTS


While performing the duties of this job, the employee may be regularly required to do the following:


  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events. 

  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs

  • Navigating stages, platforms, and technical areas


EDUCATION AND EXPERIENCE


  • High School Diploma or equivalent required

  • 3+ years of live audio production experience preferred

  • Experience in church, touring, concert, or broadcast production environments strongly preferred

  • Relevant certifications or advanced live audio training considered a plus


REQUIRED SKILLS


  • Strong experience with professional digital audio consoles in live production environments

  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred

  • Advanced understanding of:

  • FOH mixing

  • Broadcast mixing

  • Monitor engineering

  • EQ and dynamics processing

  • Gain structure

  • Signal flow

  • System optimization

  • Experience with Shure wireless systems and RF coordination

  • Understanding of Dante audio networking and digital audio infrastructure

  • Strong troubleshooting skills in high-pressure live production environments

  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics


PREFERRED QUALIFICATIONS


  • Experience with d&b audiotechnik systems

  • Experience with d&b Soundscape immersive audio environments

  • Experience in large church, touring, concert, or broadcast production environments

  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows

  • Understanding of synchronization, latency management, and broadcast integration

  • Experience mentoring volunteers or technical team members

  • Familiarity with lighting and broadcast production systems


WORK ENVIRONMENT


Live production environments with high sound pressure levels


OTHER DUTIES


  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility

  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders

  • Lead by preparation, professionalism, positivity, and adaptability

  • Support continuous improvement of CBC systems, workflows, and team development

  • Uphold the belief that production should support worship experiences without becoming distracting

  • CBC Member, genuine desire to serve God and the Church

  • Must live a life beyond reproach 1 Timothy 3

  • Maintain daily disciplines of Bible study and prayer

Employment Type: FULL_TIME