Live Director
Ponte Vedra Beach, FL · Remote
Basic understanding of remote production trucks and their workflows * Solid computer skills ... Execute programming that includes SHOTLink storylines by using graphics, strategic analysis and ...
Ponte Vedra Beach, FL · Remote
Basic understanding of remote production trucks and their workflows * Solid computer skills ... Execute programming that includes SHOTLink storylines by using graphics, strategic analysis and ...
Ponte Vedra Beach, FL · Remote
Basic understanding of remote production trucks and their workflows * Solid computer skills ... Execute programming that includes SHOTLink storylines by using graphics, strategic analysis and ...
Ponte Vedra Beach, FL · Remote
Basic understanding of remote production trucks and their workflows * Solid computer skills ... Execute programming that includes SHOTLink storylines by using graphics, strategic analysis and ...
Ponte Vedra Beach, FL · Remote
Basic understanding of remote production trucks and their workflows * Solid computer skills ... Execute programming that includes SHOTLink storylines by using graphics, strategic analysis and ...
| Aspect | Remote Shotlink | Remote Video Technician |
|---|---|---|
| Credentials | Typically requires certification in broadcast technology or related field | Requires technical training in video systems and troubleshooting |
| Work Environment | Remote, often from home or office, supporting live sports or events | Remote, supporting video equipment setup, troubleshooting, and maintenance |
| Industry Usage | Used mainly in sports broadcasting, live event coverage | Common in broadcast, media production, and live event industries |
Remote Shotlink and Remote Video Technician roles both involve technical support in broadcasting, often remotely. While they share similar credentials and work environments, Remote Shotlink focuses on live sports data management, whereas Remote Video Technicians handle video system setup and troubleshooting. Understanding these differences helps job seekers find the right role aligned with their skills and career goals.

5.9
Based on 9 frontline employees who took The Breakroom Quiz
The Best Players Need the Best People.
QUALIFICATIONS
Bachelor's degree in Television/Film Production, Broadcast Journalism, Communications or related area
Seven years related experience, with a minimum of three to five years of experience directing live event programming in both the control room and remote production environments; Directing experience should include studio programming as well as multi-camera event production
Ability to lead a team of Camera Operators and the rest of the event production staff
Basic understanding of remote production trucks and their workflows
Solid computer skills (Microsoft Word, Excel) and/or comparable programs
Sports production background preferred, experience with the game of golf preferred
RESPONSIBILITIES/DUTIES
Direct live event programming as assigned.
Responsible for overseeing the creative execution of assigned shows or projects in conjunction with the Show Producer.
Create camera plans for covering tournament action
Work with Show Producer to manage production teams in the daily planning and execution of all assigned programs and/or projects.
Execute programming as appropriate that reflects the PGA TOUR's overall objectives.
Execute programming that includes SHOTLink storylines by using graphics, strategic analysis and data to improve the quality of features, segments and shows when appropriate.
Special projects or other duties as assigned.
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Spectator sports
1,001 - 5,000 Employees
Ponte Vedra Beach, FL, US
1968